[ { "id": "1", "author_last": "Abbott", "author_first": "Berenice", "author_full_name": "Berenice Abbott", "title": "Documenting Science", "publisher": "Steidl", "publication_year": "2012", "height_cm": "31.0", "width_cm": "29.5", "depth_cm": "", "binding": "Hardcover", "page_count": "180", "edition_printrun": "1st edition", "isbn_asin": "9783869304311", "editor": "Kurtz, Ron", "contributors": "Ron Kurtz, Julia Van Haaften, John Durant", "is_signed_inscribed": "false", "designer": "", "description": "Illustrated in tritone throughout. Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as \"the friendly interpreter of science\". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the Physical Science Study Project at MIT which illustrated a new series of physics textbooks. This spectacular body of work is arguably Abbott's most innovative and creative. Both beautiful and instructive, these images often illustrate some basic scientific principle. They are a marriage of science and art, and have fundamentally changed the way thousands of students visualize complex principles of physics. Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography. Abbott moved to Paris from New York in 1921, and in 1923, after many false starts, was hired by her friend Man Ray.He was looking for an assistant who knew nothing about photography whom he could teach. Abbott learned quickly and within a year was taking her own photographs. Her first solo exhibition in 1926 was a success, and for the next 65 years Abbott mastered a wide range of subjects. Highlights of Abbott's career include the monumental project Changing New York (1935-1938), photographing rural America including US Route 1 from Maine to Florida, photographically interpreting scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first university photography program in the United States. Steidl published the two-volume retrospective Berenice Abbott in 2008. Co-published with Commerce Graphics, New York", "artist_url": "", "publisher_url": "https://steidl.de", "collection_grouping": "Photography", "tags": "Music, Photographers, Photography, Science, Technology, architecture", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783869304311.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "2", "author_last": "Abbott", "author_first": "Berenice", "author_full_name": "Berenice Abbott", "title": "American Photographer", "publisher": "McGraw-Hill", "publication_year": "1982", "height_cm": "35.6", "width_cm": "28.0", "depth_cm": "", "binding": "Hardcover", "page_count": "255", "edition_printrun": "400 Copies", "isbn_asin": "", "editor": "O'Neal, Hank", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "slipcase, NOT accompanied by a 14 x 11 inch [35.6 x 28 cm.] gelatin silver photograph, Designer's Window, Bleeker Street, signed by the photographer beneath the image. An Artpress Book, [NY], 1982. Abbott, Berenice (illustrator). Deluxe Limited edition. Folio, over 250 photos. Bound in a deep red raw silk with titling in silver on the upper cover and spine. The spine lettering is partially rubbed, otherwise a fine copy housed in a matching red silk slipcase which is slightly faded. SIGNED by the photographer on the colophon leaf and number. Accompanied with the original SIGNED gelatin silver print. A major retrospective look at this American photographer whose career started as an assistant to Man Ray in Paris, was instrumental in documenting New York City for the WPA, and spanned over 5 decades. This deluxe edition is limited to 420 copies signed by the photographer. This is number 84 of 400 copies accompanied by a 14 x 11 inch [35.6 x 28 cm.] gelatin silver photograph, Designer's Window, Bleeker Street, signed by the photographer beneath the image, mounted on a larger archival board and framed in black wood with plexiglass, 20.5 x 24.5 inches.", "artist_url": "", "publisher_url": "", "collection_grouping": "Photography", "tags": "Architecture, NYC, Photographers, Photography, Science, Technology", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "3", "author_last": "Abbott", "author_first": "Berenice", "author_full_name": "Berenice Abbott", "title": "Berenice Abbott: Changing New York", "publisher": "New Press", "publication_year": "1997", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "399", "edition_printrun": "illustrated, reprint", "isbn_asin": "9781565845565", "editor": "Bonnie Yochelson", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Photography", "tags": "Architecture, NYC, New York City, Photographers, Photography, Science, Technology", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "4", "author_last": "Abbott", "author_first": "Berenice", "author_full_name": "Berenice Abbott", "title": "Exhibition catalogs (Toronto. Art Gallery of Ontario / Toronto. Ryerson Image Centr)", "publisher": "Hazan", "publication_year": "2012", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "223", "edition_printrun": "", "isbn_asin": "9782754106078", "editor": "Gaëlle Morel", "contributors": "Sarah Miller , Jeu de Paume (Paris) , Terri Weissman", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Photography", "tags": "Art, Exhibition Catalog, Photography", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "5", "author_last": "Abbott", "author_first": "Berenice", "author_full_name": "Berenice Abbott", "title": "Paris Portraits", "publisher": "Steidl/Commerce Graphics, New York", "publication_year": "2016", "height_cm": "30.5", "width_cm": "24.1", "depth_cm": "3.8", "binding": "", "page_count": "368", "edition_printrun": "", "isbn_asin": "9783869303147", "editor": "Ron Kurtz, Hank O'Neal", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The photographs that launched Abbott's career: portraits of artists and writers in prewar Paris, from Jean Cocteau to James Joyce This is one in a series of books to be published by Steidl that will explore Berenice Abbott’s oeuvre. Abbott began her photographic career in Paris in 1925, taking portraits of some the most celebrated artists and writers of the day, including Marie Laurencin, Jean Cocteau, Peggy Guggenheim, Coco Chanel, Max Ernst, André Gide, Philippe Soupault and James Joyce. Within a year her work was exhibited and acclaimed. Paris Portraits 1925–1930 features the results of Abbott’s earliest photographic project and illustrates the philosophy of all her subsequent work. For this landmark book, 115 portraits of 83 subjects have been scanned from the original glass negatives, which have been printed in full.", "artist_url": "", "publisher_url": "https://steidl.de/", "collection_grouping": "Photography", "tags": "New York City, Paris, Photography, Portrait", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783869303147.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "6", "author_last": "Abenavoli", "author_first": "Masanao", "author_full_name": "Masanao Abenavoli", "title": "The Movement of Clouds around Mount Fuji", "publisher": "Spector Books", "publication_year": "2015", "height_cm": "34.0", "width_cm": "24.1", "depth_cm": "2.5", "binding": "Softcover", "page_count": "376", "edition_printrun": "", "isbn_asin": "9783944669601", "editor": "", "contributors": "by Helmut Völter (Photographer), Masanao Abe (Photographer)", "is_signed_inscribed": "false", "designer": "", "description": "376 pages, 4 lbs. In the late 1920s, Japanese physicist Masanao Abe built an observatory with a view of Mount Fuji. From it, over the course of fifteen years, he recorded the clouds that surrounded the mountain. He was interested in the scientific question of how the air currents around Fuji could be visualized by means of film and photography. Albeit unintentionally, Abe’s motifs fit into a long iconographic tradition: the mountain and the clouds. For decades his archive was left untouched in a Tokyo garden shed. Helmut Völter, who discovered Abe’s legacy while working on his book Cloud Studies, sifted through the images of the passionate cineaste who saw a combination of individual images, moving pictures and stereo recordings as the ideal form of scientific evidence. The mere contemplation of these dynamic cloud photographs centring on snow-covered Fuji seems to lift the viewer into the air.", "artist_url": "", "publisher_url": "https://spectorbooks.com/", "collection_grouping": "Photography", "tags": "clouds, earth, mountain, time series", "classification": "Individual Photographer Monograph Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783944669601.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "7", "author_last": "Abenavoli", "author_first": "Valentina", "author_full_name": "Valentina Abenavoli", "title": "Anaesthesia", "publisher": "AKINA Books", "publication_year": "2016", "height_cm": "23.0", "width_cm": "25.0", "depth_cm": "6.0", "binding": "Softcover", "page_count": "212", "edition_printrun": "500 Copies", "isbn_asin": "9786000021801", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "curated and edited by Valentina Abenavoli, signed, edition of 500 copies. With a text by Veronique Pin Fat. Rather than a traditional photo book, Valentina Abenavoli’s “anaesthesia” is a care- and thoughtful recontextualisation of images of war and terror. Words from writers such as T.S. Eliot, Rousseau, Zizek and screenshots from war footage and execution videos are edited and arranged to form an engaging narrative. “Anaesthesia is a lament of several voices, a symphony of the evil in us, cinematically edited screenshots from videos, an engagement with the media, an open criticism to war and terrorism, a declaration of neutrality, an act of rebellion to the ego, where one stands alone prevented to feel anything else beyond his own finitude. Nothing would be more painful than not suffering anymore, dropping the burden of sensations, withdrawing from living and bonding. In the lyricism of the agony of mind, in the longing for a break in the inner solitude, what is more ambiguous than the desire to feel others? When confronted with others, personal pleasure as much as personal pain become absolute and universal. What remains is the love for horror and the horror of love.”", "artist_url": "", "publisher_url": "https://akinabooks.com/", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "8", "author_last": "Abercrombie", "author_first": "Gertrude", "author_full_name": "Gertrude Abercrombie", "title": "Gertrude Abercrombie", "publisher": "Karma, New York", "publication_year": "2018", "height_cm": "24.1", "width_cm": "20.3", "depth_cm": "5.1", "binding": "Hardcover", "page_count": "488", "edition_printrun": "new.", "isbn_asin": "9781949172027", "editor": "", "contributors": "Robert Storr (Author), Susan Weininger (Author), Robert Cozzolino (Author), Dinah Livingston (Author), Studs Terkel (Author), Dan Nadel (Editor), Gertrude Abercrombie (Artist)", "is_signed_inscribed": "false", "designer": "", "description": "4.4 pounds. This is the most comprehensive book ever published on the Chicago surrealist Gertrude Abercrombie (1909–77), a key figure in midcentury American surrealism. From the late 1930s until her death, Abercrombie made paintings populated by objects of personal significance―moons, towers, cats, pennants, Victorian furniture, shells, snails and doors―to create allegories for her own often precarious psychological states. Often presiding over these symbols was Abercrombie herself, who appears in numerous pictures as proud observer or witchy caricature. Abercrombie exhibited in Chicago and New York in the 1940s and ‘50s, and her salon became a center of Midwestern culture, hosting jazz musicians (such as her close friend Dizzy Gillespie), writers and artists. This book includes new scholarship by Robert Cozzolino; a memoir of Abercrombie by Robert Storr; the artist's own writing; a definitive text by art historian Susan Weininger; and a memoir by the artist's daughter, Dinah Livingston.", "artist_url": "", "publisher_url": "", "collection_grouping": "Art", "tags": "New York City, paintings", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/covers/9781949172027.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "9", "author_last": "Ackerman", "author_first": "Rita", "author_full_name": "Rita Ackerman", "title": "Rita Ackermann & Andro Wekua: Chapter 4", "publisher": "Fergus McCaffrey, Case Publishing", "publication_year": "2021", "height_cm": "39.0", "width_cm": "30.0", "depth_cm": "", "binding": "Softcover", "page_count": "76", "edition_printrun": "1000", "isbn_asin": "9784908526428", "editor": "", "contributors": "Essay by Gianni Jetzer", "is_signed_inscribed": "false", "designer": "", "description": "red mylar, perfect binding, offset printed, color, Chapter 4” is published in conjunction with an exhibition of the same title at Fergus McCaffrey Tokyo (May 1 – July 3, 2021). It was in 2002 that Swiss-based Georgian artist Andro Wekua and New York-based Hungarian artist Rita Ackermann were introduced and began a fruitful creative collaboration with each other. Their remote communication, fuelled by mutual experiences of pictures, music, poetry and plain talk, resulted in the publication of zine-like art books – first self-published (“Chapter 1”), then published by Swiss publisher Nieves (“Chapter 2” and “Chapter 3”). This “Chapter 4”, published by Fergus McCaffrey and Tokyo-based Case Publishing, continues serving as a platform to showcase Ackermann’s and Wekua’s mutual artistic fruits. The large-format book includes paintings, drawings and collages of the two artists, created between 2008 and 2021. “Ackermann and Wekua are part of a lineage that includes their fellow ‘Easterners’ Georg Baselitz and Sigmar Polke, in that they borrow widely from folk and fairy tales, invoke high and low culture, and navigate a path between state-mandated realism and the perceived allure of American gestural abstraction. Further, it is impossible not to reference two earlier displaced Europeans: Willem de Kooning and Mark Rothko, who seem to provide material and spiritual nutrition in finding a path between figuration, landscape, and pure abstraction. Wekua begins with collages of animals, palm trees, inwardly consumed adolescents, and abandoned domestic spaces that become gradually obliterated and transformed under layers of bright pinks, purples, acid yellows, turquoises, and magentas that evoke the color palette of Rothko. His vibrant hues contain all of the elder artist’s contradictions in the apparent elation and the tugging sense of desperation. It is a personal art drawn from a specific place and time, but which has universal resonance despite or because of its stubborn evasiveness. Though Wekua’s scale of works and methods are significantly different, both feel psychically fraught and born of struggle. Scraped down and distressed in the making, Wekua’s means are very evident to behold; loaded with materials and meaning. Portraiture and self-portraiture are amongst Wekua’s most pressing concerns, and a sense of unease and discomfort is evoked that whispers of alienation and longing. (…) Ackermann shares the same layering, coding, and disclosure of source imagery, which often appears distracting and at odds with itself, perhaps reflecting a layer of self-defense against prying eyes and pervasive surveillance. ” The book also includes an essay by curator Gianni Jetzer. All texts are included in English and Japanese translation", "artist_url": "", "publisher_url": "https://case-publishing.jp", "collection_grouping": "Art", "tags": "Artists' Books, Berlin, Drawing, Fashion, New York City, Painting, art, colab, covid", "classification": "Artist Book", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "10", "author_last": "Ackerman", "author_first": "Rita", "author_full_name": "Rita Ackerman", "title": "Sketchbook II (A Midsummer Night's Dream)", "publisher": "American Art Catalogues", "publication_year": "2021", "height_cm": "27.9", "width_cm": "24.1", "depth_cm": "", "binding": "Hardcover", "page_count": "84", "edition_printrun": "500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Illustrated. Hardcover, Printed by Pureprint, London, U.K.. Sketchbook II (A Midsummer Night’s Dream), was inspired by Max Reinhardt’s film, A Midsummer Night’s Dream from 1935. For a brief moment there were vehement ideas to re-stage the iconic masterpiece during the summer of 2020. As the first pages could almost be read as direct references to the film or notes for future productions, this tangible approach quickly evaporates from the following pages and the illustrative elements gradually fade into free assocaitions to just about anything, anytime, anywhere, under the title “A Midsummer Night’s Dream”.", "artist_url": "", "publisher_url": "https://americanartcatalogues.com/", "collection_grouping": "Art", "tags": "Art", "classification": "Artist Book", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "11", "author_last": "Ackerman", "author_first": "Rita", "author_full_name": "Rita Ackerman", "title": "Sketchbook V (Twitchy)", "publisher": "American Art Catalogues", "publication_year": "2022", "height_cm": "27.9", "width_cm": "24.1", "depth_cm": "", "binding": "Hardcover", "page_count": "84", "edition_printrun": "First printing, 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Sketchbook V (Twitchy), the fifth and final installment of Ackermann's sketchbook series. Long time collaborator and friend of Ackermann's Harmony Korine created a foundation of drawings for Ackermann to rework within the pages of this sketchbook. The cover bears Twitchy, a character created by Korine.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "12", "author_last": "Ackerman", "author_first": "Rita", "author_full_name": "Rita Ackerman", "title": "Rita Ackermann", "publisher": "Skira Rizzoli", "publication_year": "2011", "height_cm": "28.8", "width_cm": "23.7", "depth_cm": "2.9", "binding": "Hardcover", "page_count": "224", "edition_printrun": "(1 of 2 copies)", "isbn_asin": "9780847836642", "editor": "", "contributors": "by Rita Ackermann (Author), Bonnie Clearwater (Author), Harmony Korine (Author), Felix Ensslin (Author), John Kelsey (Author)", "is_signed_inscribed": "false", "designer": "", "description": "Illustrated. A native of Hungary, Rita Ackermann moved to New York City in the mid-1990s. She arrived to find a culture (and art world) in transition: rave and zine culture was in full swing; collaborations between artists, musicians, and magazine and book publishers were pervasive; and the dawning of the Internet age was upon us. Within a few short months after settling in New York, the artist received widespread attention for her work, particularly a group of canvases populated with figures inspired by the cult German film We Children from Bahnhof Zoo about the heroin subculture of the 1970s. Her work forged a new visual language: paintings, drawings, and collages which telescoped between a virtuoso—and sometimes brutalistic—expressionism and taut, precise figurative drawing. Ackermann’s work explores the paradoxical relationship between fragility and violence, as she derives inspiration from literature, film, philosophy, and popular culture.", "artist_url": "", "publisher_url": "https://americanartcatalogues.com/", "collection_grouping": "Art", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/covers/9780847836642.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "13", "author_last": "Adams", "author_first": "Robert", "author_full_name": "Robert Adams", "title": "Gone?", "publisher": "Steidl Photography International", "publication_year": "2010", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First edition", "isbn_asin": "9783865219176", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://steidl.de", "collection_grouping": "Photography", "tags": "Photography", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783865219176.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "14", "author_last": "Aëgerter", "author_first": "Laurence", "author_full_name": "Laurence Aëgerter", "title": "Photographic Treatment Book 1", "publisher": "dewi lewis publishing", "publication_year": "2016", "height_cm": "29.7", "width_cm": "21.0", "depth_cm": "", "binding": "Hardback", "page_count": "64", "edition_printrun": "5 volumes, Winner 2018 Rencontres d'Arles Author Book Award", "isbn_asin": "9781911306269", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographic Treatment © consists of a series of five books, Daily Photo Dose 1, 2, 3, 4 and 5, each with thirty black and white photographic diptychs collected and edited by Laurence Aëgerter.", "artist_url": "https://laurenceaegerter.com/", "publisher_url": "https://www.dewilewis.com", "collection_grouping": "Photography", "tags": "neurology, psychology", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781911306269.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "15", "author_last": "Aëgerter", "author_first": "Laurence", "author_full_name": "Laurence Aëgerter", "title": "Photographic Treatment Book 2", "publisher": "dewi lewis publishing", "publication_year": "2016", "height_cm": "29.7", "width_cm": "21.0", "depth_cm": "", "binding": "Hardback", "page_count": "64", "edition_printrun": "5 volumes. Winner 2018 Rencontres d'Arles Author Book Award", "isbn_asin": "9781911306276", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographic Treatment © consists of a series of five books, Daily Photo Dose 1, 2, 3, 4 and 5, each with thirty black and white photographic diptychs collected and edited by Laurence Aëgerter.", "artist_url": "https://laurenceaegerter.com/", "publisher_url": "https://www.dewilewis.com", "collection_grouping": "Photography", "tags": "neurology, psychology", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781911306276.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "16", "author_last": "Aëgerter", "author_first": "Laurence", "author_full_name": "Laurence Aëgerter", "title": "Photographic Treatment Book 3", "publisher": "dewi lewis publishing", "publication_year": "2016", "height_cm": "29.7", "width_cm": "21.0", "depth_cm": "", "binding": "Hardback", "page_count": "64", "edition_printrun": "5 volumes. Winner 2018 Rencontres d'Arles Author Book Award", "isbn_asin": "9781911306283", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographic Treatment © consists of a series of five books, Daily Photo Dose 1, 2, 3, 4 and 5, each with thirty black and white photographic diptychs collected and edited by Laurence Aëgerter.", "artist_url": "https://laurenceaegerter.com/", "publisher_url": "https://www.dewilewis.com", "collection_grouping": "Photography", "tags": "neurology, psychology", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781911306283.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "17", "author_last": "Aëgerter", "author_first": "Laurence", "author_full_name": "Laurence Aëgerter", "title": "Photographic Treatment Book 4", "publisher": "dewi lewis publishing", "publication_year": "2016", "height_cm": "29.7", "width_cm": "21.0", "depth_cm": "", "binding": "Hardback", "page_count": "64", "edition_printrun": "5 volumes", "isbn_asin": "9781911306290", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographic Treatment © consists of a series of five books, Daily Photo Dose 1, 2, 3, 4 and 5, each with thirty black and white photographic diptychs collected and edited by Laurence Aëgerter.", "artist_url": "https://laurenceaegerter.com/", "publisher_url": "https://www.dewilewis.com", "collection_grouping": "Photography", "tags": "neurology, psychology", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781911306290.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "18", "author_last": "Aëgerter", "author_first": "Laurence", "author_full_name": "Laurence Aëgerter", "title": "Photographic Treatment Book 5", "publisher": "dewi lewis publishing", "publication_year": "2016", "height_cm": "29.7", "width_cm": "21.0", "depth_cm": "", "binding": "Hardback", "page_count": "64", "edition_printrun": "5 volumes. Winner 2018 Rencontres d'Arles Author Book Award", "isbn_asin": "9781911306306", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographic Treatment © consists of a series of five books, Daily Photo Dose 1, 2, 3, 4 and 5, each with thirty black and white photographic diptychs collected and edited by Laurence Aëgerter.", "artist_url": "https://laurenceaegerter.com/", "publisher_url": "https://www.dewilewis.com", "collection_grouping": "Photography", "tags": "neurology, psychology", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781911306306.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "19", "author_last": "Ahlbom", "author_first": "Grace", "author_full_name": "Grace Ahlbom", "title": "Dreaming is Heavy Metal", "publisher": "Soft Opening", "publication_year": "2018", "height_cm": "29.2", "width_cm": "24.1", "depth_cm": "", "binding": "Softcover", "page_count": "32", "edition_printrun": "1st Edition of 300 Copies", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "square Backed, 4 Color.", "artist_url": "https://www.graceahlbom.com/", "publisher_url": "", "collection_grouping": "", "tags": "music", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "20", "author_last": "Ahlbom", "author_first": "Grace", "author_full_name": "Grace Ahlbom", "title": "CDMX", "publisher": "Dashwood", "publication_year": "2020", "height_cm": "20.3", "width_cm": "13.3", "depth_cm": "", "binding": "Softcover", "page_count": "18", "edition_printrun": "1st Edition of 300 Copies", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "staple bound, 4 Color. Dashwood zines.", "artist_url": "", "publisher_url": "https://dstrettell.com/", "collection_grouping": "Zines", "tags": "Dashwood zines", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "21", "author_last": "Aida", "author_first": "Makoto", "author_full_name": "Makoto Aida", "title": "Monument For Nothing", "publisher": "Graphic Sha Pub Co", "publication_year": "2007", "height_cm": "29.8", "width_cm": "23.5", "depth_cm": "3.2", "binding": "Boards", "page_count": "248", "edition_printrun": "Bilingual edition", "isbn_asin": "9784766118049", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Pop Culture Art", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9784766118049.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "22", "author_last": "Al Qasimi", "author_first": "Farah", "author_full_name": "Farah Al Qasimi", "title": "Hello Future", "publisher": "Capricious", "publication_year": "2021", "height_cm": "22.5", "width_cm": "17.8", "depth_cm": "", "binding": "Hardcover", "page_count": "300", "edition_printrun": "First edition", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "Dividing her time between Brooklyn and Dubai, Emirates artist, Farah Al Qasimi’s is a bright and rising multidisciplinary artist whose work examines postcolonial structures of power, gender and aesthetic in the Persian Gulf states and global cultural confluence and migration at-large. Hello Future is a culmination of Al Qasimi’s photographic, performance and film practice, unified within her keen focus on surface and texture, and the revealing visual influences of the splashy and florid. The monograph includes an essay by Negar Azimi and conversation between Al Qasimi and artist Meriem Bennani. Designed by Studio Lin. Farah is recipient of the third annual Capricious Photo Award", "artist_url": "https://farahalqasimi.com/", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "23", "author_last": "Al Qasimi", "author_first": "Farah", "author_full_name": "Farah Al Qasimi", "title": "Arrival, The Third Line, Dubai", "publisher": "Self", "publication_year": "2019", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "First edition", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "", "artist_url": "https://farahalqasimi.com/", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Photography Artist Book", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "24", "author_last": "Albdorf", "author_first": "Thomas", "author_full_name": "Thomas Albdorf", "title": "General View", "publisher": "", "publication_year": "2017", "height_cm": "21.0", "width_cm": "28.0", "depth_cm": "", "binding": "Hardcover", "page_count": "128", "edition_printrun": "edition of 700", "isbn_asin": "9788894895070", "editor": "", "contributors": "Text by Darren Campion", "is_signed_inscribed": "false", "designer": "Thomas Albdorf and Milo Montelli", "description": "saddle stitch. \"General View“ investigates conceptions of a new reality that continuously departs from the indexical referent towards an ever-changing rendering of a world that is yet still routed in the photographic image. Inspired by photographs of Yosemite National Park – one of the most intensely mediated nature sites on earth, the series toys with the question regarding the necessity of traveling to a place that has been photographed innumerable times, the need to record additional photographs. If countless images of a specific place are downloadable or can be screenshot, have I been there already? The series concentrates on the reenactment of glitches on Google Street View; in a gesture similar to the concepts of Warhol's Brillo Box or Fischli & Weiss‘ reversed Ready-mades, the malfunctions are appropriated and reenacted via pre- and post-photographic processes – to test their sculptural qualities, their ability to become an autonomous entity, potentially independent from their indexical referents. The unintended glitches (as well as the originally intended blurs to conceal faces or car plates) appear as a trace of the algorithmic merging and altering of photographic images without direct human control; an early potential glimpse into, a herald for a post-human understanding of the concept of the image or its redundancy and disappearance.", "artist_url": "https://thomasalbdorf.com/generalview", "publisher_url": "https://www.skinnerboox.com", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "25", "author_last": "Albers", "author_first": "Josef", "author_full_name": "Josef Albers", "title": "Formulation: Articulation", "publisher": "T.G. Rosenthal", "publication_year": "2006", "height_cm": "33.0", "width_cm": "24.8", "depth_cm": "3.2", "binding": "Hardcover", "page_count": "168", "edition_printrun": "4.12 pounds", "isbn_asin": "9780500238288", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "26", "author_last": "Aldridge", "author_first": "Miles", "author_full_name": "Miles Aldridge", "title": "One black & white and nineteen colour photographs", "publisher": "Reflex Editions; Reflex Art Gallery", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Large format paperback", "page_count": "", "edition_printrun": "lmtd edition of 750", "isbn_asin": "9789071848193", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "One black & white and nineteen colour photographs by Miles Aldridge. First edition (2014). First impression. Large format paperback in new condition. Signed by The Cabinet by Miles Aldridge to back of cover. No markings. This is a brand new book. Please see pictures. PayPal accepted, any questions please get in touch.", "artist_url": "", "publisher_url": "https://www.reflexamsterdam.com/", "collection_grouping": "", "tags": "Art, Miles Aldridge, Photography, Portrait Photography, Signed Photography, fashion photography", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "27", "author_last": "Aldridge", "author_first": "Miles", "author_full_name": "Miles Aldridge", "title": "Please return Polaroid", "publisher": "Steidl", "publication_year": "2016", "height_cm": "29.5", "width_cm": "29.5", "depth_cm": "", "binding": "Hardback", "page_count": "208", "edition_printrun": "", "isbn_asin": "9783958297487", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "clothbound, 117 images. Please Please return Polaroid is Miles Aldridge’s ongoing love letter to Polaroid, a process once integral to the craft of many photographers but now more or less extinct, apart from the rare and out-of-date material traded on eBay for exorbitant prices. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions. Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces. Long live Polaroid!", "artist_url": "", "publisher_url": "https://steidl.de", "collection_grouping": "", "tags": "Photography", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9783958297487.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "28", "author_last": "Alex", "author_first": "GD", "author_full_name": "GD Alex", "title": "515-05", "publisher": "Macaroni Book", "publication_year": "2018", "height_cm": "22.0", "width_cm": "31.0", "depth_cm": "", "binding": "Handmade book binding", "page_count": "52", "edition_printrun": "Edition of 100 copies", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Inkjet printed by AJM (Brussels), Risograph printed by Chez Rosi (Brussels), Recycled paper and Fedrigoni paper, Screen-printed paper envelope by Atelier l'Appât (Brussels). 515.05 by Alex GD is an experimental copy machine project about surveillance, image control, identity and numeric filing. Who are the real criminals here the people in the pictures or the one that controls de CCTV?", "artist_url": "https://www.alexgd.com", "publisher_url": "https://www.instagram.com/macaronibook/", "collection_grouping": "", "tags": "surveillance", "classification": "Surveillance Index", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Alex_515_05.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "29", "author_last": "Alpern", "author_first": "Merry", "author_full_name": "Merry Alpern", "title": "Dirty Windows", "publisher": "Art Pub Inc; First Edition, First Printing", "publication_year": "1995", "height_cm": "29.2", "width_cm": "23.5", "depth_cm": "1.3", "binding": "Hardcover", "page_count": "112", "edition_printrun": "", "isbn_asin": "9781881616580", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Photography", "tags": "nyc, prostitution, sex, sex-work downtown, surveillance", "classification": "Surveillance Index", "bisac": "PHO011010 / PHO023030", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781881616580.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "30", "author_last": "Amano", "author_first": "Yoshitaka", "author_full_name": "Yoshitaka Amano", "title": "M by Ralf Christofor", "publisher": "Snoeck Verlagsgesellschaft", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover with flaps", "page_count": "", "edition_printrun": "Out of print", "isbn_asin": "9783936859164", "editor": "", "contributors": "Christofor, Ralf (Author)", "is_signed_inscribed": "false", "designer": "", "description": "Text (German/English) by Ralf Christofori, 84 pages with 95 coloured illustrations. Yoshitaka Amano was born in Shizuoka in 1952 and, on leaving the production company Tatsunoko at the tender age of 30, had already become a star in the firmament of Japan’s Manga-scene. His early animation series »Speed-Racer« and »G-Force«, as well as the later »Final Fantasy« proved to be immensely popular, becoming permanent fixtures in 70s TV entertainment schedules, particularly in the USA. The mass Japanese animation and comics market’s insatiable appetite has subsequently turned Amano into a fully-fledged superstar. With a few notable exceptions, contemporary art in Japan has continually been reproached for its style of imitative appropriation, until that is a new batch of artists burst onto the scene at the end of the 90s. On their own admission they owe a lot to Amano, be it Mariko Mori’s futuristic barbie-esque dreamscapes and performances or Takasha Murakami and Yoshitomo Nara for instance, in whose paintings the graphic borrowings from Manga proliferate in the funny faces or as unformed babies and little bears. Next to his work on further Mangas for a variety of new applications, be they films, as book illustrations, ceramic designs or as video games, Amano has recently revisited the 700 year old painting tradition of sumi-e. This technique using ink on fine rice paper is based upon expression, brush stroke and absolute precision, leaving no room for error. The Zen idea of penetrating to the essence of the matter is coupled here with an automatism, which construes the thing being painted as a kind of second nature, or as (American) critical opinion has described it: »the introverting of something extrovert in the form of an applied mutation …and, as a merging of different ideas of time, allowing past and future to coalesce.