Oscar Muñoz: Hasselblad Award 2018 by Oscar Muñoz

Oscar Muñoz: Hasselblad Award 2018

by Oscar Muñoz
Verlag der Buchhandlung Walther König · 2018 · Hardcover

This catalog accompanies the exhibition mounted at the Hasselblad Center in Gothenburg after Oscar Muñoz received the 2018 Hasselblad Foundation International Award in Photography. It stands as one of the fullest surveys of an artist who treats the photograph less as a fixed record than as a fragile, disappearing event.

Across 180 pages the book reproduces the sculptural installations, drawings, and photographic works shown in Gothenburg, pieces built from water, breath, charcoal, and light-sensitive material rather than conventional prints. Essays by curators Louise Wolthers and Dragana Vujanović Östlind sit alongside a text by juror and Autograph ABP director Mark Sealy. Together they trace how Muñoz's experiments with evaporation, condensation, and combustion turn the picture into a process rather than an object, one always on the verge of vanishing.

Muñoz (b. 1951, Popayán, Colombia) has spent more than three decades probing memory, mortality, and the unreliability of images, work held by MoMA, Tate Modern, LACMA, and the Daros Latinamerica Collection. A retrospective traveled to the Jeu de Paume in Paris in 2014. Pieces like Aliento and Narcisos secos, in which breath or water momentarily conjure a face before it fades, remain among his best-known works.


Details

Year 2018
ISBN 9783960984153
Format Hardcover
Pages 180
Dimensions —
Language English

Notes

Publication date appears variously as 2018 (exhibition/award year, used by the Hasselblad Foundation and most catalog listings) and February 2019 (a later listed release date on some bookseller sites); 2018 is used here as the primary year. Image color/bw split and LOC data were not found and are left null. Cover image is a low-resolution (128x154 px) Google Books thumbnail; no higher-resolution front-cover scan was found within the research budget.

Contributors

Contributors Louise Wolthers (Essay); Dragana Vujanović Östlind (Essay); Mark Sealy (Text)

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