Tokyo Compression Final Cut by Michael Wolf

Tokyo Compression Final Cut

by Michael Wolf
Peperoni Books · 2017 · Hardcover

The fourth and final edition of Michael Wolf's Tokyo Compression, a series of close portraits of Tokyo commuters pressed against subway windows.

Peperoni Books reworked the book completely for this edition: 89 colour plates in a clothbound hardcover of 120 pages, with images tipped in on the front and back boards, many photographs not seen in the earlier printings, and an added closing sequence the publisher calls a "hidden track". Wolf strips out seats, graffiti and interior architecture and keeps only faces and figures, so the pictures read as a study of the inner state of city dwellers. Christian Schüle's essay "Tokyo Subway Dreams" reads the series as a portrait of loneliness in the megacity.

Martin Parr named the 2010 Tokyo Compression book among the thirty most influential photobooks of 2001-2010, and the series took first prize in the Daily Life category of the 2009 World Press Photo competition. Wolf (1954-2019) also made Architecture of Density and The Transparent City.


Details

Publisher Peperoni Books
Year 2017
ISBN 9783941249097
Format Hardcover
Pages 120
Dimensions 25cm × 20cm
Language English

Notes

Year 2017 is NOT on the publisher page. Source: Wolf Books (wolf-books.com) seller listing 'Publication year 2017'; web search summaries of Amazon/Rizzoli said June 1, 2017, but those pages did not show the date when saved. CONFLICT: publisher calls this the fourth edition; the Wolf Books listing labels it 'Second' edition. Publisher's wording used. Publisher page says first three editions sold out. '2010 first edition', Parr selection and 2009 WPP prize are from Wikipedia (which says 'the 2010 book' and does not say Parr chose this edition; description says the first edition, an inference from 2010 date, verify if wanted). Dimensions: publisher 20 x 25 cm, Wolf Books 25.5 x 21.5 x 2 cm; cover is portrait so H25 x W20. Cover: 2000x2000 Wolf Books product shot, auto-cropped to 1400x1644 (a light grey margin remains, pad 70px).

Contributors

Contributors Christian Schüle (Essay)

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