« Amano has Mangas coming out of his ears, Mangas he can use and fashion everywhichway in a variety of guises, situations and modes of expression. In between however, he has been fascinated by the challenge of transferring pictorial elements derived from the ancient sumi-e painting tradition onto highly polished placards. And here, aside from of any skill involved, his supra-dimensional eyes and chins, furrowed brows, silhouettes and details appear to be drawn from the same inexhaustible but anonymous reservoir, from which modern pictorial language also feeds; they have quite literally lost their Japanese innocence and have become universal ciphers in a universalistic culture. Were one to ask Amano where he is currently living, it is indeed fitting that he should reply: mostly Tokyo, New York and Paris.", "artist_url": "", "publisher_url": "https://snoeck.de", "collection_grouping": "", "tags": "anime, speed racer.", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9783936859164.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "31", "author_last": "Amer", "author_first": "Ghada", "author_full_name": "Ghada Amer", "title": "Ghada Amer: Painting in Revolt - by Susan Thompson", "publisher": "Skira Paris", "publication_year": "2021", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "208", "edition_printrun": "", "isbn_asin": "9782370741493", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "New York-based painter and embroiderer Ghada Amer (born 1963) was raised in Cairo, Egypt, and later educated in Nice and Paris, France. Her experiences with sexism in both locations served as the impetus for her to forge new ground in a range of mediums, from painting and sculpture to ceramics and earthworks. With a background in abstract painting, Amer eventually turned to embroidery as a strategy for infiltrating the male space of painting with a material traditionally associated with women. Her work is frequently based on the images of female figures found in magazines, through which she explores the constructions of gender, sexuality and eroticism. Her embroidery is intentionally loose, with threads dangling from the canvas, provoking a pictorial effect not unlike Pollock's splattered paint. More recent works introduce a verbal element, with quotations and aphorisms. This volume reproduces these pieces along with a selection of works from across her career.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "32", "author_last": "Anderson", "author_first": "Christopher", "author_full_name": "Christopher Anderson", "title": "Christopher Anderson -: SON", "publisher": "Kehrer Verlang", "publication_year": "2013", "height_cm": "24.8", "width_cm": "20.3", "depth_cm": "1.9", "binding": "", "page_count": "96", "edition_printrun": "illustrated", "isbn_asin": "9783868283907", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "With this book, Magnum photographer Christopher Anderson, renowned for his documentary work from conflict zones all over the world, presents a very personal body of work: \"These photographs are an organic response to an experience that is at the same time the most unique and the most universal of experiences: the birth of a child. . . . Through my son, my role as the son took on new meaning and my senses were hypertuned to the evidence of my own life passing.\"", "artist_url": "https://christopherandersonphoto.com/", "publisher_url": "", "collection_grouping": "", "tags": "family", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "33", "author_last": "Anderson", "author_first": "Christopher", "author_full_name": "Christopher Anderson", "title": "Christopher Anderson: Stump", "publisher": "Rm", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "96", "edition_printrun": "illustrated", "isbn_asin": "9788415118565", "editor": "John Heilemann", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "", "artist_url": "https://christopherandersonphoto.com/", "publisher_url": "", "collection_grouping": "", "tags": "politics", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "34", "author_last": "Anderson", "author_first": "Christopher", "author_full_name": "Christopher Anderson", "title": "Approximate Joy", "publisher": "Stanley/Barker", "publication_year": "2018", "height_cm": "30.0", "width_cm": "25.5", "depth_cm": "", "binding": "Hardback", "page_count": "120", "edition_printrun": "TBD", "isbn_asin": "9780995555594", "editor": "", "contributors": "Eike König and Colophon Foundry", "is_signed_inscribed": "false", "designer": "", "description": "paper wrapped, Silk screened, 68 Images (CMYK). Christopher Anderson’s photographs portray a contemporary China in the midst of perpetual reinvention. \"I have seen the future and it is now and it is China. There is no need for the past. It can be erased. A new happiness is being constructed, an approximation of joy, better than the real thing.” - Christopher Anderson The images are tightly cropped and extremely close up, bringing the viewer to an intimate distance where all context is removed, except for the ambient artificial light that illuminates the faces, giving only the sensual information of the physical form allowing the viewer the indiscreet pleasure of staring at another human face and wondering who the individual might be or what they might be thinking about at the moment of the photograph. These photographs are not a documentary about what people do. Rather they are a search for connection and recognition of self.", "artist_url": "https://christopherandersonphoto.com/", "publisher_url": "https://www.stanleybarker.co.uk/", "collection_grouping": "", "tags": "Fine Art Photography, Portrait Photography, Still Life Photography", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "35", "author_last": "Anderson", "author_first": "Christopher", "author_full_name": "Christopher Anderson", "title": "COP", "publisher": "Stanley/Barker", "publication_year": "2019", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9781916410695", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Christopher Anderson began photographing New York City cops in the wake of 9/11, as the visual landscape of the city he called home began to change. Bomb blast barriers went up, cops carrying larger guns seemed to be everywhere, and whilst the increased presence of security was designed, in part, to make New Yorkers feel safe, it reminded Anderson that something was deeply wrong. Then, in the wake of Occupy Wall Street, the death of Eric Garner and the election of Trump, Anderson found himself making photographs of cops on the streets of New York City once again, as a form of unconscious protest on a larger sense of authority. On assessing the images he was making, Anderson began to see them as something entirely different than a protest or commentary on power - there was almost a sentimentality. “I saw a portrait of a working class, immigrant America. The uniform only served as a thread on which to hang a cross section sample. The photographs felt more like a love letter to New York”—Christopher Anderson Anderson is a member of Magnum. He first gained recognition in 1999 when his poignant images of the rescue of Haitian refugees taken onboard a sinking wooden boat won him the Robert Capa Gold Medal. His previous book Approximate Joy was widely regarded as one of the best books of 2018.", "artist_url": "https://christopherandersonphoto.com/", "publisher_url": "https://www.stanleybarker.co.uk/", "collection_grouping": "", "tags": "police", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "36", "author_last": "Anderson", "author_first": "Christopher", "author_full_name": "Christopher Anderson", "title": "Bleu Blanc Rouge", "publisher": "Hatje Cantz", "publication_year": "2019", "height_cm": "36.0", "width_cm": "27.0", "depth_cm": "", "binding": "", "page_count": "32", "edition_printrun": "", "isbn_asin": "9783775745321", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "https://christopherandersonphoto.com/", "publisher_url": "https://www.hatjecantz.de/", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9783775745321.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "37", "author_last": "Anderson", "author_first": "JW", "author_full_name": "JW Anderson", "title": "Disobedient Bodies", "publisher": "InOtherWords", "publication_year": "2017", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "38", "author_last": "Andersson", "author_first": "Roger", "author_full_name": "Roger Andersson", "title": "Letters From Mayhem", "publisher": "Cabinet", "publication_year": "2004", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "64", "edition_printrun": "", "isbn_asin": "9781932698251", "editor": "", "contributors": "Sina Najafi (Author), Albert Mobilio (Author)", "is_signed_inscribed": "false", "designer": "", "description": "Roger Andersson's book Letters from Mayhem is an artist's book made of 26 duotone watercolors, each depicting one letter of the alphabet. Printed on thick board in the format of a children's ABC primer, each letter is embedded in a fairytale setting in which wispy long-haired teenagers lie around stoned, sniffing glue, listening to heavy metal, and so on. This garden of vices overgrown with weeds and entangled vines forms a strange foil for imagery drawn from drug culture, anarchy, heavy metal, and children's cartoons, rendering every scene both innocent and corrupt. Full of messages hidden within plants, ponds and clouds, Andersson's drawings evoke a soft nostalgia for childhood tempered by images of soft-edged romantic decadence.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Biography, alphabet, letters", "classification": "Individual Artist Book", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/covers/9781932698251.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "39", "author_last": "Andersson; Louise Enhorning", "author_first": "Nina", "author_full_name": "Nina Andersson; Louise Enhorning", "title": "Swedish Girls A Tribute", "publisher": "Argent Books", "publication_year": "2014", "height_cm": "25.5", "width_cm": "18.5", "depth_cm": "1.2", "binding": "Hardcover", "page_count": "", "edition_printrun": "Swedish Text", "isbn_asin": "9789163746789", "editor": "", "contributors": "Nina Tahko (Designer), Louise Enhörning (Photographer), Nina Andersson (Photographer)", "is_signed_inscribed": "false", "designer": "", "description": "182 or 200? pages", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "40", "author_last": "Andrews", "author_first": "Kathyn", "author_full_name": "Kathyn Andrews", "title": "Strip", "publisher": "Koenig", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "", "isbn_asin": "9783863356279", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "41", "author_last": "Anonymous", "author_first": "", "author_full_name": "Unknown", "title": "Black Panther Coloring Book", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Coloring Book", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "42", "author_last": "Anonymous", "author_first": "", "author_full_name": "Unknown", "title": "BP in B", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "43", "author_last": "Antonsson", "author_first": "Lotta", "author_full_name": "Lotta Antonsson", "title": "I Am Woman", "publisher": "Art And Theory Publishing", "publication_year": "2016", "height_cm": "27.9", "width_cm": "21.6", "depth_cm": "1.3", "binding": "Softcover", "page_count": "128", "edition_printrun": "", "isbn_asin": "9789188031402", "editor": "", "contributors": "Patrik Andersson, Charlotte Cotton, Lars-Erik Hjertström Lappalainen", "is_signed_inscribed": "false", "designer": "Aoki", "description": "full color and black & white. Swedish artist Lotta Antonsson's recent work recalls her fascination with the late 1960s and '70s, in a style \"where documentary and fiction blur in a merging of social and sexual revolutions\" according to the essay by Patrik Andersson. From a process that utilizes techniques of collage and montage emerges a very personal way of looking at the ephemeral nature of things, whether printed matter (magazines, books) or natural objects (shells, minerals, driftwood). Antonsson's analogue cuts and repetitions seize upon the allegorical potential of image fragments, freeing fashion and erotic photography in an exploration into the gendered side of this clichéd history.", "artist_url": "", "publisher_url": "https://www.artandtheory.org", "collection_grouping": "", "tags": "collage, shells", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9789188031402.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "44", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Blue Period/Last Summer", "publisher": "Arakinema, Session Press, Dashwood Books", "publication_year": "2017", "height_cm": "26.0", "width_cm": "17.8", "depth_cm": "", "binding": "Softcover in slipcase", "page_count": "216", "edition_printrun": "Edition of 1,750 copies", "isbn_asin": "9780996657419", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "One of the most influential photographers of our time, Nobuyoshi Araki is known for his diaristic style or “shi-shashin” (I-photographs) through the publication of over 500 books throughout his career. His work has become practically synonymous with Japanese photography; closely associated with his work on bondage, his late wife, Yoko, as well as still lifes and nudes. It is, however, less known that Araki had explored experimental film projects since the mid 80s. In 1986 at Cinema Rise in Tokyo, Araki staged a live performance entitled Tokyo Monogatari (Tokyo Story). Using two projectors, Araki and his assistants, Nobuhiko Ansai and Shiro Tamiya, selected and sequenced slides to create a succession of overlapping images fading into one another, accompanied by a musical soundtrack. Tokyo Monogatari became the first in a series of live performances entitled Arakinema, which he staged until the mid-2000s in museums and art institutions around the world. Blue Period and Last Summer are made up primarily of nudes and portraits alternating with street scenes and images of flowers. The majority of the work is derived from Shashin Jidai, the important underground sub culture magazine of the 1980s in Japan. We especially feel excited about our publication since these two projects are essential among his film work. As Araki also explained at our initial meeting in Shinjuku last year, “The two films should be seen as a set, since Blue Period is about the past and Last Summer is about the future. By removing color using a chemical solution, Blue Period is about an act of subtraction (past), whereas adding color to the images in Last Summer is about an act of addition (future). This project is just like life itself.” Working directly from the 140 original slides used for both projections, the book successfully offers a fresh review of the photographer’s hidden oeuvre and regains the true spirit and atmosphere of the original Arakinema performances", "artist_url": "", "publisher_url": "https://sessionpress.com/", "collection_grouping": "", "tags": "Nude Eros Photo Diary Death/Loss Drawing/Painting Snapshot Portraiture", "classification": "Individual Photographer Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "45", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Blue Period / Last Summer", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "3 copies?", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "46", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Araki by Araki", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "47", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Araki Teller, Teller Araki", "publisher": "Eyesencia and Match and Company", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "oversized. Edition of 1,500 copies", "isbn_asin": "9780692321959", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Araki Teller, Teller Araki was published to coincide with the two artist's collaborative exhibition at the Ostlicht Galerie fur Fotografie in Vienna. This large tome, the first artist's book conceived and designed jointly by Araki and Teller, consists of over 300 pages of photo-jousting by two of the most original and influential voices working in photography today. Each, in their own way, exploring existential questions of physicality and sexuality", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "eros, nudes", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Araki_Araki_Teller_Teller_Araki_9780692321959.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "48", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Monochrome Paradise", "publisher": "Adachi", "publication_year": "2015", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9784908251009", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9784908251009.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "49", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Theater of Love", "publisher": "Case Publishing", "publication_year": "2017", "height_cm": "18.0", "width_cm": "13.3", "depth_cm": "", "binding": "Case binding", "page_count": "242", "edition_printrun": "Limited edition of 1,000 copies", "isbn_asin": "9784908526121", "editor": "Designed by Yoshihisa Tanaka, Printing by Hakkou Art Co., Ltd.", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The series consists of around 100 photographs taken around the year 1965, when Araki was working at advertising giant Dentsu. The photos, first shown at an exhibition at Taka Ishii Gallery in February 2011, are presented as a postcard-sized book, hidden in a Fuji photographic paper box replica, the same way Araki discovered his old prints. \"I've found a cabinet box, labelled 'Theater of Love'. Opening it, there were about 150 prints inside. They must have been taken around '65, back when I was clicking away on an Olympus Pen F, experimenting with thermal development, fooling around with printing and film developing techniques. The photos are a record of me, the women and the life and the places of that era. Seems like I called them 'Theater of Love' in those days. But either way — good stuff. Good photos. You can't get this with digital.\" — Nobuyoshi Araki", "artist_url": "https://arakinobuyoshi.com", "publisher_url": "https://case-publishing.jp", "collection_grouping": "Photography", "tags": "1960s, Japan, Photographers, Photography, Vintage", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/theater-of-love-araki.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "50", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Nobuyoshi Araki: VINTAGE PRINTS", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "51", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Nobuyoshi Araki: Nobuyoshi Araki : Eros Diary", "publisher": "ANTHONY D'OFFAY", "publication_year": "2016", "height_cm": "24.1", "width_cm": "17.8", "depth_cm": "", "binding": "Paperback", "page_count": "92", "edition_printrun": "First edition, oop", "isbn_asin": "9780996725903", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "10 color, 77 bw", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Biography", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "52", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Tokyo Blues 1977", "publisher": "Taka Ishii Gallery", "publication_year": "2013", "height_cm": "18.7", "width_cm": "23.2", "depth_cm": "", "binding": "Softcover", "page_count": "48", "edition_printrun": "Edition of 500 copies, oop", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "43 illustrations. This catalog was published for the solo exhibition ‘Tokyo Blues 1977’, held at Taka Ishii Gallery in August 2013. After their exhibition at Nikon Salon in 1977, these works remained untouched in Araki’s storeroom until their recent rediscovery. This book includes 43 photographs loosely centered about a woman from Kyushu who Araki had just met. It captures the languidness and blues of Japan in the 1970’s", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art, portraiture", "classification": "Snapshot Portraiture", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "53", "author_last": "Araki", "author_first": "Nobuyoshi", "author_full_name": "Nobuyoshi Araki", "title": "Araki Teller, Teller Araki", "publisher": "eyesencia, MATCH and Company Co., Ltd.", "publication_year": "2014", "height_cm": "29.9", "width_cm": "22.5", "depth_cm": "", "binding": "Hardcover", "page_count": "408", "edition_printrun": "Juergen Teller (https://www.juergenteller.co.uk/)", "isbn_asin": "", "editor": "", "contributors": "Juergen Teller (https://www.juergenteller.co.uk/)", "is_signed_inscribed": "false", "designer": "", "description": "Published to coincide with the exhibition \"Araki Teller Teller Araki\" held at OstLich Gallery (April-May 2014) in Vienna Austria, Nobuyoshi Araki and Juergen Teller present their first jointly conceived and designed book. The publication assembles more than 300 photographs including works shown at the exhibition which were previously unpublished. The book brings together two of the most important photographers of our time, showing new works conceived for the exhibition. Both artists are united in this publication in their radical artistic attitude and their almost insatiable hunger for images as reflections of their personal experience of the world. Includes texts written by Nobuyoshi Araki and Juergen Teller which they have each dedicated to one another.", "artist_url": "https://arakinobuyoshi.com", "publisher_url": "", "collection_grouping": "Photography", "tags": "Nude, Photographers, Photography, Portraiture, Snapshot", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/araki-teller-teller-araki.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "54", "author_last": "Arbus", "author_first": "Diane", "author_full_name": "Diane Arbus", "title": "Magazine Work", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Periodical, Photography", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "55", "author_last": "Arbus", "author_first": "Diane", "author_full_name": "Diane Arbus", "title": "Diane Arbus In the Beginning Early Photographs 1956 1962", "publisher": "The Metropolitan Museum of Art", "publication_year": "2016", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "269", "edition_printrun": "First, portraits ; 29 cm", "isbn_asin": "9781588395955", "editor": "Rosenheim, Jeff curator.", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "illustrations. Catalog of the exhibition held at the Metropolitan Museum of Art, New York, July 12-November 27, 2016 and at the San Francisco Museum of Modern Art, January 21-April 30, 2017. Includes bibliographical references (pages 261-263) and index. \"Diane Arbus (1923-1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist's first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum's Diane Arbus Archive--a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence--it is an essential contribution to our understanding of Arbus and her oeuvre. diane arbus: in the beginning showcases over 100 of the artist's early photographs, more than half of which are published here for the first time. The book provides a crucial, in- depth presentation of the artist's genesis, showing Arbus as she developed her evocative and often haunting imagery. The photographs featured in this handsome volume reveal an artist defining her style, honing her subject matter, and in full possession of the many gifts for which she is now recognized the world over.\" -- Publisher's description", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art, Photography, exhibition, moma, street photography", "classification": "Photography, Artistic, Photography, Street photography, Pedestrians, History, In art", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "56", "author_last": "Arbus", "author_first": "Amy", "author_full_name": "Amy Arbus", "title": "On the Street: 1980-1990", "publisher": "Welcome Books", "publication_year": "2006", "height_cm": "34.9", "width_cm": "26.8", "depth_cm": "2.1", "binding": "Hardcover", "page_count": "104", "edition_printrun": "", "isbn_asin": "9781599620152", "editor": "", "contributors": "A. M. Homes (Author)", "is_signed_inscribed": "false", "designer": "", "description": "Between 1980 and 1990, over five hundred of photographer Amy Arbus's impromptu and edgy portraits of New Yorkers appeared in the Village Voice's monthly fashion feature, \"On the Street.\" The column's missive was to document the city's most adventurous trednsetters as they lived their lives. But Arbus's photographs tell much more than a style story. From the friendliest to the grittiest, every one of these images is a potent tribute to self-expression. Taken as a whole, they reflect an era of contradictions, a time in America when urban individualism and raw creativity were courageously fighting for breathing room and holding their own in a culture ruled by wealthy conservatism and Republican politics. For the first time since that hard-to-define decade, this time-capsule collection of images is being revisited. On the Street features seventy of the most revealing and expressive images taken by Arbus on the city’s fashion-fertile sidewalks. From the unknown to the unmistakably famous, her subjects are all equally unforgettable. Arbus’s ubiquitous lens captured the most influential style-makers, from The Clash on the set of Martin Scorsese's King of Comedy and Madonna on the same day her single “Everybody” hit the charts, to Anna Sui, Joey Arias, Phoebe Legére, and countless other local artists, actors, costume designers, shop owners, musicians, make-up artists, graffiti artists, and downtown scenesters. From eyewear to underwear and schoolgirl skirts to backless shirts; from women dressed like men to men that are barely dressed; from lipstick to just plain “schtik,” there is no aspect of 80’s style that goes unrepresented.", "artist_url": "https://www.amyarbus.com/", "publisher_url": "", "collection_grouping": "", "tags": "Photography, fashion, portraiture", "classification": "Fashion Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "57", "author_last": "Arbus", "author_first": "Amy", "author_full_name": "Amy Arbus", "title": "The Fourth Wall", "publisher": "Welcome Books", "publication_year": "2008", "height_cm": "32.1", "width_cm": "28.9", "depth_cm": "2.4", "binding": "Hardcover", "page_count": "160", "edition_printrun": "", "isbn_asin": "9781599620442", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "What happens when a performing actor leaves behind his lines, staging, sets, and lighting, and steps beyond the fourth wall? For three years, Amy Arbus has been exploring this question in a series of dramatic portraits of celebrated actors, both on and off Broadway. Fully costumed but stripped of their context, Arbus's actors remain in character as they step outside the fiction of theater into the reality of the world beyond. Staged in anonymous public spaces--in theater lobbies, on city streets, in parks, and in stage door alleys--Arbus's images achieve an unexpected blend of spectacle and high art; formality and sontaneity; vulnerability and pretense. Collected in The Fourth Wall are some of the modern stage's most gifted actors, including Alan Cumming in Cabaret, John Malkovitch in Lost Land, Liev Schreiber in Talk Radio, Ed Harris in Wrecks, Cherry Jones in Doubt, Christine Ebersol in Grey Gardens, and Ethan Hawke and Martha Plimpton in The Coast of Utopia. Actors are included from such successful and ambitioud productions as Wicked, The Light in the Piazza, Hedwig and the Angry Inch, Chitty Chitty Bang Bang, and The Color Purple, to name but a few. Portraits are accompanied by synopses of the plays as well as quotes from a number of the actors portrayed.In 2006's critically acclaimed book On the Street, Arbus focused her lens on those who dressed to express themselves--now she turns her attention to those who dress to become someone else. The result is a collection of potent photographs that pay remarkable tribute to contemporary theater and the performers who bring fantasy to life.", "artist_url": "https://www.amyarbus.com/", "publisher_url": "", "collection_grouping": "", "tags": "Photography", "classification": "Portrait Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9781599620442.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "58", "author_last": "Arnold", "author_first": "Daniel", "author_full_name": "Daniel Arnold", "title": "Pickpocket", "publisher": "Elara", "publication_year": "2021", "height_cm": "30.2", "width_cm": "19.5", "depth_cm": "", "binding": "textured softcover", "page_count": "228", "edition_printrun": "First", "isbn_asin": "", "editor": "", "contributors": "David Rudnick, Emiel Penninckx, Maharani, Yasmine Putri, and Mozes Mosuse in Terrain", "is_signed_inscribed": "false", "designer": "", "description": "228 pages, 5 individually bound inserts, offset width.4 colour offset litho, 3 spot colours screenprinted mylar clear outer jacket 578 images total. The first monograph of the work of New York-based photographer Daniel Arnold. Pickpocket is comprised of a \"Prestige Edit\" titled The Woods, and five additional \"Alleyways\" – GALA, Cell Out, Fuck Ups, 47th Street, and ElseWhere. With liner notes by Daniel Arnold and an afterword by Josh Safdie.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "59", "author_last": "Aroch", "author_first": "Guy", "author_full_name": "Guy Aroch", "title": "Morena No. 2", "publisher": "", "publication_year": "2015", "height_cm": "30.5", "width_cm": "22.9", "depth_cm": "", "binding": "Wrapers", "page_count": "28", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "Guy Aroch with Lais Ribeiro.", "is_signed_inscribed": "false", "designer": "", "description": "Lais Ribeiro. This second issue of Morena was shot in different sessions during 2014 by Guy Aroch. Aroch is one of today's most influential fashion photographers, his photography is recognized by its plastic values and proximity, creating evocative works. Guy's editorial partners include British Vogue, Muse, Harpers Bazaar UK, Centrefold, French, British GQ , L'Officiel, The New York Times, LA Times and WWD.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "fashion, nudes", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "60", "author_last": "Arocha", "author_first": "Rafael", "author_full_name": "Rafael Arocha", "title": "Medianoche", "publisher": "Self-published", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "84", "edition_printrun": "Edition of 500 copies", "isbn_asin": "9788461704668", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "61", "author_last": "Arthur", "author_first": "Olivia", "author_full_name": "Olivia Arthur", "title": "Jeddah Diary", "publisher": "Fishbar", "publication_year": "2012", "height_cm": "18.0", "width_cm": "22.0", "depth_cm": "", "binding": "Hardcover", "page_count": "122", "edition_printrun": "Edition of 1000", "isbn_asin": "9780956995919", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Olivia Arthur’s debut, Jeddah Diary, was published by Fishbar and documents the lives of young Saudi women in Jeddah.", "artist_url": "https://oliviaarthur.com/", "publisher_url": "http://fishbar.ph", "collection_grouping": "", "tags": "Biography, jeda, woman", "classification": "Individual Photographers", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "62", "author_last": "", "author_first": "", "author_full_name": "Unknown", "title": "Artificial Nature", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Nature", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "63", "author_last": "Artur", "author_first": "Liz Johnson", "author_full_name": "Liz Johnson Artur", "title": "Liz Johnson Artur", "publisher": "Bierke, Verlag", "publication_year": "2016", "height_cm": "27.8", "width_cm": "22.8", "depth_cm": "2.0", "binding": "Harcover", "page_count": "", "edition_printrun": "First, OOP", "isbn_asin": "9783981337013", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "cloth bound, with 114 col. & b/w. First comprehensive overview of the Russian-Ghanaian's work, capturing more than 30 years.", "artist_url": "http://www.lizjohnsonartur.co.uk", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Photographers", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9783981337013.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "64", "author_last": "Ashcom", "author_first": "Morgan", "author_full_name": "Morgan Ashcom", "title": "Leviathan", "publisher": "Peperoni Books", "publication_year": "2015", "height_cm": "30.0", "width_cm": "30.0", "depth_cm": "", "binding": "Hardcover", "page_count": "74", "edition_printrun": "Frist, OOP", "isbn_asin": "9783941825833", "editor": "", "contributors": "Liz Johnson Artur (Author)", "is_signed_inscribed": "false", "designer": "", "description": "cloth bound. This series emerged from Morgan Ashcom’s experiences at a remote community in south-eastern Ohio, an outsiders’ oasis. Originally, he saw the potential to reconcile two opposing but familiar scenes: the urban skating culture he had once been part of, and the rural surroundings of his youth. But the identity of things seemed slightly altered – it was a warped doppelganger of his childhood home. So he stepped away from his presumed knowledge of where he was. Themes of escape and confrontation with the unknowable began to appear in the pictures. The sequence of images suggests a subjective narrative where disparate cultures and geographies converge.", "artist_url": "", "publisher_url": "https://peperoni-books.de/", "collection_grouping": "", "tags": "", "classification": "Individual Photographers", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783941825833.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "65", "author_last": "Asselin", "author_first": "Mathieu", "author_full_name": "Mathieu Asselin", "title": "Monsanto: A Photographic Investigation", "publisher": "Verlag Kettler", "publication_year": "2017", "height_cm": "30.1", "width_cm": "27.1", "depth_cm": "2.2", "binding": "", "page_count": "147", "edition_printrun": "Frist, OOP", "isbn_asin": "9783862066575", "editor": "", "contributors": "Mathieu Asselin (Author)", "is_signed_inscribed": "false", "designer": "", "description": "Monsanto has had a rapid rise and a more-than-colorful history, marked by cover-ups and scandals: dioxins in PCB coolants, genetically modified products such as the bovine growth hormone Posilac, and the production of the defoliant Agent Orange. The company is still highly controversial, irritating scientists, environmental organizations and human rights associations and acting in a way that makes people doubt the harmlessness of its products. As a manufacturer of food and animal feed, seeds and chemical products, Monsanto is relentlessly developing and marketing new technologies. The monopoly it has arguably secured by dubious means bears no relation to its negligence with regard to potential risks. Particularly in light of the devastating consequences that are still causing suffering to people and the environment in many places, the company ' s self-portrayal as a forward-looking, omnipotent force for good seems cynical. The photographer Mathieu Asselin has tried his hand at the daunting task of exploring the issues surrounding Monsanto. His investigative photographic study manages to capture the complexity of this topic, creating links between past, present and future and illuminating many different aspects from a variety of perspectives. His photos and texts raise awareness of the problems involved. Throughout the book, Asselin seems to be concerned about who is actually responsible and who is affected by the consequences. Recognising that passing the buck is a useless game, his photos show that there are victims on all sides: physical deformities in Vietnam, families plagued by death and disease in the US, illegal waste dumps, depopulated regions, destroyed cornfields and farmers whose livelihood has been ruined. The photos are complemented by a wealth of archival material, extracts from press releases, court files, and image campaigns, as well as different slogans and stills from commercials, which in comparison seem as glib and farcical as Disneyland. These expose Monsanto's absurd attempts to pass itself off as a company interested in satisfying today's demands and preserving the earth for future generations.