The Secret Agent by Stan Douglas

The Secret Agent

by Stan Douglas
Ludion · 2015 · Hardcover

Stan Douglas's The Secret Agent gathers three linked works by the Vancouver artist: a film installation that moves Joseph Conrad's novel to 1970s Portugal, a photo series on Angola and New York, and a six-hour jazz film.

Ludion published the 192-page hardcover in October 2015 for the premiere of the installation at WIELS in Brussels. It carries the original script of The Secret Agent, with stills and production images. Douglas keeps Conrad's 1907 characters and plot but sets them in Lisbon after the Carnation Revolution of 1974. The book adds Disco Angola, eight staged photographs, four made in New York and four in Angola, which set New York nightlife of the seventies beside the Angolan civil war, and Luanda-Kinshasa, a film of eleven songs recorded in the legendary 30th Street Studio. Dirk Snauwaert wrote the foreword, Eric C.H. De Bruyn and Jason E. Smith contributed texts, and Séamus Kealy the afterword.

Douglas has shown at Documenta 9, 10 and 11 and at three Venice Biennials, and lives and works in Vancouver.


Details

Publisher Ludion
Archive standouglas.com
Year 2015
ISBN 9789491819384
Format Hardcover
Pages 192
Dimensions 26.5cm × 21.5cm
Language English

Notes

Ludion page lists the book as sold out. Trade edition only; David Zwirner Books sells a separate signed special edition of 100 (different product, not this book). Ludion page: 'Vancouver' is from Zwirner's page (NYT quote: has lived and worked his entire life in Vancouver) and Ludion ('lives and works in Vancouver'). Zwirner describes the setting as Portugal's 'Hot Summer' of 1975; Ludion says Lisbon soon after the 1974 Carnation Revolution; description follows Ludion. 'Premiere at WIELS October 2015' from Ludion/WIELS; 'published October 2015' from Zwirner. 'Disco Angola' photos, 'Luanda-Kinshasa' 6-hour film with eleven songs: Ludion. Cover image is Ludion's front-cover image (jacket-style label over a film still). Editor/curator credit varies: AbeBooks lists Bruyn and Smith as authors; Zwirner gives foreword Snauwaert, texts De Bruyn and Smith, afterword Kealy.

Contributors

Contributors Dirk Snauwaert (Foreword); Eric C.H. De Bruyn (Essay); Jason E. Smith (Essay); Séamus Kealy (Afterword)

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