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "food", "classification": "Photojournalism and Essays", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "66", "author_last": "Attia", "author_first": "Kader", "author_full_name": "Kader Attia", "title": "Transformations", "publisher": "Spector Books", "publication_year": "2014", "height_cm": "31.0", "width_cm": "23.4", "depth_cm": "1.8", "binding": "", "page_count": "224", "edition_printrun": "", "isbn_asin": "9783944669236", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The manifold entanglements of African and Western culture are a central motif in the oeuvre of the Algerian-French artist Kader Attia. The influence of traditional African architecture on European modernism forms the background for his voluminous spatial installations, videos and photographs, as much as the reappropriation of North and South American black music within African Jazz and Pop of the 1960s up to the 1980s. His work manifests the productivity of dissonance; where African masks, stuffed animals, scientific instruments, and historical artifacts seemingly have nothing in common, the artist unearths connections between Europe’s handling of its own colonial history, current migration politics, and the urbanistic realities of its metropolises of today. Based on Kader Attia’s solo show Repair: 5 Acts at the KW Institute for Contemporary Art, Berlin, this publication focuses on works from the years 2008–2013 and places them in a broader art historical concept.", "artist_url": "http://kaderattia.de/", "publisher_url": "https://spectorbooks.com/", "collection_grouping": "Art", "tags": "Monographs", "classification": "", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/covers/9783944669236.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "67", "author_last": "Auerbach", "author_first": "Tauba", "author_full_name": "Tauba Auerbach", "title": "Tauba Auerbach ― S v Z", "publisher": "D.A.P./SFMOMA", "publication_year": "2020", "height_cm": "29.2", "width_cm": "21.0", "depth_cm": "1.9", "binding": "Hardcover", "page_count": "256", "edition_printrun": "3.25 pounds", "isbn_asin": "9781942884552", "editor": "Joseph Becker (Author, Introduction)", "contributors": "Reinfurt, David", "is_signed_inscribed": "false", "designer": "", "description": "Part artist's book, part exhibition catalog, this book chronicles Tauba Auerbach’s multimedia syntheses of abstraction, science, graphic design and typography Tauba Auerbach studies the boundaries of perception through an art and design practice grounded in math, science and craft. 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They are an important aesthetic element in everyday life worldwide, and have played a highly symbolic role in art throughout the ages. Over the past few years, Makoto Azuma has created a furor in the art world with his floral installations, in which he creates unusual new shapes from plants and flowers and their component parts. Inspired by the Japanese tradition of ikebana―the art of flower arranging―Azuma creates novel and previously unseen aesthetics by bringing together unusual plants that wouldn’t usually meet in nature―some of them exotic ―in extraordinary arrangements. Shunsuke Shiinoki, who opened the “haute-couture” florists Jardin des Fleurs in Tokyo in 2002 in association with Makoto Azuma, captured these exceptional floral installations in extraordinary photographs.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Reference, flora, flowers, japan", "classification": "Art Encyclopedias", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "73", "author_last": "Azuma", "author_first": "Makoto", "author_full_name": "Makoto Azuma", "title": "Encyclopedia Of Flowers Part 2 - Makoto Azuma | Shunsuke Shiinoki", "publisher": "Seigensha Art Publishing", "publication_year": "2015", "height_cm": "24.9", "width_cm": "17.1", "depth_cm": "4.2", "binding": "Softcover", "page_count": "542", "edition_printrun": "", "isbn_asin": "9784861524769", "editor": "", "contributors": "Shunsuke Shiinoki", "is_signed_inscribed": "false", "designer": "", "description": "Flower artist Makoto Azuma and botanical photographer Shunsuke Shiinoki present a second edition of their vibrant anthology, two years after the first. Focusing on the ephemeral nature of flowers while working to conserve in a concrete, tangible form the passage of time they embody, the authors use two techniques. The first highlights the flowers features and sense of presence by picturing them from overhead. The second applies a lateral perspective to capture the life force of plants as they stretch towards the sun. In contrast to the first edition, natural light sources were used as much as possible to illuminate the exceptionally dense and colourful palettes on display.", "artist_url": "", "publisher_url": "https://en.seigensha.com/", "collection_grouping": "", "tags": "Reference, flora, flowers, japan", "classification": "flora, flowers, japan", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "74", "author_last": "Azuma", "author_first": "Makoto", "author_full_name": "Makoto Azuma", "title": "Encyclopedia of Flowers III (English and Japanese Edition)", "publisher": "Seigensha Art Publishing", "publication_year": "2016", "height_cm": "24.9", "width_cm": "17.1", "depth_cm": "4.2", "binding": "Softcover", "page_count": "544", "edition_printrun": "", "isbn_asin": "9784861525711", "editor": "Makoto Azuma", "contributors": "Shunsuke Shiinoki", "is_signed_inscribed": "false", "designer": "", "description": "Makoto Azuma and Shunsuke Shiinoki collaborate once again to further their pioneering Encyclopedia of Flowers series, which focuses in part on market-related changes that impact floristry, such as the disappearance and new emergence of species, as well as on changing the common perception of flowers. Following the first volume in 2011 and the second in 2015, this third dazzling instalment features a greater variety of styles, reflected in photographs divided into seven chapter-categories that include Coexistence , Hybrid , Chiaroscuro , and Autogenesis . The myriad arrangements done in Azuma s singular style are expertly captured by Shiinoki s camera.", "artist_url": "", "publisher_url": "https://en.seigensha.com/", "collection_grouping": "", "tags": "Reference, flora, flowers, japan", "classification": "flora, flowers, japan", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "75", "author_last": "B", "author_first": "", "author_full_name": "Unknown", "title": "B", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "76", "author_last": "Bacher", "author_first": "Lutz", "author_full_name": "Lutz Bacher", "title": "SNOW", "publisher": "JRP | Ringier", "publication_year": "2013", "height_cm": "30.5", "width_cm": "22.9", "depth_cm": "2.8", "binding": "Softcover", "page_count": "352", "edition_printrun": "", "isbn_asin": "9783037643471", "editor": "Caoimh'n Mac Leith (Author)", "contributors": "Gregor Muir (Editor), Beatrix Ruf (Editor), Sophie von Olfers (Editor), Lutz Bacher (Artist)", "is_signed_inscribed": "false", "designer": "", "description": "Ever since her career began in the 1970s, this Bay Area artist has drawn upon fragmentary information from popular culture and her own life to produce works that play with the instability of identity and the all-around trickiness of images. In artist's books, installations, sculptures, videos, photographs, paintings, and screen prints, Bacher uses images and objects in a physical, visceral manner. Bacher's mixture of bodies and ideas, pop and personal, while always remaining somehow elusive, feels entirely relevant to problems in art and life now. In this publication, she has compiled her work from 1975 to 2013 into a hefty volume of seemingly digital files from an inventory. It is accompanied by a new essay by Caoimhín Mac Giolla Léith. The book is published with Kunsthalle Zürich, Portikus, Frankfurt am Main, and the Institute of Contemporary Arts, London", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bacher_SNOW_9783037643471.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "77", "author_last": "Bacon", "author_first": "Francis", "author_full_name": "Francis Bacon", "title": "Late Paintings", "publisher": "Rizzoli", "publication_year": "2016", "height_cm": "31.2", "width_cm": "24.1", "depth_cm": "2.3", "binding": "Hardcover", "page_count": "", "edition_printrun": "New", "isbn_asin": "9780847847754", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Encompassing more than twenty-five paintings that Francis Bacon made in London and Paris during the last two decades of his life, this book serves as a companion to the 2015 exhibition at Gagosian Gallery, New York, and is the first in-depth exploration of the innovations of the artist’s late work. In his late paintings, Francis Bacon refined themes that had long obsessed him. He quoted reflexively from his oeuvre, reworking subjects to strip them to the bare essentials. This stunning new book features over 150 color illustrations of the artist’s work and related materials, including reproductions of ephemera from Bacon’s Hugh Lane studio.", "artist_url": "https://www.francis-bacon.com/", "publisher_url": "https://gagosian.com/", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bacon_Late_Paintings_9780847847754.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "78", "author_last": "Bacon", "author_first": "Francis", "author_full_name": "Francis Bacon", "title": "Incunabula", "publisher": "Thames & Hudson", "publication_year": "2009", "height_cm": "31.0", "width_cm": "25.1", "depth_cm": "2.8", "binding": "Hardcover", "page_count": "256", "edition_printrun": "", "isbn_asin": "9780500093443", "editor": "", "contributors": "Daniels, Rebecca (Author); Harrison, Martin (Author)", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "https://www.francis-bacon.com/", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bacon_Incunabula_9780500093443.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "79", "author_last": "Bacon", "author_first": "Francis", "author_full_name": "Francis Bacon", "title": "Francis Bacon", "publisher": "Skira Rizzoli", "publication_year": "2009", "height_cm": "28.6", "width_cm": "25.2", "depth_cm": "2.6", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, Rare", "isbn_asin": "9780847832750", "editor": "Gale, Matthew", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Francis Bacon’s style was so personal and distinctive that his influence lay more in the intensity of his commitment to art itself than in any direct stylistic legacy. The British artist developed a way of portraying the human body that was unique in the history of painting—usually in isolation, at moments of extreme tension or even pain, distorted like figures from a fantastical nightmare. He remains a towering example to those dedicated to the depiction of the human figure. In addition to 250 full-color plates, this publication also reveals Bacon’s low-art inspirations, including magazine tear sheets, photographs, and imagery from films.", "artist_url": "https://www.francis-bacon.com/", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bacon_Francis_Bacon_9780847832750.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "80", "author_last": "Baier", "author_first": "Julia", "author_full_name": "Julia Baier", "title": "Water Maters", "publisher": "Peperoni Books", "publication_year": "2013", "height_cm": "29.4", "width_cm": "23.1", "depth_cm": "1.0", "binding": "Paperback", "page_count": "72", "edition_printrun": "First edition, oop", "isbn_asin": "9783941825536", "editor": "", "contributors": "Johannes Kimstedt (Author)", "is_signed_inscribed": "false", "designer": "", "description": "Swimming is a delicate balance between flying and sinking This quote by Burkhard Strassmann opens Julia Baier's book ›Water Matters‹. Her pictures show what people do with water, and even more, how water affects people and the animals, too. Not on the whole, but in the immediate encounter. When bathing, diving, splashing and spraying, in rain, snow and ice, in the city and in the countryside. And as the water itself the photographer seems to get to wherever it flows and foams, drips, bubbles and reflects or where the water and its derivatives form into mysterious and beautiful abstractions - in Budapest or Bremen, in Passau or Paris, Chicago or Sovata. Julia Baier's book is a refreshing and fluid trip through the international water world - with surface tension, cliffs, swirls, pull and draft.", "artist_url": "https://www.juliabaier.de/", "publisher_url": "https://peperoni-books.de/", "collection_grouping": "", "tags": "", "classification": "Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783941825536.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "81", "author_last": "Bakharev", "author_first": "Nikolay", "author_full_name": "Nikolay Bakharev", "title": "Novokuznetsk", "publisher": "STANLEY/BARKER", "publication_year": "2016", "height_cm": "24.0", "width_cm": "27.0", "depth_cm": "", "binding": "Hardback", "page_count": "", "edition_printrun": "First edition, oop. 120 + 8 page booklet", "isbn_asin": "9780995555518", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Paper Wrapped, Tipped-on Image. During the 1980s by the Siberian artist Nikolay Bakharev worked as a mechanic and communal services factory photographer in the USSR. To supplement his income he would solicit work as a black market portrait photographer on the public beaches of Eastern Russia. If the shoot went well, he would invite his subjects to make further images in a more intimate setting, compelling his subjects over several hours into contorted, erotically charged poses, which at the time was highly illegal. After the the fall of the Iron Curtain, Bakharev began to work more openly as an artist, although often being admonished as a pornographer. His photographs from this time reveal more than just the bodies of his subjects, but the longing and dampened dreams of the inhabitants of an industrial town and the desires of an unrelenting artist. \"It would be easy to misinterpret these images as simply the pornographic imaginings of a manipulative and dirty old man, yet there is something else within them — in the subjects’ eyes, in their frankness, in their curiosity and collusion, as well as in their surroundings – that suggests that much more is going on here, and that what is both at stake and in evidence stretches far beyond the realms of explicit sexuality, voyeurism and mere titillation.\" — Aaron Schuman", "artist_url": "", "publisher_url": "https://www.stanleybarker.co.uk", "collection_grouping": "", "tags": "", "classification": "fashion photography, Fine Art Photography, Nikolay Bakharev, Portrait Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "82", "author_last": "Baldersari", "author_first": "John", "author_full_name": "John Baldersari", "title": "John Baldessari Sings LeWitt", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "83", "author_last": "Baldersari", "author_first": "John", "author_full_name": "John Baldersari", "title": "Pure Beauty", "publisher": "LACMA/Delmonico/Prestel", "publication_year": "2009", "height_cm": "31.3", "width_cm": "26.5", "depth_cm": "4.1", "binding": "Hardcover", "page_count": "330", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "Jessica Morgan (Author), Leslie Jones (Author)", "is_signed_inscribed": "false", "designer": "", "description": "A major figure in contemporary art, John Baldessari is widely considered one of the most influential artists to emerge since the mid-1960s. From his early text-and-image paintings to his more recent photo collages and installations, Baldessari has continued to make art that addresses the social impact of mass culture, often playfully through strategies of appropriation and deconstruction. Baldessari's lifelong interest in language, written and visual, and the interaction between the two, raises questions about the nature of communication and perception. More than 400 illustrations are presented in full colour in this monograph published in conjunction with a major exhibition organised by the Los Angeles County Museum of Art and Tate Modern in London. Eleven essays by critics, curators, art historians, and an artist and former student of Baldessari's round out this volume. Few contemporary artists have achieved the range and relevance of Baldessari's oeuvre, which is finally given its due in this elegant retrospective book.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "84", "author_last": "Baldersari", "author_first": "John", "author_full_name": "John Baldersari", "title": "A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family Foundation", "publisher": "Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer Family", "publication_year": "2010", "height_cm": "30.48", "width_cm": "25.4", "depth_cm": "", "binding": "Hardcover", "page_count": "160", "edition_printrun": "Out of Print. 140 color plates", "isbn_asin": "9781935202103", "editor": "Hunter Drohojowska-Philip", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the 1970s Raw Prints series, for which he amended photos of Santa Monica mallgoers with abstracted shapes printed above the images that replicate details from them; this series was pivotal in democratizing photo-based prints in the art world. Since then, Baldessari has gone on to collaborate with some of the world's great printmakers, such as Brooke Alexander, Gemini G.E.L., Cirrus Editions, Edition Jacob Samuel, Mixographia and Crown Point Press. An essential volume in any contemporary art library, this first full survey of Baldessari's four-decade printmaking career is the definitive volume on the prints, and boasts 140 color plates alongside testimonies from his printmaking collaborators.", "artist_url": "", "publisher_url": "", "collection_grouping": "Prints, Conceptual art, Contemporary art, Printmaking", "tags": "Artist Monographs, Prints & Multiples", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Baldersari_A_Print_Retrospective_9781935202103.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "85", "author_last": "Baldersari", "author_first": "John", "author_full_name": "John Baldersari", "title": "Visionaire No. 64: Art, Baldessari Red Edition", "publisher": "Visionaire", "publication_year": "2014", "height_cm": "52.1", "width_cm": "38.1", "depth_cm": "8.3", "binding": "Hardcover", "page_count": "", "edition_printrun": "", "isbn_asin": "9781888645989", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "In Henry Joost and Ariel Schulman's short film A Brief History of John Baldessari, the world-renowned conceptual artist suggests that he will be best remembered as \"the guy who put dots over people's faces.\" Baldessari recalls: \"I felt like it [the dot] leveled the playing field\"--surely an ironic claim to fame in an age of self-obsession and self-celebration. Especially from the early Renaissance, when mirrors became more readily available, through today--an age of constant surveillance in which nearly every pedestrian carries some form of camera--the auto portrait has become an inevitability that, to varying degrees, finds its way into the practice of many working artists. For its 64th issue, Visionaire invites a roster of contemporary actors, entertainers and personalities to contribute a self-portrait. The participants include artists Ai Weiwei and Ed Ruscha; models Gisele Bundchen and Kate Upton; actors Scarlett Johansson and James Franco; singer Miley Cyrus; filmmaker Pedro Almodovar; fashion designers Kate and Laura Mulleavy (Rodarte) and Riccardo Tisci (Givenchy); athlete Lionel Messi, and many more. Their self-portraits are printed in black and white, and then silkscreened with shapes and colors created by Baldessari. The resulting collection of images offers a snapshot of contemporary iconography, bridging technology and craftsmanship, high art and pop culture, digital and analogue, new and old. Visionaire No. 64: Art is available in three different editions, each themed by a color, and featuring a different selection of contributors. All of the editions are presented in a beautifully printed cloth box. The red edition includes contributions by James Franco, Miley Cyrus, Marina Abramovic, Ranveer Singh, Yuna Kim, Karlie Kloss, Pedro Almodóvar, Drew Barrymore, G-Dragon and Ed Ruscha.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Baldersari_Visionaire_No._64_Art_Baldessari_Red_Edition_9781888645989.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "86", "author_last": "Baldersari", "author_first": "John", "author_full_name": "John Baldersari", "title": "John Baldessari Catalogue Raisonné: Volume One: 1956–1974", "publisher": "Yale University Press", "publication_year": "2012", "height_cm": "30.9", "width_cm": "26.3", "depth_cm": "5.2", "binding": "Hardcover, slipcase", "page_count": "", "edition_printrun": "First, New", "isbn_asin": "9780300174489", "editor": "Robert Dean (Author)", "contributors": "Patrick Pardo (Editor)", "is_signed_inscribed": "false", "designer": "", "description": "The first volume of the complete catalogue of works by John Baldessari The pioneering conceptual artist John Baldessari (b. 1931) began his career as a painter in the 1950s, but in the subsequent decades he expanded his practice in a new and groundbreaking direction by juxtaposing texts with found photography or appropriated images. These texts questioned the nature of art and the art-viewing experience, suggesting new meanings for the images they accompanied. This interaction of words and images remained a critical aspect of Baldessari's work, even as he branched into other media, such as site-specific installations, drawings, video, sculpture, prints, and multiples. The first of a projected four-volume set, this lavishly illustrated book features about 500 works and chronicles an important shift in Baldessari's thinking during these formative years. Included are such landmark works as the Cremation Project (1970), where Baldessari incinerated the \"body\" of work he had made between the years 1953 and 1966. The ashes of the cremated works were then baked into cookies, and the rest sealed in a book-shaped urn, which he then presented along with a plaque announcing the \"life\" and \"death\" dates. Baldessari's work and teaching have been greatly influential on a subsequent generation of artists. The book features an essay by Yve-Alain Bois considering Baldessari's ethos as a generator of his artistic practice. Also included are an interview with Christopher Knight and a detailed chronology of the artist's life and work.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Catalog, Exhibition Catalog", "classification": "Collections, Catalogs & Exhibitions", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Baldersari_John_Baldessari_Catalogue_Raisonn_Volume_One_1956_1974_9780300174489.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "87", "author_last": "Ballen, Asger Carlsen", "author_first": "Roger", "author_full_name": "Roger Ballen, Asger Carlsen", "title": "No Joke", "publisher": "Mörel Books", "publication_year": "2016", "height_cm": "22.5", "width_cm": "33.0", "depth_cm": "", "binding": "Hardcover", "page_count": "72", "edition_printrun": "Edition of 1000", "isbn_asin": "9781907071560", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "37 black-and-white photographs. Asger Carlsen and Roger Ballen exchanged ideas, sketches and works and reworked them manually and digitally, blurring the lines of authorship and process. Both artists are known for their blurring of the line between the real world and the fictional. In NO JOKE they lead each other into what eventually becomes something larger then expected.", "artist_url": "https://www.rogerballen.com", "publisher_url": "https://morelbooks.com", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "88", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "The Prototype Works", "publisher": "Steidl", "publication_year": "", "height_cm": "28.2", "width_cm": "26.9", "depth_cm": "2.0", "binding": "Hardback", "page_count": "188", "edition_printrun": "Edition 03/2011 (?)", "isbn_asin": "9783869302508", "editor": "Witkovsky, Matthew S. 1967-", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "clothbound. Beginning in 1965, but especially in the years between 1967 and 1971, Lewis Baltz made a body of work concentrated on the dialectic between simple, regular geometric forms found in the postwar industrial landscape, and the culture that generated such forms. Stucco walls, parking lots, the sides of warehouse sheds or disused billboards baked in the steady Californian sunlight. Baltz called his works \"Prototypes,\" by which he meant replicable social conventions as well as model structures of replicable manufacture. Marking Baltz's preliminary forays into a minimal aesthetic, The Prototype Works continued his work to capture the reality of a sprawling Western ecology gone wild.", "artist_url": "", "publisher_url": "https://steidl.de/", "collection_grouping": "", "tags": "", "classification": "Individual Photographer Books", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Baltz_The_Prototype_Works_9783869302508.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "89", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "Nevada (Signed program)", "publisher": "Castelli Graphics", "publication_year": "1978", "height_cm": "21.5", "width_cm": "26.5", "depth_cm": "", "binding": "Matte gray wrappers", "page_count": "", "edition_printrun": "staple-bound, with title embossed on front, Oblong size: 21,5 by 26,5.", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "David Smoak", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "90", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "Lewis Baltz: Rule Without Exception / Only Exceptions", "publisher": "Steidl", "publication_year": "2012", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783869301105", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This progressive book object combines two volumes and covers the sweep and depth of Lewis Baltz's influential oeuvre. Rule Without Exception is a re-issue of Baltz's award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz's work from \"The Prototype Works\" of 1967 through to \"Sites of Technology\" of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz's work - now usually site-generated commissioned works - from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz's work in California, Leipzig's \"Black Triangle\", Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.", "artist_url": "https://steidl.de", "publisher_url": "https://steidl.de/", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "91", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "Bernard Lamarche-Vadel", "publisher": "", "publication_year": "1993", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "92", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "At The / In Der Albertina", "publisher": "", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "93", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "Lewis Baltz", "publisher": "Steidl", "publication_year": "2017", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "https://steidl.de", "publisher_url": "https://steidl.de/", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "94", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "The New Industrial Parks Near Irvine, California", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "95", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "The Politics of Bacteria, Docile Bodies, Ronde de Nuit", "publisher": "Ram Publications", "publication_year": "2017", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "96", "author_last": "Baltz", "author_first": "Lewis", "author_full_name": "Lewis Baltz", "title": "Candlestick Point", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "97", "author_last": "Banksy", "author_first": "", "author_full_name": "Banksy", "title": "Wall and Piece", "publisher": "Century", "publication_year": "2007", "height_cm": "25.4", "width_cm": "20.3", "depth_cm": "1.5", "binding": "Hardcover", "page_count": "192", "edition_printrun": 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Collection of photographs published in conjunction with the \"blues\" exhibition held at agnès b by American photographer Tim Barber.", "artist_url": "http://www.tim-barber.com", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "100", "author_last": "Barbieri", "author_first": "Olivo", "author_full_name": "Olivo Barbieri", "title": "Site Specific (site specific_03 13)", "publisher": "Aperture", "publication_year": "2013", "height_cm": "34.5", "width_cm": "25.4", "depth_cm": "2.3", "binding": "Hardcover", "page_count": "184", "edition_printrun": "", "isbn_asin": "9781597112291", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Site Specific is a summary of Italian photographer Olivo Barbieri’s ten-year project to record the world’s cities in aerial photographs. On the one hand, the book offers remarkable documentation, by one of today’s most thrilling image-makers, of 25 cities throughout the world. On the other, it is a narrative of Barbieri’s ever-evolving approach to photography and his thoughts about the nature of the medium. Presented chronologically, the book begins with the distinctive tilt-shift photographs of Italian cities with which Barbieri first established his reputation, and which launched a popular stylistic movement for selective-focus photographs. As the series continued, with portrayals of cities all over the world, Barbieri introduced other devices and approaches to distort perceived reality—such as playing with color, registration and the deletion or discoloring of particular details—to dramatic effect. The result is a remarkable photo essay about twenty-first-century urban space and about photography itself. Stunningly designed and presented in a luxuriously large format, the book is introduced by Christopher Phillips.", "artist_url": "http://www.olivobarbieri.it", "publisher_url": "https://aperture.org", "collection_grouping": "Individual Photographer Monographs", "tags": "Olivo Barbieri, Photography, Still Life Photography, landscape photography", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Barbieri_Site_Specific_site_specific_03_13_9781597112291.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "101", "author_last": "Barker", "author_first": "Mandy", "author_full_name": "Mandy Barker", "title": "Beyond Drifting: Imperfectly Known Animals", "publisher": "Overlapse", "publication_year": "2017", "height_cm": "18.4", "width_cm": "24.8", "depth_cm": "2.0", "binding": "Hardcover", "page_count": "104", "edition_printrun": "Out of Print", "isbn_asin": "9780994791917", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "Mandy Barker + Tiffany Jones", "description": "59 color and numerous additional illustrations. Beyond Drifting: Imperfectly Known Animals is an astounding piece of work, one in which Barker takes the most humdrum of things – plastic detrius – inserts it into an intriguing, multilayered historical narrative, lends its physical form a gossamer, airy beauty, and presents the whole to us in the form of a book. Not just any book, but a replica of an old science publication from the 1800s, including mould-spotted pages, a library lending form and specimen labels.” – Lucy Davies, V&A Magazine May 2017 Now, 170 years after Atkins, another British woman has produced an important photobook that echoes Victorian-era science even as it exposes a contemporary environmental crisis. Mandy Barker’s Beyond Drifting: Imperfectly Known Animals similarly occupies that liminal space where art and science converge, and its impeccable presentation exemplifies how book design can extend content. – Laura M. André, review on Photo-eye “Mandy Barker’s work on plastic has been developing for some time. In its latest advance, she looks at micro-particles of plastic as a species of a lunatic plankton, floating about the sea, and she has included a rather wonderful pastiche book of old-fashioned science as a way of getting us into her subject.” – Francis Hodgson, Photography critic “Her images could be mistaken for Victorian glass-plate photographs; in fact they are ornate, long-exposure studies of the plastic debris that pollutes beaches in and around Cobh in Cork Harbour, Ireland.” – Tom Seymour, British Journal of Photography “Beyond Drifting is a clever critique of a massive environmental problem – and, in focusing in on one small area of Ireland in particular, Barker highlights a global issue.” – Mark Sinclair, Creative Review", "artist_url": "https://www.mandy-barker.com", "publisher_url": "https://www.overlapse.com/", "collection_grouping": "Individual Photographer Monographs", "tags": "Nature", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Barker_Beyond_Drifting_Imperfectly_Known_Animals_9780994791917.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "102", "author_last": "Barney", "author_first": "Matthew", "author_full_name": "Matthew Barney", "title": "ADAC", "publisher": "Dashwood Books", "publication_year": "2013", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "40", "edition_printrun": "Edition 300", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "ADAC is a collaborative book by Matthew Barney and Brandon Stosuy commemorating the lives of NFL/Oakland Raiders legend Al Davis, who died on October 8, 2011, and Seth Putnam, vocalist of the grindcore band Anal Cunt, who died on June 11, 2011. 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The complexity and trailblazing innovative power of his paintings has been widely discussed, but this book focuses on the treatment of language in Basquiat’s ouevre. With its complex structures, spontaneous rhythms and sampled, collage-like manifestations, his work was drawn into the orbit of the Beat Generation poets and the protagonists of the musical avant-garde. The multitalented Basquiat created a shimmering, syncopated fabric of images and text, which the American curator and critic Robert Storr aptly called “eye rap.” It was with this unpretentious and spontaneous way of working that Basquiat rewrote art history.", "artist_url": "", "publisher_url": "https://www.hatjecantz.de/", "collection_grouping": "Art", "tags": "Art", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Basquiat_Words_Are_All_We_Have_Paintings_by_Jean-Michel_Basquiat_9783775741842.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "107", "author_last": "Basquiat", "author_first": "Jean-Michael", "author_full_name": "Jean-Michael Basquiat", "title": "The Notebooks", "publisher": "Princeton University Press", "publication_year": "2015", "height_cm": "24.6", "width_cm": "19.3", "depth_cm": "2.0", "binding": "Hardcover – Illustrated", "page_count": "304", "edition_printrun": "", "isbn_asin": "9780691167893", "editor": "Larry Warsh (Editor)", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "facsimile edition of the artist's fascinating working notebooks Brooklyn-born Jean-Michel Basquiat (1960-88) was one of the most important artists of the 1980s. A key figure in the New York art scene, he inventively explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter acclaimed for his unmistakable Neoexpressionist style. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of eight of these fascinating and rarely seen notebooks for the first time.The notebooks are filled with images and words that recur in Basquiat's paintings and other works. Iconic drawings and pictograms of crowns, teepees, and hatch-marked hearts share space with handwritten texts, including notes, observations, and poems that often touch on culture, race, class, and life in New York. Like his other work, the notebooks vividly demonstrate Basquiat’s deep interests in comic, street, and pop art, hip-hop, politics, and the ephemera of urban life. They also provide an intimate look at the working process of one of the most creative forces in contemporary American art.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "Individual Artists' Books", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Basquiat_The_Notebooks_9780691167893.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "108", "author_last": "Baum", "author_first": "Erica", "author_full_name": "Erica Baum", "title": "The Naked Eye", "publisher": "Bureau New York", "publication_year": "2015", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "58", "edition_printrun": "", "isbn_asin": "9782954136943", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "New York City", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Baum_The_Naked_Eye_9782954136943.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "109", "author_last": "Beckman; Sam Falls", "author_first": "Janette", "author_full_name": "Janette Beckman; Sam Falls", "title": "Dashwood Book Series (LTD EDITION - VOL 1)", "publisher": "Dashwood", "publication_year": "2011", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "softcover in slipcase", "page_count": "", "edition_printrun": "Condition: As new in sturdy slipcase stamped with names of artists and their projects. # /20. 20 copies", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Janette Beckman, Sam Falls, Andreas Laszlo Konrath, Jim Mangan, Ari Marcopoulos, Betty Tompkins & Archive of Modern Conflict", "artist_url": "", "publisher_url": "https://dstrettell.com/", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "110", "author_last": "Bellini", "author_first": "Mario", "author_full_name": "Mario Bellini", "title": "That's Punk", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "111", "author_last": "Bellmer", "author_first": "Hans", "author_full_name": "Hans Bellmer", "title": "Hans Bellmer", "publisher": "Hatje Cantz", "publication_year": "2006", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "280", "edition_printrun": "", "isbn_asin": "9783775717946", "editor": "", "contributors": "Agnès de la Beaumelle (Author), Alain Sayag (Author), Wieland Schmied (Author), Michael Semff (Editor), Anthony Spira (Editor)", "is_signed_inscribed": "false", "designer": "", "description": "The Surrealists' fascination with dolls and machines that resembled humans is especially evident in the work of Hans Bellmer (1902-1975), the subject of this comprehensive monograph. Rejecting the Nazis' Aryan ideals, the artist spent the years after 1933 creating disturbing dolls out of wax, wood, flax, plaster and glue--equipped with wigs and glass eyes. Photographs of these fetishistic simulacra were published in Minotaure, the Surrealists' magazine, and eagerly supported by members of Andre Breton's circle. After immigrating to Paris, Bellmer continued to develop his erotic obsessions through his art, now influenced by the writings of the Marquis de Sade and Georges Bataille, and began to collaborate with his companion, the German artist Unica Zurn. Deeply involved in Freudian discourse, his drawings, lithographs and photographs investigate psychoanalytic theories around hysteria and transference and reveal a singular exploration into the relationship between language and the body.", "artist_url": "", "publisher_url": "https://www.hatjecantz.de/", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bellmer_Hans_Bellmer_9783775717946.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "112", "author_last": "Bendiksen", "author_first": "Jonas", "author_full_name": "Jonas Bendiksen", "title": "The Book of Veles", "publisher": "GOST Books", "publication_year": "2021", "height_cm": "21.6", "width_cm": "16.5", "depth_cm": "1.9", "binding": "Hardcover", "page_count": "146", "edition_printrun": "First", "isbn_asin": "9781910401613", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called ‘the Book of Veles’ ― a cryptic collection of 40 ‘ancient’ wooden boards discovered in Russia in 1919, written in a proto-Slavic language. It was claimed to be a history of the Slavic people and the god Veles himself―the pre-Christian Slavic god of mischief, chaos and deception", "artist_url": "https://www.jonasbendiksen.com/", "publisher_url": "https://gostbooks.com", "collection_grouping": "", "tags": "disinformation, information, nationstatehacker, propaganda", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Bendiksen_The_Book_of_Veles_9781910401613.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "113", "author_last": "Berlin", "author_first": "Bridget", "author_full_name": "Bridget Berlin", "title": "Polaroids", "publisher": "Reel Art Press", "publication_year": "2015", "height_cm": "28.1", "width_cm": "23.8", "depth_cm": "2.2", "binding": "Hardcover", "page_count": "208", "edition_printrun": "Pck Har/Cr edition", "isbn_asin": "9781909526242", "editor": "by Dagon James (Editor), Vincent Fremont (Editor), Anastasia Rygle (Editor)", "contributors": "by Dagon James (Editor), Vincent Fremont (Editor), Anastasia Rygle (Editor), Brigid Berlin (Photographer), Bob Colacello (Introduction), John Waters", "is_signed_inscribed": "false", "designer": "", "description": "Brigid Berlin (born 1939) was one of the most prominent and colorful members of Andy Warhol’s Factory in the 1960s and 1970s. Her legendary personal collection of Polaroids is collected here for the first time and constitutes an intimate, beautiful, artistic, outrageous insight into this iconic period. This wild photographic odyssey featured a foreword by cult filmmaker John Waters, who writes, “Brigid was always my favorite underground movie star; big, often naked, and ornery as hell ... The Polaroids here show just how wide Brigid’s world was; her access was amazing. She was never a groupie, always an insider.” Berlin knew everyone and her lens captured them all: celebrities, Superstars, artists, herself and, of course, Warhol. As Waters observes, through her snaps, “Andy was uncovered and revealed like never before.” The book also features an introduction by Bob Colacello, editor of Warhol’s Interview magazine and features writer for Vanity Fair, who notes: “In recording life, she captured our times. By myopically depicting her own transgressions and self- indulgences, she has prophetically reflected the narcissism and exhibitionism, the craving for fame and confusing of fame and infamy that have become the staples of American popular culture.” In discussing her style, he reflects, “This is the opposite of fashion photography or studio portraiture. Brigid was a realist. What she saw is7", "artist_url": "", "publisher_url": "", "collection_grouping": "Individual Photographer Monographs", "tags": "art, nyc", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Berlin_Polaroids_9781909526242.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "114", "author_last": "Berman", "author_first": "Wallace", "author_full_name": "Wallace Berman", "title": "Wallace Berman: American Aleph", "publisher": "Kohn Gallery", "publication_year": "2016", "height_cm": "28.5", "width_cm": "24.5", "depth_cm": "1.5", "binding": "Hardcover", "page_count": "120", "edition_printrun": "", "isbn_asin": "9781880086216", "editor": "", "contributors": "by Tosh Berman (Introduction), Wallace Berman (Artist), Claudia Bohn-Spector (Contributor), Sam Mellon (Contributor), Ken Allan (Contributor)", "is_signed_inscribed": "false", "designer": "", "description": "Commemorating the 40th anniversary of the artist’s accidental death at age 50, this volume offers the first substantial survey of the entire oeuvre of Wallace Berman (1926–76) from the late 1940s until 1976. Berman has been long heralded as one of the most significant and influential artists to emerge in Southern California. Spiritually inclined yet steeped in popular culture and the political events of the day, he conducted reconnaissance far beyond the borders of California, mining the American psyche and broadcasting his ideas through mail art, publications, photographs and multilayered art works. Berman intersected with several intriguing cultural moments, starting with his first Los Angeles solo show in 1957 at Ed Kienholz and Walter Hopps’ Ferus Gallery. He also participated in an important 1966 group exhibition in London at the legendary Robert Fraser Gallery, whose other artists included Richard Hamilton, Bruce Conner and Peter Blake--who put Berman’s face among the notable crowd in his cover for the Beatles’ Sgt Pepper’s Lonely Hearts Club Band.As interest in West Coast art has increased over the past 40 years, scholars have viewed Berman as a quintessentially Californian artist whose entourage of likeminded friends was essential to the formation of his creative vision. This volume takes a broader view, reassessing Berman’s significant contributions to the history of 20th-century American art.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Berman_Wallace_Berman_American_Aleph_9781880086216.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "115", "author_last": "Bernstein", "author_first": "Bill", "author_full_name": "Bill Bernstein", "title": "Disco The Bill Berstein Photographs", "publisher": "R|A|P (Reel Art Press)", "publication_year": "2015", "height_cm": "31.1", "width_cm": "25.2", "depth_cm": "2.0", "binding": "Hardcover", "page_count": "", "edition_printrun": "", "isbn_asin": "9781909526228", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Stunning photography by Bill Bernstein. Containing many previously unpublished photographs, Disco takes the viewer on an access-all-areas tour of late 70s New York nightlife. Bernstein's eye was drawn to the characters that lived for the night, rather than the celebrities, the unknown men and women who were transformed by the nightlife haze. The pictures in this book are a document of an incredibly exciting and creative time, not only in music, but in social, political and fashion history as well.", "artist_url": "", "publisher_url": "", "collection_grouping": "Individual Photographer Monographs", "tags": "Photography, bw, disco", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Bernstein_Disco_The_Bill_Berstein_Photographs_9781909526228.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "116", "author_last": "Bertrand", "author_first": "Zaza", "author_full_name": "Zaza Bertrand", "title": "Japanese Whisper", "publisher": "APE (Art Paper Editions)", "publication_year": "2016", "height_cm": "30.0", "width_cm": "22.5", "depth_cm": "", "binding": "Paperback", "page_count": "", "edition_printrun": "", "isbn_asin": "9789490800550", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "117", "author_last": "Beube", "author_first": "Doug", "author_full_name": "Doug Beube", "title": "Breaking the Codex : Bookwork, Collage, and Mixed Media", "publisher": "Etc. Etc. The Iconoclastic Museum Press", "publication_year": "2011", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "219", "edition_printrun": "", "isbn_asin": "9780615459196", "editor": "Marian Cohn", "contributors": "Douglas Beube", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art, and sculpture., book art, collage, mixed media, photography", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Beube_Breaking_the_Codex_Bookwork_Collage_and_Mixed_Media_9780615459196.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "118", "author_last": "Bianchi", "author_first": "Tom", "author_full_name": "Tom Bianchi", "title": "Tom Bianchi: Fire Island Pines, Polaroids 1975-1983", "publisher": "Damiani", "publication_year": "2013", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "212", "edition_printrun": "Illistrated, First Edition edition (May 31, 2013)", "isbn_asin": "9788862082709", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://www.damianieditore.com/", "collection_grouping": "", "tags": "Nudes", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bianchi_Tom_Bianchi_Fire_Island_Pines_Polaroids_1975-1983_9788862082709.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "119", "author_last": "Birgus", "author_first": "Vladimir", "author_full_name": "Vladimir Birgus", "title": "Czech Photography VIII: Europeans", "publisher": "Kant", "publication_year": "2009", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9788086970899", "editor": "", "contributors": "Jindrich Marco and Jindrich Streit", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Photography", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "120", "author_last": "Bischof", "author_first": "Beni", "author_full_name": "Beni Bischof", "title": "Psychobuch", "publisher": "Edition Patrick Frey", "publication_year": "2014", "height_cm": "31.0", "width_cm": "23.4", "depth_cm": "3.2", "binding": "Softcover", "page_count": "638", "edition_printrun": "EPF N° 149 (1 of 2 copies). Out of print", "isbn_asin": "9783905929492", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "It all started when Beni Bischof began publishing laser-copied artist's magazines in 2005 as an independent means of distributing his drawings, collages, and texts. The speed of production suited his impetuous, prolific output. It was not long before he found an additional, three-dimensional outlet for his obsessions by adding sculpture, painting, and installations to his repertoire. Often using everyday objects, Bischof creates bizarre objects whose coherence he reinforces with plaster and paint. He applies similar techniques of combining, reassembling, and reworking to images appropriated from fashion magazines, trivial literature, LP covers, and the like, overpainting them and modifying them digitally or even mechanically. Psychobuch presents an extensive and unusual survey of Beni Bischof's oeuvre. It is a wildly rampant, multimedia conglomerate, held together by a dense network of recurring themes and motifs. The elaborate book is both an overview of Beni Bischof's output to date and an artist's book in its own right.", "artist_url": "", "publisher_url": "https://www.editionpatrickfrey.com", "collection_grouping": "Individual Photographer Monographs", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Bischof_Psychobuch_9783905929492.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "121", "author_last": "Bishouty", "author_first": "Nour", "author_full_name": "Nour Bishouty", "title": "1-130 Nour Bishouty Selected works Ghassan Bishoutyaha b. 1941 Safad Palestine d. 2004 Amman, Jordan", "publisher": "Art Metropole & Motto Books", "publication_year": "2020", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9781989010068", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Which images are made manifest across an artist’s practice and which are the ones that disappear? How do objects—whether seen or unseen—and the knowledge they possess traverse across place and time to avow their resistance? These are amongst the questions asked by artist Nour Bishouty in her artist’s book 1—130, a project that draws upon her ongoing research into the works of her father, Ghassan Bishouty (b. 1941 Palestine – d. 2004, Jordan). In 1—130, she borrows from methods of indexing and object classification to act as figurative codes for identification and cross-reference within the contexts of value and legacy. All the while employing paratactic strategies of text and image to understand the life and work of an artist faced with the discontinuity of deracination. 1—130 constitutes reflexive encounters with a series of 130 selected paintings and sculptures made circa 1965-2004 in Lebanon and Jordan, and concludes with an afterword by editor and curator Jacob Korczynski. 1—130 is designed by Laura Pappa & Lotte Lara Schröder and co-published by Art Metropole & Motto Books. Nour Bishouty is a visual artist working in a range of media including digital images, works on paper, sculpture, video, and writing. Her multidisciplinary practice draws upon autobiographical and material narratives to explore how dominant notions of value are articulated and exchanged, often focusing on the construction of popular identity in relation to histories of place. Nour was a fellow at the 2014/15 Home Workspace Program at Ashkal Alwan in Beirut. Her work has been exhibited in venues such as Darat Al Funun, Amman; Access Gallery, Vancouver; the Beirut Art Centre, the Helen Day Art Centre, Vermont; Casa Arabe, Madrid and Cordoba; and the Mosaic Rooms, London. Jacob Korczynski is an independent curator and the recent recipient of a curatorial research fellowship from The Andy Warhol Foundation for the Visual Arts. He has curated projects for the Stedelijk Museum, Cooper Cole,", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Bishouty_1_130_9781989010068.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "122", "author_last": "Blair", "author_first": "Dike", "author_full_name": "Dike Blair", "title": "Gouaches", "publisher": "Karma", "publication_year": "2015", "height_cm": "22.9", "width_cm": "19.1", "depth_cm": "", "binding": "Hardcover", "page_count": "416", "edition_printrun": "Edition of 500, New", "isbn_asin": "9781938560286", "editor": "Rian, Jeff", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "“The gouaches are outtakes from a global agora visibly altered by photography, telecommunications, and satellite surveillance … they document intimate contemporary sensation, the things we imbibe, the places we drift through in a world reconfigured for entertainment.” Dike Blair: Gouaches surveys the artist’s entire oeuvre in this medium, chronicling four decades of colorful, hyper-realistic gouache on paper works. Pursuing a wide range of subject matter–Shelter Island, haphazard stacks of books, cocktails and cigarettes, parking lots, nighttime swimming pools, Japanese cuisine, and obscured window frames, to name a few–the myriad objects and scenery are unified by Blair’s meticulous attention to detail and his fresh perspective on what it is we consume.", "artist_url": "", "publisher_url": "https://karmakarma.org", "collection_grouping": "Art", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Blair_Gouaches_9781938560286.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "123", "author_last": "Blalock", "author_first": "Lucas", "author_full_name": "Lucas Blalock", "title": "Inside The White Cub", "publisher": "Peradam", "publication_year": "2014", "height_cm": "23.5", "width_cm": "17.0", "depth_cm": "", "binding": "Paperback", "page_count": "", "edition_printrun": "Staple Bound, Perfect Binding, [68] p. book + [24] p. calendar. Editionof 1000", "isbn_asin": "9780990644811", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Inside the White Cube began as an ersatz version of a​n exhibition catalogue​ initially scheduled to be published by White Cube in 2012,​ as part of their Inside the White Cube series. ​Though the project was eventually abandoned​, the materials had already been assembled, and ​Blalock,​​ with Peradam,​ sought t​o re-imagine what was initially ​intended to be a sales tool. Inside the White Cub is​ also the first publication to present Blalock’s project through exhibitions​​, and is free when you purchase a 2020 Wall Calendar, which also features works by the artist. - Peradam", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9780990644811.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "124", "author_last": "Blásquez", "author_first": "Alfredo", "author_full_name": "Alfredo Blásquez", "title": "La playa de los juguetes perdios 2021", "publisher": "Inframundo", "publication_year": "2021", "height_cm": "22.0", "width_cm": "15.0", "depth_cm": "", "binding": "Hardback - Board", "page_count": "144", "edition_printrun": "spiral bound, offset printed, screen print", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The proliferation of the use of plastic in the toy industry began around 1950, until then almost all toys were made of wood or metal, currently 90% of the toys that are produced are made of plastic. Like many of our wastes, toys after having a short lifespan find their way to the oceans, where they navigate through the marine currents to be washed-up on different beaches and coasts of the world. If we consider that it is an indestructible and non-biodegradable material, every plastic toy that has been created continues to exist in one way or another, it does not disappear, but continue to decompose into smaller and smaller fragments. This project seeks to give new life to more than 450 toys that were found and recovered in beaches located in the Mexican Caribbean and Pacific Ocean between 2013 and 2018, as part of projects related to beach clean-up activities that had educational, scientific and social components. - Inframundo", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "125", "author_last": "Bochner", "author_first": "Mel", "author_full_name": "Mel Bochner", "title": "Solar System & Rest Rooms: Writings and Interviews, 1965-2007", "publisher": "MIT Press", "publication_year": "2008", "height_cm": "27.9", "width_cm": "21.6", "depth_cm": "2.5", "binding": "Hardcover", "page_count": "240", "edition_printrun": "October, 120 b&w illus.", "isbn_asin": "9780262026314", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Artist Mel Bochner became a writer, he says, almost by accident. In 1965, as a young artist in New York, he was out of a job; Arts Magazine paid him $2.50 for every review he turned in, whether they published it or not; a month of review-writing paid his rent―$28.00 a month. His reviews and articles provoked a range of unexpected reactions. “At that time, artists who wrote were looked at suspiciously, as if writing somehow tainted their visual practice,” he writes. A painter friend attacked him publicly for “joining the enemy.” Bochner soon began testing the boundary between writing-as-criticism and writing-as-visual-art. Solar System & Rest Rooms collects both Bochner's writings on art and his writings as art, offering more than fifty pieces―reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, and his groundbreaking “magazine interventions”―many reproduced in facsimile. Bochner is a leading figure in conceptualism; his 1966 installation at the School of Visual Arts Gallery Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art is considered to be the earliest exhibition of conceptual art. Solar System & Rest Rooms chronologically documents the work and ideas of this important artist over a span of forty years, as well as providing a unique perspective on the conceptual and post-minimal art scene in New York. This book offers a rare insight into what it means to be an artist whose visual practice is inseparable from the sustained practice of writing. Mel Bochner has lived and worked in New York City since 1964. His work has been exhibited internationally and is included in major museum collections throughout the world.", "artist_url": "", "publisher_url": "", "collection_grouping": "Art", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Bochner_Solar_System_Rest_Rooms_Writings_and_Interviews_1965-2007_9780262026314.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "126", "author_last": "Bochner", "author_first": "Mel", "author_full_name": "Mel Bochner", "title": "Amazing! Mel Bochner prints : from the collections of Jordan D. Schnitzer and his family foundation", "publisher": "JDSF (Jordan Schnitzer Family Foundation)", "publication_year": "2018", "height_cm": "30.5", "width_cm": "25.4", "depth_cm": "2.2", "binding": "Hardcover", "page_count": "256", "edition_printrun": "", "isbn_asin": "9781732321205", "editor": "Carolyn Vaughan (Editor)", "contributors": "Sienna Brown (Author), Ruth Fine (Author), Barry Schwabsky (Author), Jan Howard (Author), Mel Bochner (Artist), Jordan Schnitzer (Foreword)", "is_signed_inscribed": "false", "designer": "", "description": "For more than 50 years, American conceptualist Mel Bochner (born 1940) has been shaping dialogs between art and language through exhibition concepts, paintings and sculptures that embrace systems and structures to reveal their cracks and limitations, undermining the means we use to comprehend the world. Bochner created his first prints in 1973 at the invitation of publisher Robert Feldman of Parasol Press (who introduced a generation of minimalist and conceptual artists to printmaking through his work at Crown Point Press). Since then, Bochner has employed many different forms of printmaking, using and abusing its material possibilities and its unpredictability to counter the methodical fashion in which plates and stencils are cut, characters per line are fixed, or print runs set. This volume surveys Bochner's longstanding engagement with various types of printmaking, from aquatints to monoprints.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Bochner_Amazing_Mel_Bochner_prints_from_the_collections_of_Jordan_D._Schnitzer_and_his_family_founda.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "127", "author_last": "Bochner", "author_first": "Mel", "author_full_name": "Mel Bochner", "title": "Language 1966-2006", "publisher": "The Art Institute of Chicago", "publication_year": "2007", "height_cm": "25.4", "width_cm": "25.4", "depth_cm": "2.5", "binding": "Hardcover", "page_count": "148", "edition_printrun": "", "isbn_asin": "9780300121445", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Bochner_Language_1966-2006_9780300121445.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "128", "author_last": "Bochner", "author_first": "Mel", "author_full_name": "Mel Bochner", "title": "Mel Bochner", "publisher": "Domaine De Kerguehennec", "publication_year": "2009", "height_cm": "24.1", "width_cm": "17.8", "depth_cm": "2.5", "binding": "Hardcover", "page_count": "176", "edition_printrun": "", "isbn_asin": "9782906574151", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "New York-based Conceptual art pioneer Mel Bochner writes in this monograph, \"What I try to do is stay open to the work as it develops, not impose myself on it, but permit it to take me somewhere. If I had a model, I suppose it would be those ancient Chinese artists who changed their name three times during their lifetime, in order not to become the prisoner of a style.\" The book introduces new riffs--produced for an exhibition at Domaine de Kerguéhennec, in Brittany, France--on several well-known bodies of work, including Bochner's recent ongoing series The Thesaurus Paintings, in which a group of often humorous synonyms (lazy, lethargic, crazy, vulgar and irascible, for instance) are painted in brightly colored block letters, and the Measurement Pieces (conceived in the 1960s), in which the walls are highlighted with numbered arrows indicating their", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "Individual Artist Monographs", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Bochner_Mel_Bochner_9782906574151.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "129", "author_last": "Bogars", "author_first": "Paul", "author_full_name": "Paul Bogars", "title": "Sterosophic Conjunctions", "publisher": "Timmer Art Books/Lecturis", "publication_year": "2016", "height_cm": "27.2", "width_cm": "21.3", "depth_cm": "0.7", "binding": "Softcover", "page_count": "48", "edition_printrun": "ills, bw,", "isbn_asin": "9789462261860", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Visual artist Paul Bogaers likes to describe his work as 'thought photography'. Making use of a medium that particularly excels in showing the world as it actually looks, Bogaers has been searching for years for ways of using photos to express an inner world. He combines his rather intuitively collected photographs from different sources with his own photographs, usually taken without any preconceived idea. Thus he creates surprising, marvellous, or sometimes even impossible combinations.", "artist_url": "", "publisher_url": "https://lecturis.nl", "collection_grouping": "Art", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Bogars_Sterosophic_Conjunctions_9789462261860.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "130", "author_last": "Bogram", "author_first": "Martin", "author_full_name": "Martin Bogram", "title": "Italia Photographs from Italy 2013 - 2015", "publisher": "Max Ström", "publication_year": "2017", "height_cm": "29.7", "width_cm": "23.0", "depth_cm": "1.0", "binding": "Hardcover", "page_count": "80", "edition_printrun": "", "isbn_asin": "9789171263865", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Swedish photographer Martin Bogren (born 1967) spent the years 2013–15 in Italy creating this gorgeous and lyrical black-and-white photo-essay, his tribute to the country and the people he met on his travels. Bogren’s luscious images of everyday street scenes, anonymous passersby, languid smokers, extroverted pedestrians and remote silhouettes are suffused with an affectionate, soft-focus gaze, making them seem like long-lost, unattributed archival photographs from a vanished era. Beautifully designed, Italia is destined to become a photobook classic. Bogren’s work became widely known in the mid-2000s with his book Ocean, which was shortlisted for Best Photobook in Arles 2009 and received the honorable prize for the Best Photobook in Sweden the same year. Other critically acclaimed titles by Bogren include Lowlands, published by Max Strom in 2011, and Tractor Boys, published by Dewi Lewis in 2013.", "artist_url": "", "publisher_url": "", "collection_grouping": "Individual Photographer Monographs", "tags": "Photography", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9789171263865.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "131", "author_last": "Boivin", "author_first": "Thomas", "author_full_name": "Thomas Boivin", "title": "a short story", "publisher": "Self published", "publication_year": "2018", "height_cm": "22.0", "width_cm": "31.0", "depth_cm": "", "binding": "Softcover", "page_count": "108", "edition_printrun": "sur papier munken white,. First?", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "A short story. 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This undercurrent represents the essence of the fashion world now.", "artist_url": "", "publisher_url": "https://www.damianieditore.com/", "collection_grouping": "Individual Photographer Monographs", "tags": "fashion", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Broadbent_The_Photographic_Work_of_Robin_Broadbent_by_Robin_Broadbent_9788862085304.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "163", "author_last": "Broadbent", "author_first": "Robin", "author_full_name": "Robin Broadbent", "title": "The Photographic Work of Robin Broadbent", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "164", "author_last": "Brohm", "author_first": "Joachim", "author_full_name": "Joachim Brohm", "title": "Typology 1979", "publisher": "MACK", "publication_year": "2014", "height_cm": "26.0", "width_cm": "24.0", "depth_cm": "1.0", "binding": "Hardbound", "page_count": "", "edition_printrun": "embossed, 35 plates. Out of print", "isbn_asin": "9781907946646", "editor": "", "contributors": "Ulf Erdmann (Contributor) Brohm, Joachim (Photographer) & Ziegler (Author)", "is_signed_inscribed": "true", "designer": "", "description": "Joachim Brohm Typology 1979 No two of the little houses are the same… carefully proportioned furnishings here are wildly contradicted with slapdash decorations over there. Everyone has thought about their buildings, brought materials, laid walls, used power drills, insulated, glued things, extended the previous tenant’s shed, retro-fitted a bigger window, added a television antenna. They are strange hybrid buildings, between tool sheds and dachas, gingerbread houses and orangeries. Ulf Erdmann Ziegler Joachim Brohm rose to prominence in the early 1980s, one of the first photographers in Europe to take pictures exclusively in colour, connecting the everyday cultural landscape with the new possibilities of colour photography. This collection titled Typology 1979 is one of his very earliest series, depicting 35 allotment sheds from the Ruhr valley region of Germany, painterly images that are an everyday inventory – of garden structures, of human activity. Influenced by the great American photographers such as William Eggleston and Robert Adams, he also looked to his German contemporaries, Bernd and Hilla Becher, whose ‘typologies’ are heralded in the collection’s title. Joachim Brohm was born 1955 in Dülken, Germany. He lives and works in Leipzig and since 1993 he has been Professor of Photography at Leipzig Hochschule fur Grafik und Buchkunst/Academy of Visual Arts.", "artist_url": "", "publisher_url": "https://mackbooks.co.uk", "collection_grouping": "Individual Photographer Monographs", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "165", "author_last": "Broomberg", "author_first": "Adam", "author_full_name": "Adam Broomberg", "title": "Spirit is a Bone", "publisher": "MACK", "publication_year": "2015", "height_cm": "21.0", "width_cm": "16.5", "depth_cm": "3.0", "binding": "Hardcover", "page_count": "240", "edition_printrun": "", "isbn_asin": "9781910164181", "editor": "", "contributors": "Adam Broomberg (Author), Oliver Chanarin (Author)", "is_signed_inscribed": "false", "designer": "", "description": "series of portraits, which includes Pussy Riot member Yekaterina Samutsevic and many other Moscow citizens, were created by a machine: a facial recognition system recently developed in Moscow for public security and border control surveillance. The result is more akin to a digital life mask than a photograph; a three-dimensional facsimile of the face that can be easily rotated and closely scrutinised. - What is significant about this camera is that it is designed to make portraits without the co-operation of the subject; four lenses operating in tandem to generate a full frontal image of the face, ostensibly looking directly into the camera, even if the subject himself is unaware of being photographed. - The system was designed for facial recognition purposes in crowded areas such as subway stations, railroad stations, stadiums, concert halls or other public areas but also for photographing people who would normally resist being photographed. Indeed any subject encountering this type of camera is rendered passive, because no matter which direction he or she looks, the face is always rendered looking forward and stripped bare of shadows, make-up, disguises or even poise. - Co-opting this device, Broomberg & Chanarin have constructed their own taxonomy of portraits in contemporary Russia that rely heavily on the oeuvre of two 20th Century German artists. August Sander produced over 300 portraits of archetypal German workers during the Weimar Republic – from the baker to the philosopher to the revolutionary. His project, to create a comprehensive archive of society, was conceptually and formally rigorous. His subjects are positioned centre frame. Always looking into camera. Always heroic in relation to the lens. But the result, retrospectively viewed through the lens of the 2nd World War becomes unexpectedly melancholic, even sinister. - ander's contemporary, Helmar Lerski, also categorised his subjects according to profession. Lerski however rejected the singular, heroic, full body portrait. Instead he insisted on repetitive close-ups that convey a powerful sense of claustrophobia; and always multiple views of the same faces shown from different viewpoints. Unlike Sander's humanistic approach, Lerski insisted that you could tell nothing from the surface of the skin. -Echoing both Sander's and Lerski's projects, Broomberg & Chanarin have made a series of portraits cast according to professions. But their portraits are produced with this new technology, with little if any human interaction. They are low resolution and fragmented. The success of these images are determined by how precisely this machine can identify its subject: the characteristics of the nose, the eyes, the chin, and how these three intersect. Nevertheless they cannot help being portraits of individuals, struggling and often failing to negotiate a civil contract with state power.", "artist_url": "http://www.broombergchanarin.com/", "publisher_url": "https://mackbooks.co.uk", "collection_grouping": "Individual Photographer Monographs", "tags": "Surveillance Index", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Broomberg_Spirit_is_a_Bone_9781910164181.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "166", "author_last": "Broomberg", "author_first": "Adam", "author_full_name": "Adam Broomberg", "title": "Holy Bible", "publisher": "MACK", "publication_year": "", "height_cm": "21.7", "width_cm": "16.2", "depth_cm": "4.0", "binding": "Hardcover", "page_count": "786", "edition_printrun": "check edition info. Out of print", "isbn_asin": "9781907946417", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "For their version of the Holy Bible, Adam Broomberg and Oliver Chanarin mined the Archive of Modern Conflict with philosopher Adi Ophir’s central tenet in mind: that God reveals himself predominantly through catastrophe. The format of Broomberg and Chanarin’s illustrated Holy Bible mimics both the precise structure and the physical form of the King James version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin’s publication questions the clichés at play within the visual representation of conflict.", "artist_url": "http://www.broombergchanarin.com/", "publisher_url": "https://mackbooks.co.uk", "collection_grouping": "Individual Photographer Monographs", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "167", "author_last": "Broomberg", "author_first": "Adam", "author_full_name": "Adam Broomberg", "title": "Scarti", "publisher": "Trolley Books", "publication_year": "2013", "height_cm": "24.8", "width_cm": "21.0", "depth_cm": "0.6", "binding": "Hardcover", "page_count": "64", "edition_printrun": "", "isbn_asin": "9781907112461", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.broombergchanarin.com/", "publisher_url": "https://trolleybooks.com", "collection_grouping": "Individual Photographer Monographs", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "168", "author_last": "Broomberg; Oliver Chanarin", "author_first": "Adam", "author_full_name": "Adam Broomberg; Oliver Chanarin", "title": "People in Trouble Laughing Pushed to the Ground Songbook", "publisher": "Mack", "publication_year": "2011", "height_cm": "23.5", "width_cm": "21.0", "depth_cm": "3.0", "binding": "Hardcover", "page_count": "416", "edition_printrun": "First Edition", "isbn_asin": "9781907946042", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Photographers Adam Broomberg and Oliver Chanarin dove into the Belfast Exposed photography archive and created a photobook called \"People in Trouble, Laughing, Pushed to the Ground\" published by Mack. The archive was founded in 1983 and contains over half a million images, from which over 14,000 black-and-white contact sheets documenting the Troubles in Northern Ireland. These photos were taken by professional and amateur photographers and were censored by the governement. As a reponse to that, Belfast Exposed started to collect all these images, not only showing protest and terror but also people drinking, kissing and smoking.", "artist_url": "http://www.broombergchanarin.com/", "publisher_url": "https://mackbooks.co.uk", "collection_grouping": "Individual Photographer Monographs", "tags": "", "classification": "", "bisac": "", "ddc": "SI", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "169", "author_last": "Brown", "author_first": "Polly", "author_full_name": "Polly Brown", "title": "Plants", "publisher": "Pau Pau Publications", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Nature", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "170", "author_last": "Brown", "author_first": "Cecily", "author_full_name": "Cecily Brown", "title": "Cecily Brown", "publisher": "Gagosian; Rizzoli", "publication_year": "2012", "height_cm": "28.7", "width_cm": "28.6", "depth_cm": "3.2", "binding": "Hardcover", "page_count": "264", "edition_printrun": "Out of print", "isbn_asin": "9780847830923", "editor": "Dore Ashton (Author)", "contributors": "Lari Pittman (Contributor), Gagosian Gallery (Contributor)", "is_signed_inscribed": "false", "designer": "", "description": "Presenting a world that pulses with excesses and appetites, Cecily Brown explores the breadth of human experience in her tactile oil paintings. Broadly inspired by the history of painting—from Rubens and Veronese to the muscular expressionism of Willem de Kooning—Cecily Brown's personal vision transcends classical notions of genre and narrative, freeing her subject matter from its original context and positioning it within a new aesthetic reality. Submerged within her vigorous gestural abstractions are scenes in which tangles of flesh dissolve into sensuous textures. Eschewing fixed meaning, Brown's paintings reflect the flux of life through fragmentary glimpses of form. This volume is published on the occasion of an exhibition of new paintings by the artist held in November 2011 at the Gagosian Gallery in Rome.", "artist_url": "http://cecilybrown.com/", "publisher_url": "https://gagosian.com/", "collection_grouping": "Art", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Brown_Cecily_Brown_9780847830923.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "171", "author_last": "Brown", "author_first": "Cecily", "author_full_name": "Cecily Brown", "title": "Cecily Brown: Rehearsal", "publisher": "The Drawing Center", "publication_year": "2016", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Paperback", "page_count": "143", "edition_printrun": "", "isbn_asin": "9780942324990", "editor": "Claire Gilman", "contributors": "David Salle", "is_signed_inscribed": "false", "designer": "", "description": "Where Cecily Brown’s canvases revel in the visceral immediacy of paint, her drawings offer fragmentary motifs that build upon and undo each other. In conjunction with Cecily Brown: Rehearsal, the first exhibition dedicated to her drawings, Drawing Papers 128 features color illustrations of each work in the exhibition, including more than eighty small drawings, large-scale works, and sketchbooks. Arranged by theme, the volume guides readers through Brown’s repeated—and rehearsed—motifs.", "artist_url": "http://cecilybrown.com/", "publisher_url": "https://drawingcenter.org", "collection_grouping": "", "tags": "", "classification": "Collections, Catalogs & Exhibitions", "bisac": "", "ddc": "", "location": "Clipper", "accession_no": "", "image_url": "/assets/images/books/Brown_Cecily_Brown_Rehearsal_9780942324990.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "172", "author_last": "Brown", "author_first": "Cecily", "author_full_name": "Cecily Brown", "title": "Cecily Brown & Jim Lewis: The English Garden", "publisher": "KARMA", "publication_year": "2015", "height_cm": "17.1", "width_cm": "15.9", "depth_cm": "", "binding": "Hardcover", "page_count": "72", "edition_printrun": "Out of Print", "isbn_asin": "9781942607038", "editor": "Lewis, Jim", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Like nature, only better. Nature with all the awkward bits smoothed out. And then picturesque, like a landscape painting,\" states Jim Lewis' protagonist, defining an English garden in Cecily Brown's newest book of paintings. An imaginative pas de deux, The English Garden sees British painter Brown (born 1969) and American writer Lewis (born 1963) contribute acutely detailed and darkly sensuous allusions to the traditional 18th-century English landscape garden. Thirty-nine of Brown's paintings are interspersed throughout this compact hardcover publication as tipped-in images. The largely abstract works, with glimpses of figurative elements, are a dichotomy of warm and subdued strokes of color, each containing an expansive landscape unto itself. Novelist and critic Jim Lewis' story transports the reader to the English countryside and investigates the seductive pull of the natural world in tandem with Brown's paintings. 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"width_cm": "", "depth_cm": "", "binding": "", "page_count": "Exhibition catalog Ivam Centre , Sept '98", "edition_printrun": "9788448218522", "isbn_asin": "", "editor": "", "contributors": "false", "is_signed_inscribed": "", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art, Catalog, Exhibition Catalog", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "179", "author_last": "Burnett", "author_first": "Katie", "author_full_name": "Katie Burnett", "title": "Cabin Fevr", "publisher": "APE (Art Paper Editions)", "publication_year": "2021", "height_cm": "17.0", "width_cm": "22.0", "depth_cm": "", "binding": "Softcover", "page_count": "50", "edition_printrun": "500, Japanese binding, ills colour, poster dustjacket", "isbn_asin": "9789493146648", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Cabin Fever is the first publication of New-York based artist Katie Burnett, and was developed in a very playful and intuitive way. 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From Robert Capa's D-Day to Gilles Peress Telex Iran to anonymous and never seen before series, this outstanding book published for the current exhibition Magnum Analog Recovery proposes an original and non official walk through the first 30 years of the Magnum Agency. In a large stiff cardboard binder reminiscent of the archive boxes where the photos were found, iconic pictures from the 20th century mix with unknown images from Henri Cartier-Bresson, Eve Arnold, René Burri, Elliott Erwitt, Alex Webb and Gilles Peress. Far from a traditional exhibition catalogue, this outstanding book-object overlaps unique images, posters of various sizes and gorgeous black & white series. A game between what is given to see and what is hidden is slowly revealed to the reader through the folding and unfolding of all the posters and images. Texts and quotes from photographers (notes, letters, excerpts from correspondence and interviews,...) punctuate the sequence and evoke the complexity of all the different approaches within the agency's photographers. 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Whether depicting former classmates from Yale, nude and in serene repose; street vendors near her home in Harlem; anonymous New Yorkers huddled on the subway; or her own students, posed largely in domestic interiors among their personal belongings, she explores how both public and private spheres can serve as frames for an inner life. This generously illustrated, oversized publication honors the larger-than-life scale of the artist's work. 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This booklet is the first in a series of twelve books which opens the space for A's crossings, his physical journey through his wanderings, his drifts, his strained advances, his encounters. Form, if it can surprise at first, spins the redeployement of this road, begun one day which does not seem to have an end. We must imagine this booklet, related to the leporello, deploying in a jet of images, presence blown, unfolded situations, temporal suspensions. 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Initially attracted by the way in which the thermodynamic device records the various infrared rays (heat waves) emitted by bodies, which vary according to their temperature, the artist was soon fascinated by a process that reduces human subjects to essential figures, devoid of superfluous characteristics or specificities. Living and working for two months out of the Paris office of the Magnum Photos agency and gallery, he used the thermal technique to document the impregnation of the deserted city existing under confinement: a city plunged into silence, traversed by bodies with stereotypical attitudes, inhabited above all by the homeless who appear – in these images – as the last truly living and resistant bodies, austere and flame-tinged compositions offering an alternative and dystopian vision of the emptying streets.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "COVID", "classification": "Surv. 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Alasdair McLellan’s Ultimate Clothing Company is both an intimate and introspective monograph edited and designed by art directors Mathias Augustyniak and Michael Amzalag M/M (PARIS) and beautifully printed in a numbered limited edition of 2,000 with a poster-wrap dust jacket", "artist_url": "https://www.alasdairmclellan.com", "publisher_url": "", "collection_grouping": "Photography", "tags": "Fashion, Photography", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "737", "author_last": "McMullan", "author_first": "Patrick", "author_full_name": "Patrick McMullan", "title": "so8os: A Photographic Diary of a Decade", "publisher": "powerHouse Books", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Biography", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "738", "author_last": "Mebius", "author_first": "Arthur", "author_full_name": "Arthur Mebius", "title": "Dear Sky / North Korean Aviation (signed)", "publisher": "The Eriskay Connection", "publication_year": "2017", "height_cm": "27.7", "width_cm": "20.4", "depth_cm": "1.8", "binding": "Hardcover", "page_count": "128", "edition_printrun": "", "isbn_asin": "9789492051301", "editor": "", "contributors": "", "is_signed_inscribed": "true", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Photography", "tags": "aviation, korea, planes", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Mebius_Dear_Sky_North_Korean_Aviation_signed_9789492051301.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "739", "author_last": "Meindertsma", "author_first": "Christian", "author_full_name": "Christian Meindertsma", "title": "Bottom Ash Observatory", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9789464460070", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "740", "author_last": "Meisler", "author_first": "Meryl", "author_full_name": "Meryl Meisler", "title": "A Tale of Two Cities: Disco Era Bushwick", "publisher": "Bizarre Publishing", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "180", "edition_printrun": "First monograph, Out of print", "isbn_asin": "", "editor": "", "contributors": "Catherine Kirkpatrick (Introduction), Charles Dickens, John A. 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A few days later, the disco beat was back while headlines and radios blasted news about a neighborhood she had never heard of before, Bushwick, where looting and rioting erupted in the darkness and went on and on. Fast forward to 1981; Meryl arrives at her new teaching position in a Bushwick Public School. On the surface the neighborhood epitomized urban decay. The beauty of natural light and those who loved and thrived in the destruction were captured with a point and shoot camera as Meryl walked to and from the subway and school. A Tale of Two Cities: Disco Era Bushwick juxtaposes Meryl's disco and Bushwick photographs with the writing of authors who grew up amongst the rubble. The accounts of Bushwick historians and educators, Disco Divas and Dickens' narrative contribute to this true-life story and remind us that many of the same issues reverberate today. Meryl's images of Bushwick are the largest known documentation of the neighborhood during a desperate decade. 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"Hardcover", "page_count": "179", "edition_printrun": "First", "isbn_asin": "9798985236811", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This monograph and artist's book documents Richard Prince's painted sculptures created between 1988-2013. 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Prince described his approach as wanting to \"paint something that was already painted.\" The work engages with customized American muscle car design traditions, with pieces titled \"Almost Grown,\" \"American Place,\" \"Folksongs,\" and \"Vanishing Point\" conveying themes of nostalgia, absence, and loss.", "artist_url": "http://www.richardprince.com/", "publisher_url": "https://www.artbook.com/", "collection_grouping": "Art", "tags": "Art, Artist Book, Contemporary Art, Photography, Sculpture", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Prince_Hoods.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "887", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "American Dream", "publisher": "Rubell Family Collection", "publication_year": "2005", "height_cm": "24.1", "width_cm": "16.5", "depth_cm": "", "binding": "Hardcover, Sealed", "page_count": "116", "edition_printrun": "Sealed", "isbn_asin": "9780971634152", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The Rubell Family Collection's substantial and important Richard Prince holdings showcasing his signature pop-culture appropriations wicked silk-screened jokes and pulpy paintings. 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According to Prince's accompanying text Klaw maintained a studio at the New York address where Kline lived and worked. In Prince's account Kline would sometimes use Klaw's models for figure studies and Page became his secret subject and muse. 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Mining images from mass media, advertising and entertainment since the late 1970s, Richard Prince has redefined the concepts of authorship, ownership, and aura. 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"height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Wrappers", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "904", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "New Figures", "publisher": "", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": 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In the highly anticipated second installment of the Deadline publications Will Steacy tells the story of an industry in crisis and a family legacy cut short. Steacy’s latest book published by b.frank books reveals the harsh realities facing the newspaper industry today in a behind-the-scenes look at one newsroom’s grit and determination to get the news out despite shrinking advertising revenue, falling circulation, lay-offs, buy-outs, and bankruptcy. In his follow up to the critically acclaimed Deadline newspaper, this 192-page book features Steacy’s photographs of The Inquirer newsroom and printing plant, historical material from The Inquirer's archive and his own family's five-generation newsman history. The accompanying essay by former Inquirer executive editor Gene Roberts, whose leadership won the paper 17 Pulitzer Prizes, explains how corporate media consolidation and the shift to budget cutting in an effort to maximize shareholder value were the first dominos in the newspaper industry’s subsequent downfall. Deadline not only provides us an open window into the realities of an industry in crisis, but also explains how and why we got here. 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Ostfildern-Ruit: Hatje Cantz, 2001", "publisher": "Hatje Cantz", "publication_year": "2001", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://www.hatjecantz.de/", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1149", "author_last": "Genzken", "author_first": "Isa", "author_full_name": "Isa Genzken", "title": "AC: Isa Genzken/Wolfgang Tillmans", "publisher": "Walther Konig", "publication_year": "2001", "height_cm": "30.0", "width_cm": "22.0", "depth_cm": "0.7", "binding": "Hardcover", "page_count": "", "edition_printrun": "Text in English & German", "isbn_asin": "", "editor": "Kaspar Konig, Michael Krajewski", "contributors": "Wolfgang Tillmans (collaboration)", "is_signed_inscribed": "false", "designer": "", "description": "Artists Isa Genzken and Wolfgang Tillman have collaborated regularly since meeting in the nineties at Daniel Buchholz gallery. This catalogue published on the occasion of the 2001 collaborative show 'Science Fiction/ Being content here and now', Museum Ludwig, Cologne features pictures from the show and a series of portraits and photographs from the artists studios in Berlin and London.", "artist_url": "", "publisher_url": "https://www.buchhandlung-walther-koenig.de/koenig2/index.php?mode=lang&lang=en", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Genzken_AC_Ise_Genzken_Wolfgang_Tillmans_NULL.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1150", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans.", "publisher": "Phaidon", "publication_year": "2002", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9780714841927", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art Book", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/covers/9780714841927.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1151", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "If One Thing Matters, Everything Matters. London: Tate, 2003", "publisher": "tate", "publication_year": "2003", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1152", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wako Book 3. Tokyo: Wako Works of Art, 2004.", "publisher": "[n 2]", "publication_year": "2004", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9784902070251", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1153", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Freischwimmer. Tokyo: Tokyo Opera City Gallery, 2004", "publisher": "", "publication_year": "2004", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1154", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "truth study center. Cologne: Taschen, 2005.", "publisher": "Taschen", "publication_year": "2005", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783822846406", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art Book", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1155", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Freedom From The Known. New York and Göttingen: P.S.1/Steidl, 2006.", "publisher": "[n 3]", "publication_year": "2006", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783865212638", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "New York City", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1156", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans. Los Angeles. New Haven and London: Museum of Contemporary Art, Chicago; Hammer Museum, Los Angeles, 2006.", "publisher": "[n 3]", "publication_year": "2006", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9780300120222", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1157", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Why We Must Provide HIV Treatment Information. London: HIV i-base, 2007. Photography by Tillmans.", "publisher": "[n 4]", "publication_year": "2007", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Photography", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1158", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Sprengel Installation. Hannover: Sprengel Museum, 2007", "publisher": "", "publication_year": "2007", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1159", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "manual. Cologne: Walther König, 2007.", "publisher": "[n 5]", "publication_year": "2007", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783865601322", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://www.buchhandlung-walther-koenig.de/koenig2/index.php?", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1160", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans and Hans Ulrich Obrist. The Conversation Series, Vol. 6. Cologne: Walther König, 2007.", "publisher": "[n 5]", "publication_year": "2007", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783865601339", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://www.buchhandlung-walther-koenig.de/koenig2/index.php?", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1161", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wako Book 4. Tokyo: Wako Works of Art, 2008.", "publisher": "[n 5]", "publication_year": "2008", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9784902070316", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1162", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Lighter. Ostfildern and Berlin: Hatje Cantz and Hamburger Bahnhof—Museum für Gegenwart—Berlin, 2008.", "publisher": "[n 6]", "publication_year": "2008", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783775721875", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://www.hatjecantz.de/", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1163", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans: Interviews. Tokyo: Wako Works of Art, 2010", "publisher": "", "publication_year": "2010", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1164", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans. London: Serpentine Gallery; Koenig Books, 2010", "publisher": "[n 6]", "publication_year": "2010", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1165", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans. Brochure. Liverpool: Walker Art Gallery, 2010", "publisher": "[n 7]", "publication_year": "2010", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1166", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Abstract Pictures", "publisher": "Hatje Cantz", "publication_year": "2011", "height_cm": "29.7", "width_cm": "27.5", "depth_cm": "", "binding": "Hardcover", "page_count": "384", "edition_printrun": "", "isbn_asin": "9783775727433", "editor": "", "contributors": "Dominic Eichler (Essay), Karl Kolbitz (Design)", "is_signed_inscribed": "false", "designer": "Wolfgang Tillmans, Karl Kolbitz", "description": "Abstract Pictures is a monograph that compiles Wolfgang Tillmans' non-representational, abstract photographic work over two decades. The book showcases series like Blushes, Freischwimmer, and Lighter, exploring the possibilities of the photographic medium through techniques like camera-less exposures, darkroom manipulation, and sculptural paper forms. It contains essays by Dominic Eichler and excerpts from Tillmans' own notes, interviews, and lectures. Designed by Tillmans and Karl Kolbitz, the book emphasizes the materiality of the photographic object itself, rather than its reproductive function. Includes unique, hand-assembled sections with layered images created during the printing process. The photograph itself—essentially divorced from its reproductive function—becomes the objet d'art. Received the German Photo Book Award in Silver, 2012. Available in English and German. Published in Ostfildern, Germany.", "artist_url": "https://tillmans.co.uk/", "publisher_url": "https://www.hatjecantz.de/", "collection_grouping": "Photography", "tags": "German photography, abstract photography, contemporary art, darkroom, materiality, photobook award, photographic process", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Tillmans_Abstract_Pictures_9783775727433.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1167", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Zachęta Ermutigung. Zachęta Narodowa Galeria Sztuki, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2011", "publisher": "[n 8]", "publication_year": "2011", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1168", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "FESPA Digital / FRUIT LOGISTICA. Artist book. Cologne: Walther König, 2012", "publisher": "", "publication_year": "2012", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "https://www.buchhandlung-walther-koenig.de/koenig2/index.php?", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1169", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Neue Welt. Cologne: Taschen, 2012.", "publisher": "Taschen", "publication_year": "2012", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783836539746", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art Book", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1170", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans. London and New York: Phaidon, 2013.", "publisher": "", "publication_year": "2013", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9780714867045", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "New York City", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1171", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Conor Donlon", "publisher": "Walther König, Cologne", "publication_year": "2016", "height_cm": "16.5", "width_cm": "24.1", "depth_cm": "", "binding": "Softcover", "page_count": "192", "edition_printrun": "reproductions: 185", "isbn_asin": "", "editor": "Alex Needham", "contributors": "Wolfgang Tillmans, Paul Hutchinson", "is_signed_inscribed": "false", "designer": "", "description": "In Conor Donlon, Wolfgang Tillmans (born 1968) chronicles East London’s art scene and nightlife of the early 2000s, as well as his friendship with collaborator and artist Conor Donlon. The book sees Donlon’s appearance and style changing, as well as his backdrops: a 2003 demonstration against George W. Bush’s state visit; a picnic at the park after an opening at Tillmans’s exhibition space Between Bridges; the bright yellow walls of Tillmans and Donlon’s home; long-gone LGBT clubs The Ghetto and The Joiners’ Arm; and quieter moments spent talking in the studio and around town. Tillmans’s photographs are at once intimate and emblematic of a flourishing arts era, where both artists’ work gained momentum. The Guardian’s culture editor Alex Needham introduces the work with an essay about Donlon’s initial role as Tillmans’s assistant, contextualizing the artists’ collaboration and the inception of London independent bookstore Donlon Books in 2008.", "artist_url": "", "publisher_url": "https://www.buchhandlung-walther-koenig.de/koenig2/index.php?", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1172", "author_last": "Tillmans", "author_first": "Wolfgang", "author_full_name": "Wolfgang Tillmans", "title": "Wolfgang Tillmans: A Reader", "publisher": "The Museum of Modern Art,", "publication_year": "2022", "height_cm": "25.0", "width_cm": "16.0", "depth_cm": "2.7", "binding": "Softcover", "page_count": "353", "edition_printrun": "First", "isbn_asin": "9781633451124", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This volume offers a panoramic collection of interviews and writings from an artist for whom language has always been a significant means of creative expression. Arranged chronologically, the assembled texts reflect Tillmans’ thinking on photography, music, politics, nightlife, astronomy, spirituality and activism. 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Some of the books documented are well-known publications such as Anna Atkins' Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull's Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris' The Camera and the Congo Crime (c. 1906), Varvara Stepanova's Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson's African Journey (1945), Fina Gómez Revenga's Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa's Far and Near (1962) and Gretta Alegre Sarfaty's Auto-photos: Série transformações—1976: Diário de Uma Mulher—1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history—in particular, the lack of access, support and funding for photobooks by non-Western women and women of color. 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Primarily recognized for her monumental installations, Walker also works with ink, graphite and collage to create pieces that demonstrate her continued engagement with her own identity as an artist, an African American, a woman and a mother. More than 700 works on paper created between 1992 and 2020―which are reproduced in print for the first time from the artist’s own strictly guarded private archive―are collected in this volume, thus capturing Walker’s career with an unprecedented level of intimacy. Since the early 1990s, the foundation of her artistic production has been drawing and working on paper in various ways. Walker’s completed large-format pieces are presented among typewritten notes on index cards and dream journal entries; sketches and studies for pieces appear alongside collages. 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Their unruly surfaces lead into the depth, into fragments of motifs: backyards, dumped car tires, huge cable drums, dead tree stumps, rusty bed frames, or the wall of a shack with strange objects leaning against it. If, on second view, the eye manages to separate the different layers of reality meshed here, in the end the decipherable photographic images collapse again into painterly textures. Swamp is the fourth artist’s book from a series Wool has published with Holzwarth Publications: Road and Westtexaspsychosculpture collected photos of bumpy roads or sculpture-like found objects in Texan surroundings; then, in Yard from 2018, the artist clearly superimposed two different realities. 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In New York, back then arguably the world's most fascinating and permissive metropolis, Zownir's peculiar approach to cover the city's multiple layered day-to-day lunacy was quickly recognised by the local scene as the TEUTONIC PHENOMENOGRAPHER (Village Voice). Shot in moody, expressionistic b/w, Zownir's pictures from that period give a penetrating insight to inner-city sub-cultural spheres, which, in their original local context, have since perished in the boom of the 90s. His lens captured the untamed lust at the gay-parties, just shortly before Aids massively claimed its victims; the futile protest of artists and offbeat performers;", "artist_url": "", "publisher_url": "", "collection_grouping": "Art", "tags": "New York City", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/covers/9783942547512.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1303", "author_last": "Zownir", "author_first": "Miron", "author_full_name": "Miron Zownir", "title": "Down And Out In Moscow", "publisher": "Pogo Books", "publication_year": "2014", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783942547345", "editor": "Claudio Pfeifer", "contributors": "Nico Anfuso, Pogo Books", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Art", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1304", "author_last": "Marshall", "author_first": "Kerry James", "author_full_name": "Kerry James Marshall", "title": "Rythm Mastr: This Is How It Begins", "publisher": "Rizzoli Electa", "publication_year": "2025", "height_cm": "24.5", "width_cm": "21.5", "depth_cm": "2.5", "binding": "Hardcover", "page_count": "208", "edition_printrun": "First Edition", "isbn_asin": "9780847835614", "editor": "Robecchi, Michele", "contributors": "Michele Robecchi", "is_signed_inscribed": "false", "designer": "", "description": "\"Rythm Mastr\" is a comic series created by Kerry James Marshall, developed from 1999 to the present in response to the historical absence of black characters in comics. Set in the community surrounding Marshall's Chicago studio, the narrative is rooted in reality but incorporates elements of fantasy, created using India ink drawings. The series debuted at the 1999/2000 Carnegie International, published as single illustrated panels in the Pittsburgh Post-Gazette's magazine for eight weeks. Marshall papered the Carnegie Museum's display windows with 20 segments printed on newsprint and installed it in the museum's Treasure Room to explore how value is assigned to objects. Copies were distributed to the public for a nominal fee to ensure wide access. The story features an old man named Rythm Mastr and his young protégé, Farell. Meeting in a museum of ancient Egyptian art, Rythm Mastr teaches Farell traditional African drumming that brings ancient African and Egyptian statues to life. These animated statues possess superhuman powers derived from the seven gods of the Yoruba pantheon. The narrative addresses contemporary issues, including the spike in violence in 1990s Chicago and the demolition of high-rise public housing on the city's South Side. Over the years, the series has evolved through various formats. In 2003, it was featured as a daily comic strip in \"One True Thing: Meditations on a Black Aesthetics\" at MCA Chicago. In 2008, it was presented at the Wexner Center at Ohio State University with puppets inspired by traditional Japanese Bunraku puppetry, including live performances with jazz drummer Kahil El'Zabar. The series appeared in Issue 14 of Esopus magazine in 2010. From 2015 to 2017, it was included in light-box displays in \"Mastry,\" Marshall's 30-year retrospective, and inspired \"Above the Line,\" a hand-painted mural on New York's High Line from 2015 to 2016. Marshall's work was influenced by The Black Panther comic he encountered at ten years old. His goal was to create black superheroes in a context where they matter, with a Homeric epic structure achieving cultural impact similar to Star Wars. His long-term ambition is to diversify the art historical canon with more images of black people in museums. Marshall envisions the series as a graphic novel and feature animated film. This comprehensive volume, edited by Michele Robecchi (Rizzoli Electa, 2025), represents the most complete documentation of the character, its genesis, and evolution over two decades, featuring Marshall's sophisticated debates about history, philosophy, and politics in vernacular Black English, creating an empowering blend of science fiction and Afrofuturism.", "artist_url": "https://www.kerryjamesmarshall.com", "publisher_url": "https://www.rizzoliusa.com", "collection_grouping": "Art", "tags": "African American Art, Afrofuturism, Black Artists, Comics, Contemporary Art, Graphic Novels", "classification": "Art; Individual Artists; Contemporary", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Marshall_Rythm_Mastr_This_Is_How_It_Begins_9780847835614.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1305", "author_last": "Zadeh", "author_first": "Susan", "author_full_name": "Susan Zadeh", "title": "One Picture Book Two Vol 46 - Susan Zadeh Toer", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500 with 5x7 inch original print signed by the artist", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 46: Toer. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches. A limited edition photography book featuring the work of Susan Zadeh.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1306", "author_last": "Hosoe", "author_first": "Eikoh", "author_full_name": "Eikoh Hosoe", "title": "One Picture Book Two Vol 48 - Kimono", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500 with 5x7 inch original print signed by the artist", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 48: Kimono. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches. A limited edition photography book featuring the work of Eikoh Hosoe.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1307", "author_last": "Casagrande", "author_first": "Benedetta", "author_full_name": "Benedetta Casagrande", "title": "One Picture Book Two Vol 47 - Paperworks", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500 with 5x7 inch original print signed by the artist", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 47: Paperworks. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches. A limited edition photography book featuring the work of Benedetta Casagrande.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1308", "author_last": "Divola", "author_first": "John", "author_full_name": "John Divola", "title": "One Picture Book Two Vol 48 - Italian Cars", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500 with 5x7 inch original print signed by the artist", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 48: Italian Cars. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches. A limited edition photography book featuring the work of John Divola.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1309", "author_last": "Thek", "author_first": "Paul", "author_full_name": "Paul Thek and Peter Hujar", "title": "Stay away from nothing", "publisher": "Primary Information", "publication_year": "2025", "height_cm": "30.48", "width_cm": "22.86", "depth_cm": "", "binding": "Paperback", "page_count": "192", "edition_printrun": "", "isbn_asin": "9798988573685", "editor": "Francis Schichtel", "contributors": "James Hoff (Managing Editor), Joseph Logan (Designer), Allison Dubinsky (Copy Editor), Andrew Durbin (Afterword)", "is_signed_inscribed": "false", "designer": "Joseph Logan", "description": "This publication explores the relationship between artists Paul Thek and Peter Hujar through correspondence and photography spanning 1956-1975. The collection includes over fifty letters and postcards, along with drawings and ephemera, documenting their travels, creative work, and personal connection across locations including Coral Gables, Philadelphia, Rome, Italy, and Fire Island. Peter Hujar's photographs capture Thek in various settings, including iconic images from the Palermo catacombs and studio portraits during the creation of \"The Tomb,\" alongside previously unpublished candid shots.", "artist_url": "", "publisher_url": "https://primaryinformation.org", "collection_grouping": "Photography", "tags": "1960s-1970s, American Artists, Artist Correspondence, New York Art, Photography, Queer Art", "classification": "Photography; Artist Monographs; Queer Art; Correspondence", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/queer/thek-hujar-stay-away-from-nothing.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1310", "author_last": "Sohier", "author_first": "Sage", "author_full_name": "Sage Sohier", "title": "One Picture Book Two Vol 44 - To Utah 85", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 44: To Utah 85. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1311", "author_last": "Dunas", "author_first": "Jeff", "author_full_name": "Jeff Dunas", "title": "One Picture Book Two Vol 43 - Highway 61 to Honeyboy", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 43: Highway 61 to Honeyboy. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1312", "author_last": "Plumb", "author_first": "Mimi", "author_full_name": "Mimi Plumb", "title": "One Picture Book Two Vol 42 - Lookout on Highway 74", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 42: Lookout on Highway 74. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1313", "author_last": "Foglia", "author_first": "Lucas", "author_full_name": "Lucas Foglia", "title": "One Picture Book Two Vol 41 - Living on Lava", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 41: Living on Lava. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1314", "author_last": "Weems", "author_first": "Carrie Mae", "author_full_name": "Carrie Mae Weems", "title": "One Picture Book Two Vol 40", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "9781590055748", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 40: Sea Islands AP. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Weems_One_Picture_Book_Two_Vol_40_9781590055748.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1315", "author_last": "Moriyama", "author_first": "Daido", "author_full_name": "Daido Moriyama", "title": "One Picture Book Two Vol 39 - Daido Dos", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 39: Daido Dos. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1316", "author_last": "Moriyama", "author_first": "Daido", "author_full_name": "Daido Moriyama", "title": "One Picture Book Two Vol 38 - Daido Uno", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 38: Daido Uno. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1317", "author_last": "Marcuse", "author_first": "Tanya", "author_full_name": "Tanya Marcuse", "title": "One Picture Book Two Vol 37 - Portent", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 37: Portent. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1318", "author_last": "Lax", "author_first": "Maria", "author_full_name": "Maria Lax", "title": "One Picture Book Two Vol 36 - Taken by the Tide", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 36: Taken by the Tide. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1319", "author_last": "Ehrlich", "author_first": "Richard", "author_full_name": "Richard Ehrlich", "title": "One Picture Book Two Vol 35 - Namibia Redux", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 35: Namibia Redux. 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Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1343", "author_last": "Borensztein", "author_first": "Leon", "author_full_name": "Leon Borensztein", "title": "One Picture Book Two Vol 11 - Tata", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 11: Tata. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1344", "author_last": "Moriyama", "author_first": "Daido", "author_full_name": "Daido Moriyama", "title": "One Picture Book Two Vol 10 - Daido Moto", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 10: Daido Moto. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1345", "author_last": "Zadeh", "author_first": "Susan A.", "author_full_name": "Susan A. Zadeh", "title": "One Picture Book Two Vol 09 - I", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 9: I. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1346", "author_last": "Banning", "author_first": "Jan", "author_full_name": "Jan Banning", "title": "One Picture Book Two Vol 08 - The Sweating Subject", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 8: The Sweating Subject. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1347", "author_last": "Mulno", "author_first": "Michael", "author_full_name": "Michael Mulno", "title": "One Picture Book Two Vol 07 - Residential Variations", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 7: Residential Variations. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1348", "author_last": "Callis", "author_first": "Jo Ann", "author_full_name": "Jo Ann Callis", "title": "One Picture Book Two Vol 06 - Cheap Thrills", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 6: Cheap Thrills. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1349", "author_last": "Ruwedel", "author_first": "Mark", "author_full_name": "Mark Ruwedel", "title": "One Picture Book Two Vol 05 - Studio ER", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 5: Studio E.R. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1350", "author_last": "Mendoza", "author_first": "Tony", "author_full_name": "Tony Mendoza", "title": "One Picture Book Two Vol 04 - Floridadogs", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 4: Floridadogs. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1351", "author_last": "Weems", "author_first": "Carrie Mae", "author_full_name": "Carrie Mae Weems", "title": "One Picture Book Two Vol 03 - Monument", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "9781590054949", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 3: Monument. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Weems_One_Picture_Book_Two_Vol_03_-_Monument_9781590054949.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1352", "author_last": "Hahn", "author_first": "Betty", "author_full_name": "Betty Hahn", "title": "One Picture Book Two Vol 02 - The Lone Ranger", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 2: The Lone Ranger. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1353", "author_last": "Kenna", "author_first": "Michael", "author_full_name": "Michael Kenna", "title": "One Picture Book Two Vol 01 - DMZ The 38th Parallel", "publisher": "Nazraeli Press", "publication_year": "2025", "height_cm": "21.59", "width_cm": "15.24", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "Limited Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Part of the Nazraeli Press One Picture Book Two series, Volume 1: DMZ – The 38th Parallel. Each One Picture Book is limited to 500 numbered copies and includes a removable, signed, original print measuring approximately 5x7 inches.", "artist_url": "", "publisher_url": "https://www.nazraeli.com", "collection_grouping": "Photography", "tags": "Limited Edition, Nazraeli Press, One Picture Book, Photography", "classification": "Photography; Photobooks", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1354", "author_last": "Goya", "author_first": "Francisco de", "author_full_name": "Francisco de Goya", "title": "Goya: The Disasters of War", "publisher": "La Fábrica", "publication_year": "2025", "height_cm": "30.48", "width_cm": "24.77", "depth_cm": "1.65", "binding": "Hardcover", "page_count": "176", "edition_printrun": "Based on the original 1863 edition", "isbn_asin": "9788410024632", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "\"The Disasters of War\", eighty invented and etched plates by Francisco de Goya. In 1808, at the end of the first siege of Saragossa by Napoleon's troops, Francisco de Goya was invited with a number of other artists to visit the devastated city and arouse the people's patriotic fervour through a series of propaganda pictures and prints. Far from the glorification that had been entrusted to him, what Goya depicted was a universal condemnation of violence. Terribly contemporary, these images continue to assail us more than two hundred years later. To the horrors he saw in Saragossa, Goya added scenes of the famine he witnessed in Madrid and a series of symbolic prints on the post-war period that he entitled \"Emphatic Caprices\", in which he showed the loss of the constitutional ideals with the return of absolutism. The three blocks - War, Famine and Emphatic Caprices - constitute The Disasters of War, a work which Goya completed in 1820 but whose publication was delayed owing to its critical nature until 1863, 35 years after his death. Appearing beneath each figure is a legend or caption, short text - sometimes just one word - which Goya included with expressive precision. The set, numbered by the artist himself, cries out to us with a moving narrative that was unusual for the time in making the denunciation of war its principal theme. The Aragonese artist can thus also be regarded as a pioneer of protest art. The Disasters of War, then, is a book of images for reading. Profoundly humanist, this reading is especially fitting in the context of today's flow of information, marked by the impact of the visual message and of brief texts. It begins with a prelude, \"Sad forebodings of what is to befall\", and culminates in an open ending: \"Truth is dead\"; \"Will she rise again?\" That question leaves the door open to hope. Based on the original 1863 edition, this clothbound book faithfully reproduces the first edition of the complete set of 80 works: 1-47 WAR, 48-64 FAMINE, 65-80 EMPHATIC CAPRICES.", "artist_url": "", "publisher_url": "https://www.lafabrica.com", "collection_grouping": "Art", "tags": "Etchings, Historical, La Fábrica, Political Art, Spanish Art, War, disaster", "classification": "Art; Individual Artists; Printmaking", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "October 29, 2025", "image_url": "/assets/images/books/Goya_Goya_The_Disasters_of_War_9788410024632.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1355", "author_last": "Villareal", "author_first": "Leo", "author_full_name": "Leo Villareal", "title": "Leo Villareal: Coding Light", "publisher": "Monacelli Press/Phaidon", "publication_year": "2025", "height_cm": "32.4", "width_cm": "25.1", "depth_cm": "", "binding": "Hardcover", "page_count": "336", "edition_printrun": "First Edition", "isbn_asin": "9781580936538", "editor": "", "contributors": "Molly Donovan, Annie Dell'Aria, Sarah Sze", "is_signed_inscribed": "false", "designer": "", "description": "An expansive monograph of work by acclaimed contemporary artist Leo Villareal, known for his monumental installations employing light and computer technology. Transforming pixels using the zeroes and ones of binary code into dazzling displays of light, Mexican-American artist Leo Villareal creates abstract installations that are icons of public art. Employing artist-created code and custom software, his innovative practice explores chance, rules, and the underlying structure of systems. Features more than 30 works ranging in scale – from exhibitions and immersive architectural commissions like Cosmos at Cornell University, to urban-scale artworks such as his seminal work, Illuminated River, which joins nine central-London bridges along the River Thames in London. Includes 350 illustrations spanning over two decades of the artist's career.", "artist_url": "https://www.leovillareal.com", "publisher_url": "https://www.phaidon.com", "collection_grouping": "Art", "tags": "Art Book, Contemporary Art, Digital Art, Installation Art, Light Art, Monacelli, Public Art", "classification": "Art; Contemporary Art; Digital Art", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "October 29, 2025", "image_url": "/assets/images/books/Villareal_Leo_Villareal_Coding_Light_9781580936538.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1356", "author_last": "Wojnarowicz", "author_first": "David", "author_full_name": "David Wojnarowicz", "title": "David Wojnarowicz: Arthur Rimbaud in New York", "publisher": "Skira", "publication_year": "2025", "height_cm": "27.94", "width_cm": "24.13", "depth_cm": "", "binding": "Hardcover", "page_count": "208", "edition_printrun": "First edition", "isbn_asin": "9788857254067", "editor": "Antonio Sergio Bessa", "contributors": "Nicholas Martin, Craig Dworkin, Marguerite Van Cook, Phillip Aarons", "is_signed_inscribed": "false", "designer": "", "description": "In 1978 and 1979, David Wojnarowicz took a series of photographs of a man wearing a paper mask bearing the visage of Arthur Rimbaud, the French poet equally known for his fervid verse and dramatic life. Rimbaud was the instantiation, and perhaps the inventor, of the idea of the young gay hustler of genius. This volume features an introductory essay by Antonio Sergio Bessa contextualizing the series within a foundation of other works across literature, photography and performance. Nicholas Martin explores Wojnarowicz's practice in the context of the rise of the punk movement in downtown Manhattan in the late 1970s. Craig Dworkin explores Rimbaud's years as a runaway youth in Paris during the Commune. Includes an interview with photographer Allen Frame. Features 150 color images.", "artist_url": "https://www.davidwojnarowicz.com", "publisher_url": "https://www.skira.net", "collection_grouping": "Photography", "tags": "Downtown New York, LGBTQ Art, New York City, Performance Art, Photography, Punk, Skira", "classification": "Photography; LGBTQ Studies; Performance Art", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "October 29, 2025", "image_url": "/assets/images/books/Wojnarowicz_David_Wojnarowicz_Arthur_Rimbaud_in_New_York_9788857254067.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1357", "author_last": "Matsuda", "author_first": "Mitsuhiro", "author_full_name": "Mitsuhiro Matsuda", "title": "Nicole times, vol. 01", "publisher": "M. Matsuda", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Costume -- Catalogs; Men's clothing -- Catalogs; Fashion photography; Costume; Men's clothing;", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "Yukio Kobayashi", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Matsuda Fashion Catalogs", "tags": "1980s, 1990s, Catalogs, Fashion, Japanese Fashion, Menswear", "classification": "Fashion Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1358", "author_last": "Matsuda", "author_first": "Mitsuhiro", "author_full_name": "Mitsuhiro Matsuda", "title": "Nicole times, vol. 02.", "publisher": "M. Matsuda", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Costume -- Catalogs; Men's clothing -- Catalogs; Fashion photography; Costume; Men's clothing;", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "Yukio Kobayashi", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Matsuda Fashion Catalogs", "tags": "1980s, 1990s, Catalogs, Fashion, Japanese Fashion, Menswear", "classification": "Fashion Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1359", "author_last": "Matsuda", "author_first": "Mitsuhiro", "author_full_name": "Mitsuhiro Matsuda", "title": "Nicole times, vol. 03.", "publisher": "M. Matsuda", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Costume -- Catalogs; Men's clothing -- Catalogs; Fashion photography; Costume; Men's clothing;", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "Yukio Kobayashi", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Matsuda Fashion Catalogs", "tags": "1980s, 1990s, Catalogs, Fashion, Japanese Fashion, Menswear", "classification": "Fashion Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1360", "author_last": "Matsuda", "author_first": "Mitsuhiro", "author_full_name": "Mitsuhiro Matsuda", "title": "Nicole times, vol. 04.", "publisher": "M. 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MacIndoe's book uniquely captures the energy of this highly charged period of his life vividly broadcasting the memories he still has of these cultural tokens in a clar series of new images which are set in a dialogue in this book with a selection of the pictures he took of the people from that time.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1394", "author_last": "Magazine", "author_first": "", "author_full_name": "Magazine", "title": "AnOther Magazine - Bjork", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Periodical, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1395", "author_last": "O'Brien", "author_first": "Thomas Andrew Denenberg and Glenn", "author_full_name": "Thomas Andrew Denenberg and Glenn O'Brien", "title": "Backstage Pass: Rock & Roll Photography (Portland Museum of Art)", "publisher": "Yale University Press", "publication_year": "2009", "height_cm": "24.13", "width_cm": "0.51", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780300151633", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. Many of the nearly one hundred images have rarely been published, and all reveal fascinating glimpses of celebrities off stage, away from the glare of the spotlights. Shot from the mid-fifties to the mid-nineties, the portraits often have a spontaneous, informal, and everyday feel, and most record their subjects before they had become immensely famous—and well practiced in posing for photographs. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Art, Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1396", "author_last": "O'Brien", "author_first": "Thomas Andrew Denenberg and Glenn", "author_full_name": "Thomas Andrew Denenberg and Glenn O'Brien", "title": "Backstage Pass: Rock & Roll Photography (Portland Museum of Art)", "publisher": "Yale University Press", "publication_year": "2009", "height_cm": "24.13", "width_cm": "0.51", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780300151633", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. 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An American Man", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1402", "author_last": "Matheu", "author_first": "Robert", "author_full_name": "Robert Matheu", "title": "CREEM: America's Only Rock 'N' Roll Magazine (3 copies)", "publisher": "Collins Living", "publication_year": "2007", "height_cm": "24.13", "width_cm": "2.54", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780061374562", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "With raw photographs of rock's greatest stars and insightful prose by the legendary rock journalists who were stars in their own right, CREEM magazine stood at the forefront of youth counterculture from 1969 to 1988 as America's Only Rock 'n' Roll Magazine. A product of Detroit's revolutionary counterculture, CREEM cultivated an incredibly gifted staff of iconoclastic scribes, editors, photographers, and graphic artists whose work continues to resonate today, including: Lester Bangs, Dave Marsh, Richard Meltzer, Nick Tosches, and a not-so-famous Cameron Crowe. They invented a raucous new form of journalism, where the writing and photographs were as much an expression of rock 'n' roll as the music itself. CREEM embraced and abused the best and the worst of the era: MC5, Led Zeppelin, the Rolling Stones, the Faces, Lou Reed, the Stooges, T.Rex, Kiss, Mott the Hoople, the Who, the New York Dolls, Bob Seger, Ted Nugent, Aerosmith, the Ramones, Cheap Trick, the Clash, and Van Halen, among many others. Now the Mouth of the Motor City presents a retrospective of the beautiful haze that was rock's golden age—from the end of the hippie days through glam and punk and into '80s metal. Featuring the best of the magazine's vast archives of photos, illustrations, and articles, CREEM is the authentic rock 'n' roll experience—written for fanatics by fanatics.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Periodical, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1403", "author_last": "Broackes", "author_first": "Victoria", "author_full_name": "Victoria Broackes", "title": "David Bowie Is (Museum of Contemporary Art, Chicago: Exhibition Catalogues) (2 copies)", "publisher": "V & A Publishing", "publication_year": "2013", "height_cm": "24.13", "width_cm": "3.05", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9781851777372", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This companion piece to an exhibition at London's Victoria and Albert Museum explores the iconography, fashion, and music of pop icon David Bowie. Drawn to rock'n'roll as a rebellion against his suburban London upbringing, Bowie's career has been one of constant reinvention and innovation. As a musician and composer, his influences are wide ranging: he borrows as much from contemporaries such as The Rolling Stones and German synthesizer bands Neu! and Kraftwerk as from composers Kurt Weill and frequent collaborator Brian Eno. He is also heavily influenced by broader culture, notably adopting the cut up method often employed by William Burroughs, while being strongly influenced by the video work of Andy Warhol. Beyond music, however, Bowie cultivated a constantly shifting sense of style—most famously as his glam rock, alien alter-ego Ziggy Stardust—his various costumes were Dadaist in impulse and Surrealist in conception and execution. Particularly striking, however, was the cobweb body-suit he wore for The 1980 Floor Show, which features two glitter covered mannequin hands that seem to be fondling his chest as a kind of camp provocation. Indeed, as Camille Paglia notes, Bowie came to embody the shaman and prophet who crossed into forbidden sexual terrain. 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The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1406", "author_last": "Robertson", "author_first": "Matthew", "author_full_name": "Matthew Robertson", "title": "Factory Records: The Complete Graphic Album by Matthew Robertson", "publisher": "Chronicle Books", "publication_year": "2006", "height_cm": "25.91", "width_cm": "2.79", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780811856768", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "A creative juggernaut of the post-punk era, Factory Records was the catalyst behind the U.K. music explosion of the late '70s through the '90s with groups like Joy Division (soon to be the subject of an Anton Corbijn movie), New Order, and Happy Mondays leading the New Wave. At Factory, musicians and designers commingled creatively, with innovators such as Peter Saville, Den Kelly, Mark Farrow, 8VO, and Barbara Kruger elevating album covers to a new art form. The label broke further ground when it opened its own disco, the legendary Hacienda. Factory Records is the ultimate and only collection of Factory's complete graphic output, including every single piece it produced: extremely rare record sleeves, club flyers, and posters all gathered together for the first time. A must for collectors and enthusiasts, Matthew Robertson's meticulous compilation of underground ephemera is poised to introduce a new generation of music and design fans to the creative genius of Factory.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1407", "author_last": "Turcotte", "author_first": "Bryan Ray", "author_full_name": "Bryan Ray Turcotte", "title": "Fucked Up + Photocopied: instant art of the punk rock movement", "publisher": "Gingko Press", "publication_year": "1999", "height_cm": "24.13", "width_cm": "2.29", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9781584230007", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1408", "author_last": "Turcotte", "author_first": "Bryan Ray", "author_full_name": "Bryan Ray Turcotte", "title": "Fucked Up + Photocopied: instant art of the punk rock movement", "publisher": "Gingko Press", "publication_year": "2000", "height_cm": "24.13", "width_cm": "2.29", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9781584230007", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1409", "author_last": "Charles", "author_first": "Sanna", "author_full_name": "Sanna Charles", "title": "God Listens To Slayer", "publisher": "Ditto Press", "publication_year": "2015", "height_cm": "22.35", "width_cm": "1.27", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780956795281", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1410", "author_last": "Cobain", "author_first": "Kurt", "author_full_name": "Kurt Cobain", "title": "Journals by Kurt Cobain", "publisher": "", "publication_year": "2002", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "", "editor": "Julie Grau", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1411", "author_last": "Cummins", "author_first": "Kevin", "author_full_name": "Kevin Cummins", "title": "Joy Division by Kevin Cummins, Bernard Sumner (Three Copies, one inscribed, one signed, one new)", "publisher": "Rizzoli", "publication_year": "2010", "height_cm": "23.11", "width_cm": "2.54", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed", "isbn_asin": "9780847834815", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The definitive look at one of the most iconic rock bands of all time. Joy Division pioneered a genre of music and defined the look and sound of the post-punk era, and thirty years after the suicide of their lead singer Ian Curtis, they remain one of the most influential rock bands to have come out of England. Between their infamous live performances and two studio albums in the late 1970s, Joy Division set the Manchester scene alight, established Factory Records as the most influential label in pop music, and recorded some of the most enduring songs of the era. Kevin Cummins began his career just as the band formed, and for the few short years of their career was given closer access to them than any other photographer. Joy Division collects more than two hundred of his images of the band—sensitive photographs that capture their quiet introspection offstage, their close relationships as bandmates, and Curtis’s legendary energy in live performances—and supplements the iconic images with concert tickets, unreleased record sleeves, fan club badges, Factory Records flyers, and other rare ephemera. This book is the most definitive and heavily illustrated celebration of the band ever produced.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1412", "author_last": "Weinberger", "author_first": "Karlheinz", "author_full_name": "Karlheinz Weinberger", "title": "Karlheinz Weinberger - Vol 1 Halbstarke P", "publisher": "Sturm & Drang", "publication_year": "2017", "height_cm": "28.45", "width_cm": "1.02", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition, mylar covered", "isbn_asin": "9783906822143", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "In 1958, Zürich photographer Karlheinz Weinberger first captured the likeness of Halbstarke (rebel) Jimmy Oechslin, an artistic moment which marks the genesis of this collection of images focused on young Swiss teenagers. That particular photographic encounter triggered Weinbergers life-long fascination with outsiders and nonconformists in the otherwise staid environment of Switzerland. The photographs presented in this first of several volumes about his work offer a rare glimpse into a bygone world that seems almost cute and quaint from a contemporary perspective, but make no mistake: just dressing in jeans and hanging chains around ones neck was a statement as loud as blasting music by Buddy Holly on a quiet Swiss Sunday afternoon.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1413", "author_last": "Cummins", "author_first": "Kevin", "author_full_name": "Kevin Cummins", "title": "New Order by Kevin Cummins (signed)", "publisher": "Rizzoli", "publication_year": "2015", "height_cm": "23.11", "width_cm": "2.54", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780847843602", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "A definitive collection of photographs of the legendary and influential band New Order. New Order remains one of the most popular bands of the last half century. Founded in the dying years of punk and disco, and combining elements of post-punk, new wave, and electronic dance music, New Order was responsible for some of the biggest hits of the era and is one of few bands to have achieved mainstream success while retaining cult status. Having been the most trusted photographer of Joy Division in the 1970s, Kevin Cummins was uniquely placed to document the rise and fall of New Order, from their formation in 1980 to their split in 1993. From underground beginnings as the flagship group of Factory Records in Manchester to grandstand tours around Europe and America, Cummins captured the band in every light, from the intimacy of the studio to the frenetic energy of live performance. Collected here for the first time are more than a hundred photographs reflecting over a decade of New Order. Prefaced by a selection of rarely seen ephemera, conversations with the band members, and an introduction from Douglas Coupland, this is a stunning celebration of a band whose influence on music and fashion is still palpable today.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1414", "author_last": "Coley", "author_first": "Thurston Moore and Byron", "author_full_name": "Thurston Moore and Byron Coley", "title": "No Wave: Post-Punk. Underground. New York. 1976-1980", "publisher": "Abrams Image", "publication_year": "2008", "height_cm": "25.40", "width_cm": "2.54", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed, inscribed", "isbn_asin": "9780810995437", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Art and music come together in this oral account of Manhattan's mid-1970s No Wave music scene. Moore, a founding member of the band Sonic Youth, and Coley, a music writer and editor, identify the likes of Teenage Jesus and the Jerks, DNA, Contortions and Mars as the core bands that built No Wave. Shedding light on the personal relationships of these close-knit bands, the surprisingly reserved volume-graced with exquisite black-and-white photos with occasional splashes of poster-art color-also looks at how the devastated state of the city influenced their sound and performances: As everything's collapsing... the music became the rebellion, says Teenage Jesus's Lydia Lunch in her scowling, astute foreword. Music sometimes described as a car crash gets heartfelt and intelligent commentary from the likes of DNA's Ikue Mori: it wasn't about technique; it was more about new ideas and inspiration. The authors' personal interviews with the movement's other pioneers elicit raw, honest hindsight; along with revealing photographs, this volume takes readers straight into the heart of this zeitgeist.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, New York City, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1415", "author_last": "Mott", "author_first": "Toby", "author_full_name": "Toby Mott", "title": "Oh So Pretty: Punk in Print 1976-19801980", "publisher": "Phaidon Press", "publication_year": "2016", "height_cm": "21.84", "width_cm": "3.05", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780714872759", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Oh So Pretty: Punk in Print 1976-80 is an unrivalled collection of visually striking ephemera from Britain’s punk subculture. It presents 500 artefacts - 'zines,' gig posters, flyers, and badges - from well-known and obscure musical acts, designers, venues, and related political groups. While punk was first and foremost a music phenomenon, it reflected a DIY spirit and instantly recognizable aesthetic that was as raw and strident and irrepressible as the music. As disposable as the items in this book once were, together they tell a story about music, history, class, and art, and document a seismic shift in society and visual culture.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Art Book, Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1416", "author_last": "Sladen", "author_first": "Mark", "author_full_name": "Mark Sladen", "title": "Panic Attack!: Art in the Punk Years", "publisher": "Merrell Publishers", "publication_year": "2007", "height_cm": "24.89", "width_cm": "2.54", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9781858944036", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Punk is most commonly associated with music, fashion and graphics, but its rebellious and iconoclastic spirit also found expression in the visual arts. Panic Attack! reveals the vibrant art scene that exploded in Britain and the United States between 1974 and 1984, when visual artists shared some of the radical attitudes and aesthetics of punk and post-punk musicians and designers.Featuring essays by both British and American commentators, a detailed chronology of the art and music scenes of the time and stunning reproductions of works by over thirty leading artists, Panic Attack! is an account of one of the most exciting periods in modern art.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1417", "author_last": "Linn", "author_first": "Judy", "author_full_name": "Judy Linn", "title": "Patti Smith 1969-1976", "publisher": "Harry N. Abrams", "publication_year": "2011", "height_cm": "25.40", "width_cm": "2.03", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed", "isbn_asin": "9780810998322", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Before Patti Smith became a rock star, she loved to pose as one for her friend, the photographer Judy Linn. These 100 grainy, gritty, black and white photographs—of Smith working, playing, primping in the clutter of her apartment; surrounded by erstwhile lovers, the artist Robert Mapplethorpe and playwright Sam Shepard—brim with bright light and the obvious affection between photographer and subject. Linn, a photography professor at Vassar College whose work is now collected in the Whitney Museum and elsewhere, recalls a summer spent poring over Alfred Stieglitz's work, including the portraits of his wife Georgia O'Keefe (I thought I could memorize it and crack its grammar). She describes learning from the visual logic and illogical brilliance of her own photos—and it's easy to see why. The photographs vary in quality, but at their best—take the nudes of Smith where a dark necktie and belt bisect and play against her long, pale body—capture Mapplethorpe and Smith's youth and earnestness, their wildness and vulnerability. Here is Smith's acclaimed 2010 memoir, Just Kids, come to life—the shrines to Bob Dylan, the dressup—and the photos strike the same wistful note; as Smith writes in her afterword: once upon a time, we were young and beautiful and anyone we imagined we could be. (Mar.)", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1418", "author_last": "(Foreword)", "author_first": "Holly George-Warren (Author),‎ Richard Hell", "author_full_name": "Holly George-Warren (Author),‎ Richard Hell (Foreword)", "title": "Punk 365 (365 Series)", "publisher": "Harry N. Abrams", "publication_year": "2007", "height_cm": "24.13", "width_cm": "5.59", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, mylar covered", "isbn_asin": "9780810994041", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Thirty-plus years ago a dark rumble of noise gurgled up from the Lower East Side of New York City, made its way across the Atlantic to Great Britain, zigzagged back over the pond to the West Coast, and exploded. Its name—Punk. InPunk 365, the most provocative photography documenting the performances, the looks, and the attitude has been gathered together, revealing reverberations that continue to shake up the status quo. Here we see it all: Pre-punk pioneers, the Stooges, the New York Dolls, the MC5. New York’s harbingers of change, the Ramones, Patti Smith, Richard Hell & the Voidoids. London’s anarchists, the Sex Pistols, the Clash, the Slits. The West Coast’s anti-Beach Boys, X, the Germs . . .the list goes on. By the mid-1980s, from the Replacements to Bad Brains, the sound transmogrified into everything from garage punk to hardcore. Punk 365 has them all, including more than 300 different artists by the most talented photographers who captured the scene, including Bob Gruen, Roberta Bayley, Jill Furmanovsky, Stephanie Chernikowski, Godlis, Janette Beckman, and more.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1419", "author_last": "Hell", "author_first": "Andrew Bolton (Author),‎ Richard", "author_full_name": "Andrew Bolton (Author),‎ Richard Hell", "title": "Punk: Chaos to Couture", "publisher": "Metropolitan Museum of Art", "publication_year": "2013", "height_cm": "31.75", "width_cm": "3.05", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, sealed", "isbn_asin": "9780300191851", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Nothing on King's Road in 1977--or the Bowery in 1975, for that matter--could compete with the clothes in this book for aggressivness, poetry, and sheer devotion to hardware. But Punk also captures the discomfort of admiring DIY fashion deracinated from social context: Locked so far away from the beating heart of punk, the clothes, no matter how dramatic, are soulless. --Sarah Leonard", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Art, Fashion, Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1420", "author_last": "Roberts", "author_first": "John", "author_full_name": "John Roberts", "title": "Punks & Portraits San Francisco 1979", "publisher": "Tiny Splendor", "publication_year": "2015", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edtion", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "“…Only a rare eye can make such intense people doing intense things on sticky floors so unforgettable, even decades later…One of the least known from our Mabuhay/Deaf Club days is John Roberts. I am so glad John's pictures, thought lost for decades, are now out and available, so everyone can see them. His work is as important as anyone's out there. Maybe better.- Jello Biafra", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1421", "author_last": "director]", "author_first": "David Raccuglia [creative", "author_full_name": "David Raccuglia [creative director]", "title": "Rock Book : A Portrait of Music", "publisher": "No Imprint", "publication_year": "2001", "height_cm": "33.27", "width_cm": "24.64", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, w/CD", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1422", "author_last": "Gruen", "author_first": "Bob", "author_full_name": "Bob Gruen", "title": "Rock Seen - Bob Gruen", "publisher": "Harry N. Abrams", "publication_year": "2011", "height_cm": "25.40", "width_cm": "3.56", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "For 40 years, Bob Gruen’s name has been synonymous with rock and roll. From taking early photos on tour with Ike and Tina Turner, to capturing the early CBGB/Max’s Kansas City scene to covering current stadium rockers such as Green Day, Gruen has always been at the right place at the right time—and he’s always gotten the shot. In this lavish monograph, Gruen has curated his favorite photographs from his career, with intimate captions and behind-the-scenes anecdotes. Featuring such illustrious acts as the Clash, Led Zeppelin, the Rolling Stones, Sex Pistols, Ramones, and more, and including an introduction by the legendary Debbie Harry of Blondie, this collection is a must-have for all fans of rock and roll.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1423", "author_last": "NA", "author_first": "", "author_full_name": "NA", "title": "Rolling Stone Images of Rock & Roll", "publisher": "Little Brown", "publication_year": "1995", "height_cm": "26.42", "width_cm": "3.05", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780316754682", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "A gallery of 179 striking photographs, arranged by theme, explores the variety of rock 'n' roll styles over the years and includes images previously published in Rolling Stone and some never published before. 100,000 first printing. BOMC.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1424", "author_last": "Mott", "author_first": "Toby", "author_full_name": "Toby Mott", "title": "Showboat: Punk/Sex/Bodies", "publisher": "Dashwood", "publication_year": "2016", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition, Edition 1500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Showboat: Punk/Sex/Bodies explores sex in punk and punk in sex. Punk is often thought of as an almost asexual movement, in part because of its charged aversion to romance (see Johnny Rotten’s notorious description of love as “2 minutes and 52 seconds of squelching noises”). Yet, its raw street sound triggered an exuberant, primal physical release among its youthful followers. For many punks, sex was used as a necessary shock tactic against the orthodoxies that held sway in conservative 1970s Britain. The status of punk as a radical subculture meant that it could freely explore sex without mainstream censorship; and this ability to openly express sex and sexuality provided punk with so much of its essential rawness and immediacy. Beginning in 1972 and spanning right up to the present day, Showboat provides a chronological survey of the relationship between punk and sex as seen through original posters, flyers, record covers, photographs and ephemera drawn from the editor’s punk archive, The Mott Collection. Alongside written contributions from Julie Burchill, Paul Cook, Vivien Goldman, Eve Libertine, Bruce LaBruce, Amos Poe, Richard Prince and Will Self among many others. Designed by Jamie Andrew Reid", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1425", "author_last": "Mott", "author_first": "Toby", "author_full_name": "Toby Mott", "title": "Skinhead: An Archive. (Signed)", "publisher": "Ditto Press", "publication_year": "2014", "height_cm": "19.05", "width_cm": "2.03", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed", "isbn_asin": "9780956795274", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1426", "author_last": "Roettinger", "author_first": "J.C. Gabel and Brian", "author_full_name": "J.C. Gabel and Brian Roettinger", "title": "Slash: A Punk Magazine from Los Angeles: 1977-1980", "publisher": "Hat & Beard Press", "publication_year": "2016", "height_cm": "22.86", "width_cm": "3.81", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9780996744720", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The legendary punk and new wave alternative weekly magazine Slash was founded in Los Angeles in 1977 by Steve Samiof, and published a total of 29 print issues before its demise in 1980 (though it had a second life as the punk label Slash Records, which was eventually bought by Warner Bros. Records in 1999). In its brief run, Slash defined the punk subculture in Los Angeles and beyond with the comic strip Jimbo by Gary Panter and photographs by Melanie Nissen, the cofounding publisher and longtime photo editor. Writing by Jeffrey Lee Pierce, Chris D., Pleasant Gehman and Claude “Kickboy Face” Bessy explored reggae, blues and rockabilly in addition to punk and new wave.Slash diagnosed the nascent punk scene’s challenge to the music industry and established its own oppositional voice in the editorial of its very first issue, staking a position against disco, Elvis and concept albums, and declaring: “Enough is enough, partner! About time we squeezed the pus out and sent the filthy rich old farts of rock ’n’ roll to retirement homes in Florida where they belong.”Slash: A Punk Magazine From Los Angeles, 1977–80 pays homage to the magazine’s legacy with facsimile reproductions of every cover from the publication’s run and reprints of some of the magazine’s best articles and interviews. These are interspersed with new essays, reportage and oral histories from Exene Cervenka, KK Barrett, Gary Panter, Vivien Goldman, Richard Meltzer, Cali Thornhill DeWitt, Chris D., Bryan Ray Turcotte, Chris Morris, Ann Summa and Allan MacDowell, among others, telling the story of this critical chapter in the history of American media.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Periodical, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1427", "author_last": "Halfin", "author_first": "Ross", "author_full_name": "Ross Halfin", "title": "The Who Live Leather Bound –", "publisher": "Genesis Publications", "publication_year": "2000", "height_cm": "33.53", "width_cm": "25.91", "depth_cm": "", "binding": "Slipcase, Leather Bound.", "page_count": "", "edition_printrun": "Edition 1500, Signed #459", "isbn_asin": "9780904351750", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1428", "author_last": "McKenna", "author_first": "Kristine", "author_full_name": "Kristine McKenna", "title": "The Beautiful & The Damned: Punk Photographs by Ann Summa", "publisher": "Foggy Notion Books/Smart Art Press;", "publication_year": "2010", "height_cm": "23.37", "width_cm": "1.27", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9781935202271", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "When photographer Ann Summa arrived in Los Angeles in 1978, the city's punk scene was still fresh, diverse, smart, utterly original-and fertile territory for a young photographer. The Beautiful & the Damned is a collection of her portraits of the musicians, artists and fans who made Los Angeles such a crucial part of the history of punk. Taken between 1978 and 1984, the images mostly revolve around L.A.'s first punk generation, and include portraits of the Germs, the Screamers, X, the Cramps and the Gun Club, among many others. From there, the book expands its scope to accommodate the cross-pollination that took place between L.A.'s punk scene and the fine art community, (at the time, the audience for avant-garde artists such as the Kipper Kids, Johanna Went and Laurie Anderson was primarily drawn from the underground music scene), and the two other cities-London and New York-that played a central role in the birthing of punk. Photographed during their first U.S. tours are U.K. groups the Clash, Magazine, the Fall, the Slits, Bow Wow Wow and the Pretenders, among others. Visiting dignitaries from New York include Television, James Chance, Lydia Lunch and Talking Heads. Also included are portraits of artists who served as an inspiration to L.A. punks-Captain Beefheart, Iggy Pop and David Bowie, among others-plus candid shots of unidentified audience members. Edited and with an introduction by Kristine McKenna, The Beautiful & The Damned includes 95 previously unpublished images.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1429", "author_last": "Santelli", "author_first": "Robert", "author_full_name": "Robert Santelli", "title": "The Bob Dylan Scrapbook 1956-1966", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1430", "author_last": "Dylan", "author_first": "Bob", "author_full_name": "Bob Dylan", "title": "The Definitive Dlayn Songbook", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "Edward J. Lozano", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1431", "author_last": "Murphy", "author_first": "PJ Harvey; Seamus", "author_full_name": "PJ Harvey; Seamus Murphy", "title": "The Hollow of the Hand by PJ Harvey", "publisher": "Bloomsbury USA; Reader's ed. edition", "publication_year": "2015", "height_cm": "14.22", "width_cm": "2.03", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "Readers Edition", "isbn_asin": "9781408865736", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Between 2011 and 2014 PJ Harvey and Seamus Murphy set out on a series of journeys together to Kosovo, Afghanistan, and Washington, D.C.. Harvey collected words, Murphy collected pictures, and together they created an extraordinary chronicle of our life and times. The Hollow of the Hand marks the first publication of Harvey's powerful poetry, in conversation with Murphy's indelible images. It is a landmark project and will be published internationally in autumn 2015.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1432", "author_last": "Peterson", "author_first": "Charles", "author_full_name": "Charles Peterson", "title": "Touch Me I'm Sick", "publisher": "powerHouse Books", "publication_year": "2006", "height_cm": "16.26", "width_cm": "1.52", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition", "isbn_asin": "9781576873915", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Poised at the epicenter of an explosive underground scene, photographer Charles Peterson witnessed the birth of a brash new era of music that grabbed the world by its throat and refused to let go. Grunge, the bastard child of 60s garage and 70s punk, revived the original, gritty spirit of rock and roll: rebellion ain’t pretty, but it sure is fun. Featuring ninety-two photographs—eighty of them never-before-published—spanning sixteen years, Touch Me I’m Sick, Peterson’s third monograph, documents the raw power of live performances by the soon-to-be-famous artists and their dedicated fans. Yet Peterson’s photographs don’t rely on the cult of celebrity to tell this compelling tale of angst, anxiety, and acoustics. Rather, they capture the cathartic ritual between musician and fan played out in seedy clubs reeking of sweat and stale beer. Bored, alienated youth with nothing better to do than bash their instruments and mosh their bodies in a barrage of sound, song, and furious energy are captured through Peterson’s signature style of wide-angle intimacy, swirling lights, and strange sense of grace. Peterson creates timeless, artistic imagery out of this swiftly passing frenzy, and shatters the godhead of the rock star, revealing the band and audience as co-conspirators in rock’s latest, greatest revival. Featuring photographs of Nirvana, Pearl Jam, Soundgarden, Sleater-Kinney, Mudhoney, Sonic Youth, L7, Hole, and Black Flag, among others, as well as excerpts from Your Flesh, Flipside, Melody Maker, B-Sides, Swellsville, and Chemical Imbalance, Touch Me I’m Sick is the perfect mix of art and journalism for music purists and connoisseurs. “And you know what? I think other photographers secretly want to be like Charles and Charles secretly wants to be like other photographers. And it’s a hard call—would you rather have that street cred, punk rock hipness, and respect from all the cool bands, or industry suave that gets major magazine editors and record exec dorks to fly you all over the world for photo shoots and pay you outrageous amounts of money?”", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1433", "author_last": "Trillo", "author_first": "Miguel", "author_full_name": "Miguel Trillo", "title": "TRILLO, Miguel. Rockoco: Imagenes del Pop-Rock 1980-1984 / 2000 – 2016.", "publisher": "LaFototeca", "publication_year": "2017", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Box", "page_count": "", "edition_printrun": "First Edtion", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Re-issue of Trillo’s legendary fanzine, Rockoco that ran for six issues between 1980 and 1984. The fanzine documented the youth culture of Madrid during the La Movida. The clubs, the concerts, the rockers, the punks, the teddy boys. The issues here are exact replicas of the the original issues and come together with a newly issued 7th issue that documents contemporary youth culture. All items in fine condition, with colophon sheet, housed in publisher’s printed box.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1434", "author_last": "McCormick", "author_first": "Neil", "author_full_name": "Neil McCormick", "title": "U2 by U2 (signed by band, 2 copies)", "publisher": "It Books", "publication_year": "2006", "height_cm": "29.21", "width_cm": "3.81", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed", "isbn_asin": "9780060776756", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1435", "author_last": "Donno", "author_first": "A. Martegani Eds. E. De", "author_full_name": "A. Martegani Eds. E. De Donno", "title": "Yes Yes Yes Alternative Press 1966-1977, From Provo To Punk", "publisher": "a+m Bookstore", "publication_year": "2016", "height_cm": "31.24", "width_cm": "23.37", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "First Edtion", "isbn_asin": "9788887071627", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "The ultimate compendium of counterculture press in the United States and the Netherlands during the heady decades of the 1960s and 70s, this volume is the definition of sex, drugs, and rock n roll. From underground pornography, free love, anti-establishment anarchism, and Provo, to anti-war protests, spiritual empowerment, the Black Panthers, and womens liberation, its all here. Page after page of magazine covers, articles, advertisements, and clippings encapsulate the era when academia revolted, gays marched in the streets, and hippies wondered if Jesus got high, too. PLEASE NOTE: this book has 4 different covers and you will receive a random cover.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1436", "author_last": "Yamaguchi", "author_first": "Herbie", "author_full_name": "Herbie Yamaguchi", "title": "You can click away of whatever you want: That's PUNK", "publisher": "Super Labo", "publication_year": "2015", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover", "page_count": "", "edition_printrun": "Edition 1000", "isbn_asin": "9784908512056", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1437", "author_last": "Hamilton", "author_first": "James", "author_full_name": "James Hamilton", "title": "You Should Have Heard Just What I Seen", "publisher": "Estactic Peace Library", "publication_year": "2010", "height_cm": "26.67", "width_cm": "2.54", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "First Edition, signed", "isbn_asin": "9781616234959", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, the Kinks, Madonna, Charlie Mingus, Joni Mitchell, the Ramones, Gil Scott-Heron, Patti Smith, Sun Ra, Tom Verlaine and Stevie Wonder. In You Should Have Heard Just What I Seen, Hamilton opens up his archives for the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Influential for several generations of budding photographers raised on his photographs, the work of James Hamilton is at last collected in this revelatory volume. As a young man in the late 1960s, James Hamilton met the legendary photographers Diane Arbus and Eugene Smith, and was inspired by them to document the changing skyline of New York City. As staff photographer for Harper's Bazaar and the Village Voice, Hamilton recorded the fashion shows, events, protests and riots, happenings, concerts, poetry readings and art openings of that era, and throughout the 1970s, his photographs of musicians and celebrities began to appear in the pages of Crawdaddy! magazine. Later Hamilton joined The New York Observer and began working with filmmakers George Romero, Francis Ford Coppola, Wes Anderson, Bill Paxton and Noah Baumbach as on-set photographer.", "artist_url": "", "publisher_url": "", "collection_grouping": "Music Photobooks", "tags": "Music, Photography, Pop Culture, Punk, Rock", "classification": "Music Photography", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1438", "author_last": "Sze", "author_first": "Sarah", "author_full_name": "Sarah Sze", "title": "Sarah Sze: Paintings", "publisher": "Phaidon", "publication_year": "2025", "height_cm": "30.8", "width_cm": "29.2", "depth_cm": "", "binding": "Hardback", "page_count": "396", "edition_printrun": "First Edition, Numbered and Signed", "isbn_asin": "9781838665623", "editor": "", "contributors": "Mark Godfrey, Tina Pang, Madeleine Grynsztejn", "is_signed_inscribed": "true", "designer": "", "description": "The first and only monograph to give a comprehensive examination of acclaimed American artist Sarah Sze's painting practice. Since the late 1990s, Sarah Sze has developed a signature visual language that challenges the static nature of art with a dynamic body of work spanning sculpture, painting, drawing, printmaking, video and installation. In recent years, Sze has returned to painting, the medium in which she was first trained. Comprising constellations of painted and collaged elements, her expansive abstract landscapes explore a visual world that is constantly evolving, degrading, and generating new ways of seeing. Her paintings are highly sought-after and are held in the permanent collections of prominent institutions and museums worldwide. The book includes two essays by Mark Godfrey and Tina Pang that explore Sze's influences and her working process, plus an interview between the artist and Madeleine Grynsztejn, that expands on the theoretical underpinnings of her painting practice. With each copy numbered and hand signed by the artist, this exquisitely illustrated luxury volume, packaged in a cloth-wrapped slipcase, was created in close collaboration with Sze.", "artist_url": "", "publisher_url": "https://www.phaidon.com", "collection_grouping": "Art", "tags": "Abstract Art, Art Book, Contemporary Art, Monograph, Painting, Phaidon", "classification": "Art; Contemporary Art; Painting", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "October 29, 2025", "image_url": "", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1439", "author_last": "Wittenberg", "author_first": "Nicole", "author_full_name": "Nicole Wittenberg", "title": "Nicole Wittenberg", "publisher": "The Monacelli Press", "publication_year": "2025", "height_cm": "29.0", "width_cm": "25.0", "depth_cm": "", "binding": "Hardcover", "page_count": "256", "edition_printrun": "First Edition", "isbn_asin": "9781580936811", "editor": "", "contributors": "Suzanne Hudson, Devon Zimmerman, David Salle, Jarrett Earnest", "is_signed_inscribed": "false", "designer": "", "description": "This inaugural monograph surveys the work of American painter Nicole Wittenberg across two decades. The artist is recognized for vibrant and energetic mark making, creating compositions that synthesize studies and life drawings into larger canvas works. Her subject matter spans landscapes, portraits, and erotic imagery. The publication features essays by Suzanne Hudson (art historian), Devon Zimmerman (curator), David Salle (contemporary painter), and Jarrett Earnest (writer, in extended conversation with the artist). Presented in cloth case with floral composition details, this book coincides with solo exhibitions at Ogunquit Museum of American Art and Center for Maine Contemporary Art. Features 250 illustrations. Nicole Wittenberg was born in San Francisco, CA, and received her BFA from the San Francisco Art Institute in 2003. She received the American Academy of Arts and Letters' coveted John Koch Award for Best Young Figurative Painter in 2012. From 2011–14 she served as a teacher at the New York Studio School of Drawing, Painting, and Sculpture, and the Bruce High Quality Foundation University, and in 2017 she was a professor in the Critical Theory Department at the School of Visual Arts in New York. Wittenberg's works are included in prominent collections, including the Solomon R. Guggenheim Museum, New York; The Albertina, Vienna; the Museum of Fine Arts Boston; Aishti Foundation, Beirut; and others. She has enjoyed recent solo exhibitions at Massimo de Carlo, Milan (2024); Fernberger Gallery, Los Angeles (2024); Journal Gallery, New York (2023); Nina Johnson Gallery, Miami (2023); and Acquavella Galleries, Palm Beach (2022). She is based in New York and Maine.", "artist_url": "", "publisher_url": "https://www.phaidon.com", "collection_grouping": "Art", "tags": "American Art, Contemporary Art, Monacelli, Monograph, Painting", "classification": "Art; Contemporary Art; Painting", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "October 29, 2025", "image_url": "/assets/images/books/Wittenberg_Nicole_Wittenberg_9781580936811.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1440", "author_last": "Enwezor", "author_first": "Okwui", "author_full_name": "Okwui Enwezor", "title": "Lorna Simpson", "publisher": "Abrams", "publication_year": "2006", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Hardcover", "page_count": "", "edition_printrun": "", "isbn_asin": "9781885449320", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Monograph on artist Lorna Simpson by Okwui Enwezor, published by Abrams.", "artist_url": "", "publisher_url": "", "collection_grouping": "Photography", "tags": "Black Photographers, Lorna Simpson, Photography", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Enwezor_Lorna_Simpson_9781885449320.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1440", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Folksongs", "publisher": "Fulton Ryder", "publication_year": "2025", "height_cm": "29.8", "width_cm": "22.2", "depth_cm": "", "binding": "Hardcover", "page_count": "193", "edition_printrun": "", "isbn_asin": "9798985236859", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "An artist's book and monograph showcasing Prince's conceptual work across multiple mediums. Features new body of paintings alongside studio photos and documentation of various sculptures and installations from his Upstate series. Works incorporate collage, impasto, and oil stick techniques with close-up shots of eyeballs, sutured skin and mouths with a cigarette. Includes recent sculptures made from shredded denim and car tires.", "artist_url": "", "publisher_url": "https://www.artbook.com/9798985236859.html", "collection_grouping": "Art", "tags": "Art, Artist Book, Conceptual Art, Contemporary Art, Photography", "classification": "Art; Artist Book; Contemporary", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Prince_Folksongs.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1441", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "The Fug", "publisher": "Almine Rech Editions", "publication_year": "2011", "height_cm": "30.5", "width_cm": "23", "depth_cm": "", "binding": "Hardcover, Hardcover. Sealed", "page_count": "162", "edition_printrun": "First edition of 1000", "isbn_asin": "9782930573076", "editor": "", "contributors": "John McWhinnie", "is_signed_inscribed": "false", "designer": "", "description": "The publication features \"Thirteen Different Ways of Looking at Richard Prince,\" an essay by John McWhinnie. Prince, born in 1949 in the Panama Canal Zone, creates art exploring \"peripheral aspects of American culture, both high and low.\" His work addresses subjects like jokes, vehicles, literature, and celebrity while \"taking aim at the vulgar, revealing culture's indiscretions—misogyny, consumerism, exhibitionism and idealized desire.\" The book accompanied Prince's exhibition \"The Fug,\" displayed at Almine Rech Brussels from September 10 to November 5, 2011.", "artist_url": "http://www.richardprince.com/", "publisher_url": "https://shop.alminerech.com/", "collection_grouping": "Art", "tags": "Art, Artist Book, Contemporary Art, Exhibition Catalog", "classification": "Art; Artist Book; Contemporary", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Prince_The_Fug.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1442", "author_last": "Klein", "author_first": "William", "author_full_name": "Wombat Artist Box 16", "title": "William Klein / Atsushi Fujiwara / Utagawa Hiroshige", "publisher": "Wombat Paris", "publication_year": "2016", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Tokyo – a hybrid of Klein's raw, graphic street work and Japanese imagery (old and new). Contents: 1 numbered photographic print by Atsushi Fujiwara (18×24 cm), 1 portfolio of 10 images by William Klein (Tokyo 1961), 1 numbered pigment print (Digigraphie) after Hiroshige, 1 additional numbered silkscreen produced in collaboration with Aesop.", "artist_url": "https://wombat.fr/products/16-william-klein-atsushi-fujiwara-utagawa-hiroshige", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_16_William_Klein.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1443", "author_last": "Cousins", "author_first": "Maisie", "author_full_name": "Wombat Artist Box 21", "title": "Maisie Cousins / Leslie David / Nadia Lee Cohen", "publisher": "Wombat Paris", "publication_year": "2017", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 750", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Hyper-color, sensual, surreal feminine imagery – part photography, part graphic art. Contents: 1 numbered photographic print by Maisie Cousins (18×24 cm), 1 numbered pigment print by Leslie David (18×24 cm), 1 portfolio of 10 images by Nadia Lee Cohen.", "artist_url": "https://wombat.fr/products/21-maisie-cousins-leslie-david-nadia-lee-cohen", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_21_Maisie_Cousins.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1444", "author_last": "Magnum Photos", "author_first": "", "author_full_name": "Wombat Artist Box 28", "title": "Immersion (70 Years Magnum Photos)", "publisher": "Wombat Paris", "publication_year": "2017", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 750", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Special edition with Magnum Photos, celebrating 70 years of the agency, focusing on its 12 women photographers. Main credited photographers for the prints: Susan Meiselas and Alessandra Sanguinetti. Theme: Immersion – a curated look at Magnum's women photographers; introspective documentary and poetic reportage. Contents: 1 numbered photographic print by Alessandra Sanguinetti, 1 numbered photographic print by Susan Meiselas, Immersion portfolio: 12 images by 12 Magnum women photographers.", "artist_url": "https://wombat.fr/products/28-immersion-70-ans-de-magnum-photos", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art, Photography", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_28_Magnum_Photos.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1445", "author_last": "Salgado", "author_first": "Sebastião", "author_full_name": "Wombat Artist Box 31", "title": "Femmes du monde (Women of the World)", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 750", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Special edition for Femmes du monde, the 10-year anniversary exhibition of Galerie Polka in Paris. Multi-artist box featuring Sebastião Salgado, Marc Riboud, Jacob Aue Sobol. Theme: Portraits and stories of women around the world from several major documentary photographers.", "artist_url": "https://wombat.fr/products/31-femmes-du-monde", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_31_Femmes_du_monde.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1446", "author_last": "Klein", "author_first": "William", "author_full_name": "Wombat Artist Box 33", "title": "William Klein (Polka collaboration)", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Signed edition limited to 100 copies", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Produced with Galerie Polka. Theme: 100% Klein – continuing Wombat's focus on his energetic, graphic photography. Contents: 2 numbered photographic prints (18×24 cm) by Klein, 1 portfolio of 10 images by Klein. Signed special edition limited to 100 copies.", "artist_url": "https://wombat.fr/products/33-william-klein", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_33_William_Klein.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1447", "author_last": "Ashley", "author_first": "Ransom", "author_full_name": "Wombat Artist Box 34", "title": "Ransom Ashley - VIRGINS", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 300, signed edition of 50", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Coming-of-age, queerness and identity in the American South / Bible Belt; cinematic, melancholic portraits of youth. Contents: 2 numbered photographic prints by Ransom Ashley, 1 portfolio of 10 images by Ashley. Prints on Hahnemühle fine art paper, made by Processus lab; box is numbered, stamp-dated, hand-assembled. Signed edition: 50 copies.", "artist_url": "https://wombat.fr/products/34-ransom-ashley", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_34_Ransom_Ashley.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1448", "author_last": "Burri", "author_first": "René", "author_full_name": "Wombat Artist Box 35", "title": "René Burri - Imaginary Pyramids", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Limited edition", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Imaginary Pyramids, focusing on iconic pyramid imagery (e.g. Giza, Egypt) and Burri's architectural/structural sense of composition. Produced with Magnum Photos for Les Rencontres d'Arles 2018. Contents: A numbered photographic print (18×24 cm), A short portfolio (booklet of about 12 pages / images) around the pyramids theme.", "artist_url": "https://wombat.fr/products/35-rene-burri", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_35_Rene_Burri.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1449", "author_last": "Davison", "author_first": "Jack", "author_full_name": "Wombat Artist Box 36", "title": "Jack Davison", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Experimental portraiture and still life – a mix of enigmatic, graphic images, a bit of everything from his early body of work. Contents: 1 numbered photographic print (approx. 24×30 cm) on Hahnemühle, printed by Processus, Portfolio of 17 images, printed on different papers, supports and sizes, giving a very tactile, varied set. Hand-assembled and numbered.", "artist_url": "https://wombat.fr/products/36-jack-davison", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_36_Jack_Davison.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1450", "author_last": "JR", "author_first": "", "author_full_name": "Wombat Artist Box 37", "title": "JR - MOMENTUM at MEP", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 1000", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Special edition produced for JR's exhibition MOMENTUM at the Maison Européenne de la Photographie (MEP), Paris. Contents: Standard Wombat structure: at least one numbered photographic print plus an unpublished portfolio (a set of images from JR's show).", "artist_url": "https://wombat.fr/products/37-jr", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_37_JR.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1451", "author_last": "Kubrick", "author_first": "Stanley", "author_full_name": "Wombat Artist Box 38", "title": "Stanley Kubrick - Boxing", "publisher": "Wombat Paris", "publication_year": "2019", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 1000", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Collaboration with the Museum of the City of New York (MCNY). Theme: Early Kubrick boxing photographs – prizefighters, locker rooms, the world around the ring, before he became a film director (1949-1950). Contents: 1 numbered photographic print (e.g. Rocky Graziano showering, 1950), A portfolio of 12 photographs printed on fine paper, reproducing the series. All prints on Hahnemühle fine art paper, Processus lab, box numbered, stamp-dated.", "artist_url": "https://wombat.fr/products/38-stanley-kubrick", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_38_Stanley_Kubrick.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1452", "author_last": "du Toit", "author_first": "Betina", "author_full_name": "Wombat Artist Box 39", "title": "Betina du Toit", "publisher": "Wombat Paris", "publication_year": "2018", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Female portraiture where women are shown as fragile, sensual and strong, without artifice – unusual beauty. Contents: Lorna, Iceland, 2018 – 1 numbered photographic print (24×30 cm) on Hahnemühle, printed by Processus, No. 39 portfolio: 10–12 images + texts on Fedrigoni collection papers.", "artist_url": "https://wombat.fr/products/39-betina-du-toit", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_39_Betina_du_Toit.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1453", "author_last": "Halpern", "author_first": "Gregory", "author_full_name": "Wombat Artist Box 40", "title": "Gregory Halpern", "publisher": "Wombat Paris", "publication_year": "2019", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Collaboration with Magnum Photos. Theme: Dreamy, atmospheric color work – landscapes, portraits and ambiguous scenes, including deserts, forests, oceans and uncanny figures. Contents: 1 numbered photographic print (Untitled, 2016), 24×30 cm on Hahnemühle, printed by Processus under Halpern's supervision, Portfolio No. 40: 12 photographs on Fedrigoni collection paper, in the box, Numbered certificate of authenticity. Hand-assembled and numbered.", "artist_url": "https://wombat.fr/products/40-gregory-halpern", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_40_Gregory_Halpern.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1454", "author_last": "Weir", "author_first": "Harley", "author_full_name": "Wombat Artist Box 41", "title": "Harley Weir & Cressida Brotherstone", "publisher": "Wombat Paris", "publication_year": "2019", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Box aims to offer a visual response to art therapy and its power to heal – fusing Weir's images with therapeutic/psychological motifs. Contents: 1 numbered photographic print by Harley Weir (24×30 cm), 1 original portfolio combining photographic prints, drawings and texts on Fedrigoni papers. Standard Wombat build: numbered, dated, hand-assembled. Separate signed edition.", "artist_url": "https://wombat.fr/products/41-harley-weir-cressida-brotherstone", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_41_Harley_Weir.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1455", "author_last": "Porodina", "author_first": "Elizaveta", "author_full_name": "Wombat Artist Box 42", "title": "Elizaveta Porodina", "publisher": "Wombat Paris", "publication_year": "2020", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: A surreal, cinematic, almost sci-fi parallel world – strong color, experimental lighting and fantasy-like staging. The Wombat Artist Box 42 is an invitation into a parallel world created with Elizaveta Porodina. Contents: 1 numbered photographic print by Porodina, 1 portfolio of 10 prints, plus a text and a mirrored paper element in the box. Signed edition available; all copies on Hahnemühle / high-end papers, numbered, hand-assembled.", "artist_url": "https://wombat.fr/products/42-elizaveta-porodina", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_42_Elizaveta_Porodina.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1456", "author_last": "Lin", "author_first": "Zhong", "author_full_name": "Wombat Artist Box 44", "title": "Zhong Lin", "publisher": "Wombat Paris", "publication_year": "2021", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500, signed edition of 100", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Theme: Intense, surreal female portraits; water, flowers and skin; oscillating between serenity and suffocation (e.g. the woman submerged with bubbles, floral mask around the face). Contents: 1 numbered photographic print (signed in the signed edition), 1 original portfolio of 10 prints. Box is signed (for the signed edition), numbered, dated and hand-assembled; standard edition is unsigned but still numbered. Signed edition: 100 signed copies.", "artist_url": "https://wombat.fr/products/44-zhong-lin", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_44_Zhong_Lin.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1457", "author_last": "de Middel", "author_first": "Cristina", "author_full_name": "Wombat Artist Box 45", "title": "Cristina de Middel", "publisher": "Wombat Paris", "publication_year": "2021", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Collaboration with Magnum Photos. Theme (series Boa Noite Povo etc.): Explores extremes of human life, belief in mythology and political feeling through staged and symbolic images of nature, made in Bahia, Brazil, often in the jungle of the Mata Atlântica. Contents: 1 numbered photographic print by de Middel, 1 portfolio (around 10 images) titled along the lines of Boa Noite Povo. Printed on Hahnemühle fine art paper under the artist's supervision, box numbered and hand-assembled.", "artist_url": "https://wombat.fr/products/45-cristina-de-middel", "publisher_url": "https://wombat.fr/", "collection_grouping": "Wombat", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "", "accession_no": "", "image_url": "/assets/images/books/Wombat_Artist_Box_45_Cristina_de_Middel.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1458", "author_last": "Roy", "author_first": "Kourtney", "author_full_name": "Wombat Artist Box 46", "title": "Kourtney Roy - Monster Inside", "publisher": "Wombat Paris", "publication_year": "2022", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "Edition of 500, signed edition of 100", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Series title: Monster Inside – a previously unpublished series unveiled through the Wombat box. Theme: Roy's trademark blend of kitsch color and psychological unease – uncanny, stylised self-performance and staged scenes that introduce the uncanny into familiar landscapes, and melancholy into colourful compositions. Contents: 1 numbered photographic print by Kourtney Roy (24×30 cm), Portfolio of 10 images from the Monster Inside series. Box numbered and hand-assembled; signed edition includes a signed print. 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Percival, Everett", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1563", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Plastic mats portfolio", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1564", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Richard Prince - Tiffany Paintings", "publisher": "Gagosian Gallery", "publication_year": "2010", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Author: McWhinnie, John, Richard Prince; Language: English; Pages: 66; Size: 30.5 x 25.4 cm; Weight: 1.3600 kg; Binding: Hardcover; ISBN: 9781935263135; Availability: -; Price: [Request price.](https://www.mottodistribution.com/shop/contacts); Product DescriptionCondition: MINT; Gagosian Gallery is pleased to present an exhibition of new paintings and related newsprint collages by Richard Prince. Prince first attracted attention in the early 1980s with images re-photographed from magazine ads, through which he defined for himself the concepts of authorship, ownership, and aura. Applying his understanding of the complex transactions of representation to the making of art, he has evolved a unique signature filled with echoes of other signatures yet that is unquestionably his own. Begun in 2004 at the juncture of the Nurse and De Kooning paintings and evolving through the Canal Zone and After Dark series, the Tiffany paintings reflect Prince's continuing attentiveness to the recurring patterns and suggestive potential of advertising, honed by years of perusing newspapers and magazines. These almost abstract, monochrome paintings treat the plain yet distinctive ads that New York's most famous jewelry brand has run daily for many years in the upper right hand corner of the same page of The New York Times, while echoing associations with another classic, Truman Capote's Breakfast at Tiffany's, whose object of desire Holly Golightly lures admirers only to elude them later. 1st Edition", "page_count": "", "edition_printrun": "Published in 2010", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Prince_Tiffany_Paintings.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1565", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Richard Prince Everyday", "publisher": "Sadie Coles HQ, London", "publication_year": "2023", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Softcover: 48 pages, ISBN: 978-1-3999-5027-5, Dimensions: 263 x 220 mm", "page_count": "", "edition_printrun": "Laura Lord, Sam Will and Rose Eastwood (eds.)", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Richard_Prince_Everyday.jpeg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1566", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Richard prince, the karpedas collection-", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Prince_Karpedas_Collection.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1567", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Richard prints and Zach Sebastian. They started it and will finish it zine 2 copies", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1568", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Same man lp", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1569", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Spinster poems", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art, Poetry", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1570", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Super group", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Hard", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1571", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "The first century good life essay by John McWhinnie, Glenn H", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1572", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "The mar-ideas collection", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/placeholder-book-simple.svg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1573", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "The outdoor coed, topless pop fiction appreciation society", "publisher": "Related", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art, Fiction", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Prince_The_Outdoor_Coed_Topless.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1574", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "We go to the movies alone", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Prince_We_Go_To_The_Movies_Alone.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1575", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Yea Yea Yea - SUTCLIFFE, Stuart and Richard Prince", "publisher": "", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "Program", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Prince_Yea_Yea_Yea_Sutcliffe.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1576", "author_last": "Prince", "author_first": "Richard", "author_full_name": "Richard Prince", "title": "Richard Prince: Lynn Valley 1", "publisher": "Lynn Valley 1", "publication_year": "2007", "height_cm": "7.72", "width_cm": "0.11", "depth_cm": "10.39", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "false", "designer": "", "description": "This nicely produced, staple-bound pamphlet is the first in a new series of artist-designed publications, scheduled to come out three times per year. This first issue contains a selection of works by Richard Prince, the influential New York artist who first created controversy in the 1970s by working with appropriated imagery--then a quite radical concept. Weighing in at only 46 pages, this slim volume nevertheless contains representative samples of all of Prince's most famous work: biker girls, nurses, sculptures, paintings, tattoo pornography, jokes, and other assorted incendiary images. The next issue of Lynn Valley will be designed by Cologne artist Johannes Wohnseifer.", "artist_url": "http://www.richardprince.com/", "publisher_url": "", "collection_grouping": "", "tags": "Art", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Prince_Lynn_Valley_1.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1577", "author_last": "Weiner", "author_first": "Lawrence", "author_full_name": "Lawrence Weiner", "title": "Of & About Posters: The Lawrence Weiner Poster Archive (1965-2021)", "publisher": "Vancouver Art Gallery", "publication_year": "2021", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "", "page_count": "", "edition_printrun": "", "isbn_asin": "9783777443706", "editor": "", "contributors": "", "is_signed_inscribed": "", "designer": "", "description": "The first publication to document the 250 posters that comprise the Lawrence Weiner Poster Archive (1965–2021) held in the Vancouver Art Gallery's collection. Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner's production. Lawrence Weiner is considered one of the foremost conceptual artists worldwide. His posters, which are a fundamental part of his practice and are designed by the artist himself, have appeared as promotions for exhibitions as well as works in and of themselves. This publication includes a full presentation of the Lawrence Weiner Poster Archive, consisting of more than 250 posters from the collection of the Vancouver Art Gallery. Together, they convey the evolution of Weiner's work over a period spanning more than fifty years.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "Art, Design", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "2025-11-23", "image_url": "/assets/images/books/Lawrence_Weiner_Of_About_Posters_9783777443706.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1578", "author_last": "Kim", "author_first": "Ayoung", "author_full_name": "Ayoung Kim", "title": "Delivery Dancer's Arc: Inverse", "publisher": "The National Asian Culture Center", "publication_year": "", "height_cm": "", "width_cm": "", "depth_cm": "", "binding": "Paperback", "page_count": "228", "edition_printrun": "", "isbn_asin": "", "editor": "", "contributors": "", "is_signed_inscribed": "", "designer": "", "description": "150 color images", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "2025-11-23", "image_url": "/assets/images/books/Ayoung_Kim_Delivery_Dancers_Arc_Inverse.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1579", "author_last": "Kim", "author_first": "Ayoung", "author_full_name": "Ayoung Kim", "title": "Ayoung Kim: Synthetic Storyteller", "publisher": "The Floorplan, Seoul", "publication_year": "2024", "height_cm": "11.2", "width_cm": "18.3", "depth_cm": "", "binding": "Softcover", "page_count": "400", "edition_printrun": "", "isbn_asin": "9791198561701", "editor": "Gye Taek Gon (James Gui)", "contributors": "Essays: Nanna Heidenreich, Chien-Hung Huang, Jinshil Lee, Chanda Prescod-Weinstein, Wonhwa Yoon; Interview: Hyunjoo Byeon", "is_signed_inscribed": "", "designer": "Shin Shin", "description": "A selection of artworks produced between 2007 and 2022, featuring still images, installation views, and critical essays. The monograph encompasses Ayoung Kim's multimedia practice including video, moving image, VR, game simulation, sonic fiction, diagrams, and texts that explore geopolitics, mythology, technology, and futuristic themes. Published in Korean and English with support from the 2023 ARKO Selection Visual Art.", "artist_url": "", "publisher_url": "", "collection_grouping": "", "tags": "", "classification": "", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "2025-11-23", "image_url": "/assets/images/books/Ayoung_Kim_Synthetic_Storyteller_9783000841156.jpg", "price": "", "weight_g": "", "language": "", "num_images": "", "notes": "" }, { "id": "1580", "author_last": "Raban-Oliva", "author_first": "Lola", "author_full_name": "Lola Raban-Oliva, Jean-René Etienne", "title": "Les Oiseaux", "publisher": "RVB Books", "publication_year": "2025", "height_cm": "11.0", "width_cm": "18.0", "depth_cm": "", "binding": "Softcover with dust jacket", "page_count": "176", "edition_printrun": "", "isbn_asin": "9782492175626", "editor": "", "contributors": "", "is_signed_inscribed": "", "designer": "", "description": "When the forest of Notre-Dame caught fire, Lola Raban-Oliva and Jean René Etienne were at home, just two kilometers away. Each had their own camera, their own zoom lens. From their window, it became almost possible to imagine the perspective of birds. It was no longer Notre-Dame burning, nor even a cathedral. Not a fire, but a vast disruption of the aerial space. A thick, blazing, chaotic convective column rose above the heart of Paris. Les oiseaux brings together 97 screenshots taken from the footage they captured that evening.", "artist_url": "https://rvb-books.com/products/lola-raban-jean-rene-etienne-les-oiseaux", "publisher_url": "", "collection_grouping": "Photography", "tags": "Notre-Dame, Paris, Fire, French, Photography, Documentary, Disaster", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "2025-11-24", "image_url": "/assets/images/books/Les_Oiseaux_9782492175626.jpg", "price": "€25.00", "weight_g": "220", "language": "French", "num_images": "97", "notes": "About the Authors:\r\nLola Raban-Oliva and Jean-René Etienne are a Paris-based creative duo who work under the name Partel Oliva. They are a creative partnership whose multidisciplinary work spans film, art, and fashion. Hailing from the south of France and the Caribbean island of Martinique, they are visual storytellers that find inspiration in fact, fiction, and feeling. As creative directors for Kenzo, they turned the enduring brand into an avant-garde landmark. Their work has included a short film for KENZO's SS17 Collection called \"Club Ark Eternal,\" a tribute to club culture with original music by Lafawndah and movement direction by Ryan Heffington. They previously published \"Formentera Storyline\" in The Paris Review (Issue 220, Spring 2017).\r\n\r\nAbout the Publisher:\r\nRVB Books is a Paris-based independent publisher (95 rue Julien Lacroix, 75020 Paris, France) specializing in contemporary photography books, known for its innovative approach to design and collaborative projects with artists to create unique, limited-edition publications.\r\n\r\nHistorical Context:\r\nThe Notre-Dame fire broke out at Notre-Dame Cathedral, Paris, on the evening of April 15, 2019, damaging the iconic landmark and garnering attention worldwide. The fire destroyed most of the roof and the 19th-century spire. More than 400 firefighters battled the blaze. The cathedral reopened on December 7, 2024, following a restoration that cost approximately €840 million and involved about 2,000 craftspeople.\r\n\r\nWhere to Buy:\r\nRVB Books: https://rvb-books.com/products/lola-raban-jean-rene-etienne-les-oiseaux\r\nDelpire & Co: https://www.delpireandco.com/en/produit/les-oiseaux/\r\nLa MEP: https://www.mep-fr.org/e-librairie/raban-oliva-etienne-les-oiseaux/\r\nAmazon France: https://www.amazon.fr/Oiseaux-Lola-Raban-Oliva/dp/2492175626\r\n\r\nRelated Links:\r\nPartel Oliva (Instagram): https://www.instagram.com/partel.oliva/\r\nMAFF Profile: https://www.maff.tv/credit/partel-oliva\r\nParis Review - Formentera Storyline: https://www.theparisreview.org/fiction/6927/formentera-storyline-jean-rene-etienne-lola-raban-oliva" }, { "id": "1581", "author_last": "Viver", "author_first": "Javier", "author_full_name": "Javier Viver (ed.)", "title": "Révélations: Iconographie de la Salpêtrière, Paris 1875–1918", "publisher": "RM Editorial", "publication_year": "2015", "height_cm": "23.0", "width_cm": "23.0", "depth_cm": "3.5", "binding": "Hardcover", "page_count": "288", "edition_printrun": "", "isbn_asin": "9788416282456", "editor": "Javier Viver", "contributors": "Gonzalo Golpe (design), Carlos Chiclana Actis y Cía, Javier Rodríguez Martínez, Priscilla Echeverría Alvarado (texts)", "is_signed_inscribed": "", "designer": "Gonzalo Golpe; Javier Viver", "description": "Révélations presents one of the earliest and most significant photographic archives in the history of clinical psychiatry. Compiled and edited by contemporary photographer and designer Javier Viver, this publication draws from over 4,000 photographs and thirty-two volumes that were systematically produced between 1875 and 1918 at the Salpêtrière Hospital in Paris. Under the direction of Jean-Martin Charcot—founder of modern neurology—and financed by the French government, the hospital's archive represented an unprecedented effort to document and categorize patients through innovative photographic-documentary techniques. The archive reveals the complex intersection of medical science and public spectacle. Tuesday sessions at the Salpêtrière became celebrated events for Paris's cultural elite, where Charcot conducted demonstrations involving hypnosis-induced displays of patients. The photographic record reveals how emerging medical understanding became entangled with theatrical presentation.", "artist_url": "", "publisher_url": "https://www.rmeditorial.com", "collection_grouping": "Photography", "tags": "disaster, psychiatry, medical photography, archive, hysteria, Charcot, 19th century, Paris, institutional photography", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Viver_Revelations_Iconographie_de_la_Salpetriere_9788416282456.jpg", "price": "€100.00", "weight_g": "", "language": "French; English; Spanish", "num_images": "255", "notes": "Winner of the Spanish Ministry of Culture First Prize for The Best Book of Art 2015 and the Ars Libris Barcelona award. Nominated for Best Photobook at the 2016 Fotobookfestival Kassel and the 2016 PhotoEspaña Prize for Best Book of Photography. Acquired by MACBA and the PhotoIreland Collection. Currently out of print." }, { "id": "1582", "author_last": "Schmuch", "author_first": "Alina", "author_full_name": "Alina Schmuch", "title": "Script of Demolition", "publisher": "Spector Books", "publication_year": "2014", "height_cm": "27.0", "width_cm": "20.0", "depth_cm": "", "binding": "Thread-sewn brochure with loose gatefold cover", "page_count": "336", "edition_printrun": "", "isbn_asin": "9783944669281", "editor": "Armin Linke, Heike Schuppelius", "contributors": "Philip Ursprung (essay)", "is_signed_inscribed": "", "designer": "Jan Kiesswetter", "description": "\"Script of Demolition\" documents the visual methodology behind controlled industrial demolitions through an examination of the Fink family demolition company's 60-year archive. The project reveals how blast specialists prepare for structural destruction: technicians create complex technical drawings predicting collapse sequences before detonation, multiple cameras record the actual implosion from various angles, and these drawings are then superimposed over photographs for verification and refinement. The book compiles diverse imaging media—including 8mm film and digital photography—presenting movement sequences of collapsing chimneys, TV towers, and buildings documented according to technical rather than aesthetic criteria. By appropriating and recontextualizing these utilitarian industrial archives, Schmuch examines the relationship between visual documentation, planning, and reality.", "artist_url": "", "publisher_url": "https://www.spectorbooks.com", "collection_grouping": "Photography", "tags": "disaster, demolition, architecture, collapse, industrial photography, archive, Germany", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Schmuch_Script_of_Demolition_9783944669281.jpg", "price": "€36.00", "weight_g": "", "language": "English; German", "num_images": "", "notes": "Alina Schmuch (born 1987 in Münster) is a German artist who uses photography, film, and artist's books to investigate how visual media influences and shapes reality. Selected for the best Photo-book selection at Fotobookfestival, Kassel, Germany in 2015." }, { "id": "1583", "author_last": "Metinides", "author_first": "Enrique", "author_full_name": "Enrique Metinides; ed. Trisha Ziff", "title": "101 Tragedies of Enrique Metinides", "publisher": "Aperture", "publication_year": "2012", "height_cm": "26.9", "width_cm": "22.6", "depth_cm": "2.3", "binding": "Hardcover with pictorial dust jacket", "page_count": "183", "edition_printrun": "", "isbn_asin": "9781597112116", "editor": "Trisha Ziff", "contributors": "", "is_signed_inscribed": "", "designer": "\"101 Tragedies\" represents Enrique Metinides's personal selection of 101 key images from over 50 years spent documenting crime scenes, accidents, and catastrophes throughout Mexico City. Edited by filmmaker and curator Trisha Ziff, this is the first comprehensive overview of Metinides's work in many years and the only monograph comprised entirely of images chosen by the photographer himself. The book features extended captions authored by Metinides that provide his firsthand account of each photograph's subject matter—the street characters, criminals, heroism of emergency workers, and bereaved families he encountered. Thirty of the selected photographs are paired with their original newsprint tearsheets from Mexico's \"nota roja\" crime press, which inspired the book's typography and design. This integration of archival material creates a hybrid document that contextualizes Metinides's work within its original journalistic form. Ziff contributes an interpretive essay exploring Metinides's life, artistic vision, and significance within Mexican photojournalism.", "description": "", "artist_url": "https://aperture.org", "publisher_url": "Photography", "collection_grouping": "disaster, accident, photojournalism, Mexico, nota roja, crime photography, Mexico City", "tags": "Photography; Individual Photographers; General Monographs", "classification": "", "bisac": "", "ddc": "Hudson Street Library, NYC", "location": "", "accession_no": "/assets/images/books/Metinides_101_Tragedies_of_Enrique_Metinides_9781597112093.jpg", "image_url": "", "price": "", "weight_g": "English", "language": "150", "num_images": "Enrique Metinides (February 12, 1934 – May 10, 2022) began his photographic career at age twelve. He worked professionally from 1948 through his retirement in 1997, earning recognition from Mexico's government, journalists' associations, and rescue organizations. In 1997, he received the Espejo de Luz (Mirror of Light) Prize, the highest award given to photographers in Mexico. His work has been exhibited at the Museum of Modern Art and Anton Kern Gallery in New York, the Photographers' Gallery in London, and toured Europe and the Americas from 2011 to 2013 as the \"101 Tragedies\" exhibition." }, { "id": "1584", "author_last": "Phillips", "author_first": "Sandra S.", "author_full_name": "Sandra S. Phillips; Mark Haworth-Booth; Carol Squiers", "title": "Police Pictures: The Photograph as Evidence", "publisher": "Chronicle Books in association with SFMOMA", "publication_year": "1997", "height_cm": "27.7", "width_cm": "22.6", "depth_cm": "1.3", "binding": "Hardcover with pictorial boards", "page_count": "132", "edition_printrun": "", "isbn_asin": "9780811819848", "editor": "Sandra S. Phillips, Mark Haworth-Booth, Carol Squiers", "contributors": "Lori Fogarty (foreword)", "is_signed_inscribed": "", "designer": "", "description": "A landmark 1997 exhibition catalog accompanying the first major museum exhibition to examine historical and contemporary photographs taken as evidence in law enforcement contexts. The work surveys more than 120 images from public and private sources—ranging from Civil War era Lincoln conspiracy photographs to mid-20th century crime scenes and contemporary forensic documentation—that question the conjunction of photography and enforcement while challenging the assumption that images represent unvarnished truth. The three-part catalog features essays by the three editors: Sandra S. Phillips' essay examines mug shot photography and anthropometry; Mark Haworth-Booth explores the photographer's role in crime documentation; and Carol Squiers analyzes how press photography served as both evidence and propaganda during the FBI's expanded powers under J. Edgar Hoover. The book explores the evolution of surveillance from wartime reconnaissance to contemporary security monitoring.", "artist_url": "", "publisher_url": "https://www.chroniclebooks.com", "collection_grouping": "Photography", "tags": "disaster, forensic photography, policing, crime scene, surveillance, evidence, mug shots, Weegee", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Phillips_Police_Pictures_9780811819848.jpg", "price": "", "weight_g": "", "language": "English", "num_images": "94", "notes": "The exhibition opened at SFMOMA October 17, 1997–January 20, 1998, and traveled to the Grey Art Gallery and Study Center at New York University (May 19–July 18, 1998). Sandra S. Phillips was Curator of SFMOMA Photography department; Mark Haworth-Booth was photography curator at the Victoria & Albert Museum, London; Carol Squiers is an independent photo curator and critic. This was the first comprehensive museum exhibition of its kind to treat police and forensic photography as cultural artifacts worthy of serious art historical examination." }, { "id": "1585", "author_last": "Botz", "author_first": "Corinne May", "author_full_name": "Corinne May Botz", "title": "The Nutshell Studies of Unexplained Death", "publisher": "The Monacelli Press", "publication_year": "2004", "height_cm": "27.5", "width_cm": "21.1", "depth_cm": "2.6", "binding": "Hardcover with black cloth boards and black pictorial dust jacket", "page_count": "225", "edition_printrun": "", "isbn_asin": "9781580931458", "editor": "", "contributors": "", "is_signed_inscribed": "", "designer": "", "description": "\"The Nutshell Studies of Unexplained Death\" documents the remarkable career and legacy of Frances Glessner Lee, a pioneering forensic scientist and philanthropist who revolutionized crime scene investigation training. Published in 2004 with 225 pages of lush color photography and specially prepared line drawings, Corinne May Botz's book presents an extraordinary visual and narrative exploration of Lee's eighteen miniature crime-scene dioramas created in the 1940s and 1950s. Built at a precise scale of 1:12 (one inch to one foot), these hyperrealistic dollhouse-sized models display meticulous attention to forensic detail: working doors and windows, carefully placed clues such as overturned ashtrays and bullet holes in walls, ligature marks painted on doll figures, and decomposition effects rendered with scientific accuracy. Each diorama cost between $3,000-$4,500 to construct and represents a composite based on actual case files. Botz's accompanying essay, drawing from archival research and interviews with Lee's family and police colleagues, provides biographical context.", "artist_url": "", "publisher_url": "https://www.monacellipress.com", "collection_grouping": "Photography", "tags": "disaster, unexplained death, forensic, dioramas, Frances Glessner Lee, miniatures, crime scene, investigation training", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Botz_The_Nutshell_Studies_of_Unexplained_Death_9781580931458.jpg", "price": "", "weight_g": "", "language": "English", "num_images": "", "notes": "Frances Glessner Lee (1878-1962) was the first female police captain in the United States and is known as the \"mother of forensic science.\" In 1931, she helped establish Harvard's Department of Legal Medicine—the only such forensic program existing in North America at that time—and in 1936 she endowed the department with a substantial gift of $250,000. Lee's Nutshell Studies are now housed at the Maryland Office of the Chief Medical Examiner in Baltimore, where they continue to serve as active educational tools in annual forensic investigation seminars. The dioramas were designed to teach homicide investigators to \"convict the guilty, clear the innocent, and find the truth in a nutshell.\" Exhibited by the Renwick Gallery of the Smithsonian American Art Museum from October 2017 to January 2018." }, { "id": "1586", "author_last": "Pickering", "author_first": "Sarah", "author_full_name": "Sarah Pickering; text by Karen Irvine", "title": "Explosions, Fires, and Public Order", "publisher": "Aperture", "publication_year": "2010", "height_cm": "28.7", "width_cm": "21.0", "depth_cm": "1.5", "binding": "Hardcover", "page_count": "123", "edition_printrun": "", "isbn_asin": "9781597111232", "editor": "", "contributors": "Karen Irvine (text)", "is_signed_inscribed": "", "designer": "", "description": "Sarah Pickering's \"Explosions, Fires, and Public Order\" documents four interconnected photographic series exploring the secretive spaces where civil defense and emergency preparedness training takes place. The work begins with \"Public Order,\" which examines the Metropolitan Police Public Order Training Centre near London—a simulated urban environment where officers rehearse responses to scenarios of civic unrest. This series reveals the carefully constructed infrastructure designed to prepare specialist officers for terrorism threats and civil disturbances. The \"Explosions\" series captures controlled military detonations used to add realistic stress to training exercises, some created by pyrotechnic manufacturers who also work on James Bond films. Pickering's \"Fire Series\" and \"Incident\" were produced during her artist-in-residence at the UK Fire Training College, where she photographed both active training fires set inside meticulously constructed home interiors and the stark, charred remnants after blazes were extinguished.", "artist_url": "", "publisher_url": "https://aperture.org", "collection_grouping": "Photography", "tags": "disaster, fire, explosion, public order, simulation, UK, training, emergency preparedness, civil defense", "classification": "Photography; Individual Photographers; General Monographs", "bisac": "", "ddc": "", "location": "Hudson Street Library, NYC", "accession_no": "", "image_url": "/assets/images/books/Pickering_Explosions_Fires_and_Public_Order_9781597111232.jpg", "price": "", "weight_g": "", "language": "English", "num_images": "58", "notes": "Published by Aperture and the Museum of Contemporary Photography in 2010. Made possible in part by the Lannan Foundation. The book accompanied the exhibition \"Sarah Pickering: Incident Control\" at MoCP (Museum of Contemporary Photography) at Columbia College Chicago from April 9 through June 20, 2010. Sarah Pickering completed her MA in photography at the Royal College of Art, London, in 2005 and has received numerous awards including the Photographers' Gallery Graduate Award and a Jerwood Award. Her work was part of the \"How We Are: Photographing Britain\" exhibition at Tate Britain." }, { "id": "1587", "author_last": "Odermatt", "author_first": "Arnold", "author_full_name": "Arnold Odermatt; text by Urs Odermatt", "title": "Karambolage", "publisher": "Steidl", "publication_year": "2015", "height_cm": "32.0", "width_cm": "24.0", "depth_cm": "", "binding": "Hardcover with linen binding", "page_count": "408", "edition_printrun": "", "isbn_asin": "9783869309316", "editor": "", "contributors": "Urs Odermatt (text)", "is_signed_inscribed": "", "designer": "", "description": "Arnold Odermatt spent over four decades as a Swiss police photographer in the canton of Nidwalden", "artist_url": "documenting automobile accidents from 1948 to 1990. Working with his Rolleiflex camera", "publisher_url": "he initially photographed crashes to supplement written accident reports and provide evidence for court cases and insurance investigations. Unlike typical documentary police photography", "collection_grouping": "Odermatt's images reveal a sophisticated artistic sensibility", "tags": "combining clinical attention to detail with an aesthetic appreciation for composition and landscape. His photographs transform scenes of destruction into unexpectedly haunting and sometimes surreal visual narratives", "classification": "capturing damaged vehicles as sculptural objects arranged in the Alpine landscape. The work captures consequences of excessive speed", "bisac": "impaired driving", "ddc": "and traffic violations across four decades", "location": "presenting melancholic", "accession_no": "sometimes darkly comedic", "image_url": "and always atmospheric moments that explore themes of human fragility and societal risk.", "price": "", "weight_g": "https://steidl.de", "language": "Photography", "num_images": "disaster, accident, car crash, vernacular photography, Switzerland, police photography, documentary", "notes": "Photography; Individual Photographers; General Monographs" } ]